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MARINA ABRAMOVIC
1946, Belgrade, Serbia
F / B / S / V / INSTV
| ARTISTS' BOOKS | ||
| Ulay / Marina Abramovic Two Performances | Experimental Art Foundation | 1979 |
| POSTERS / EPHEMERA | ||
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| Intervention N0. 1 " Night Sea Crossing" [poster w/ Ulay] | Toronto City Hall Plaza | 1982 |
| Marina Abramovic: Balkan Erotic Epic [announcement card with image and text] | Sean Kelly, New York | 2005 |
| BOOKS BY ABOUT ABRAMOVIC | ||
| Marina Abramovic: Public Body | Charta [Germano Celant] | 2001 |
| ARTICLES AND INTERVIEWS BY OR WITH ABRAMOVIC | ||
| Dialogue with Heidi Grundmann | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| INDIVIDUAL CATALOGUES | ||
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| Marina Abramovic: The Artist is Present | Museum of Modern Art, New York | 2010 |
| Marina Abramovic: The Hero [part of the Directions series] | Hirshhorn Museum and Sculpture Garden | 2002 |
| Marina Abramovic: The House with the Ocean View | Charta / Sean Kelly Gallery, New York | 2002 |
| CATALOGUES INCLUDING ABRAMOVIC | ||
| Ars - Aevi - International Cultural Project | Museum of Contemporary Art, Sarajevo | 1999 |
| Art from Europe [Curator: Catherine Lacey] | The Tate Gallery [fourth in the New Art Series] | 1987 |
| Belgrade Art Inc. Moments of change | Secession, Vienna | 2004 |
| Blut & Honig [Blood and Honey] | Sammlung Essl, Vienna | 2003 |
| Body and the East: From the 1960s to the Present | moderna galerija, Ljubljana | 1998 |
| Choices: Making Art of Everyday Life | The New Museum of Contemporary Art, New York | 1986 |
| Collected Views from East to West [no catalogue] | Generali Foundation, Vienna | 2004 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 8 [curator: Manfred Schneckenburger] Video | Kassel | 1987 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Do It | Independent Curators, Inc., New York | 1997 |
| Double Life: Identity and Transformation in Contemporary Life | Generali Foundation, Vienna | 2001 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| In the Gorges of the Balkans | Kunsthalle Fridericianum, Kassel | 2003 |
| Klima Global: Arte Amazonas | Museu de Arte Moderna, Rio de Janeiro / Staatliche Kunsthalle, Berlin | 1992 |
| La Biennale di Venezia 1976 - International Events | Venice | 1976 |
| La Biennale di Venezia 47 | Venice | 1997 |
| Istanbul Biennial # 4 | Istanbul | 1995 |
| Longing and Belonging From the Faraway Nearby | Site Santa Fe | 1995 |
| Loop - Back to the Beginning [curator: Klaus Biesenbach] | P.S. 1 Contemporart Art Center, New York | 2001 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| Memento Mori | Moore College of Art, Philadelphia | 1985 |
| Moving Pictures: Contemporary Photography and Video from the Guggenheim Collections | Solomon R. Guggenheim Museum, New York | 2003 |
| 9th Biennale de Paris | Musee d'art Moderne de la Ville de Paris | 1975 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| Remembrances of Things Past | Long Beach Museum of Art, California | 1986 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Stations | Centre International D'Art Contemporian De Montreal | 1988 |
| The Art of Eastern Europe in Dialogue with the West | Moderna galerija Ljubljana | 2000 |
| The Art of Participation: 1950 to Now | San Francisco Museum of Modern Art | 2008 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| the Time of Our Lives [Marcia Tucker, curator] | The New Museum of Contemporary Art, New York | 1999 |
| Valencia Biennial #2 - The Ideal City | Valencia, Spain | 2003 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Whitney Biennial 2004 [Chrissie Iles, Shamim M. Momin, and Debra Singer] | Whitney Museum of American Art, New York | 2004 |
| Works and Words | De Apple, Amsterdam | 1980 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| SELECTED BOOKS INCLUDING ABRAMOVIC | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| East Art Map (edited by IRWIN) | Afterall Books | 2006 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| The New Art Practice in Yugoslavia 1966-1978 | Gallery of Contemporary Art, Zagreb | 1978 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Veiled Histories: The Body, Place and Public Art | San Francisco Art Institute Critical Press | 1997 |
| OTHER PUBLICATIONS | ||
| Art Action 1958 - 1998 | Inter Art Actuel et Le Lieu, Centre en Art Actuel, Quebec | 2001 |
| SELECTED PERIODICALS INCLUDING ABRAMOVIC | ||
| Art Journal [Doppelgangers and the Tird Force: The Artistic Collaborations of Gilbert & George and Marina Abramovic / Ulay] | Summer | 2000 |
| Sculpture, Vol.20 #9 [interview with Abramovic] | November | 2001 |
| Third Text # 33 | Third Text, Winter | 1995 |
| Trans> arts.cultures.media # 2 | Passim, Inc. | 1996 |
| Vision Number 2 (Eastern Europe) | Crown Point Press | 1976 |
| Vision Number 4 (Word of Mouth) [audio issue] | Crown Point Press | 1980 |
| Vision Number 5 (Artists' Photographs) | Crown Point Press | 1982 |