VITO ACCONCI
1940, New York
| INDIVIDUAL CATALOGUES | ||
| Vito Acconci A Retrospective: 1969 - 1980 | Museum of Contemporary Art, Chicago | 1980 |
| Vito Acconci: Catalogue of headlines and images | Stedelijk Museum, Amsterdam | 1978 |
| Vito Acconci: Public Art (brochure) | Rosenwald-Wolf Gallery, Philadelphia | 1999 |
| Vito Acconci: Public Places | Museum of Modern Art, New York | 1988 |
| BOOKS BY OR ABOUT ACCONCI | ||
| Language to Cover a Page: The Early Writings of Vito Acconci | MIT Press | 2006 |
| Vito Acconci: Writings,Works,Projects | Editiones Poligrafa | 2001 |
| ARTICLES BY AND INTERVIEWS WITH ACCONCI | ||
| on Art, Architecture, Arvada, and StoreFront | Dialogues in Public Art, MIT Press | 2000 |
| Steps into Performance (and Out) | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| OTHER PUBLICATIONS | ||
| The Arties - Franklin Furnace's Tenth Anniversary Celebration | Franklin Furnace, New York | 1986 |
| The Kitchen Center for Video and Music 75-76 | The Kitchen, New York | 1976 |
| 0 to 9 The Complete Magazine 1967-1969 (reprint) | Ugly Duckling Press | 2006 |
| In and Out of Kutztown: a documentation of the Art Series Program 1974-1981 | Kutztown State College, Pennsylvania | 1983 |
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| RECORDINGS INCLUDING ACCONCI | ||
| Ten Packed Minutes (Airwaves) | 110 Records | 1977 |
| VIDEO INCLUDING ACCONCI | ||
| Two Moon July | The Kitchen, New York | 1987 |
| EPHEMERA / POSTERS | ||
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| Behavior Fields - Transaction Areas - Training Grounds - Maneuver Positions (invitation) | Sonnabend, New York | 1972 |
| Fall, 1976 (post card) | Image Bank Post Card Show | 1977 |
| The Peoplemobile [Project for Town Squares in Holland] (poster) | De Appel, Amsterdam ++ | 1979 |
| Will be at Hotel Earl... (invitation) | Sonnabend, New York | 1973 |
| SELECTED CATALOGUES INCLUDING ACCONCI | ||
| Alternatives in Retrospect: An Historical Overview 1969-1975 | The New Museum of Contemporary Art, New York | 1981 |
| American Narrative / Story Art 1967-1977 | Contemporary Art Museum, Houston, Texas | 1978 |
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| A Sound Selection:Audio Works by Artists [with artist statements] | Artists Space, New York | 1980 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Bodyworks | Museum of Contemporary Art, Chicago | 1975 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Concept </> Decoratif: Anti-Formalist Art of the 70s | Nahan Contemporary, New York | 1990 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Democracy Was Fun [card / press releases / checklist / no catalogue produced] | White Box, New York | 2004 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 10 | Kassel, Germany | 1997 |
| Double Life: Identity and Transformation in Contemporary Arts | Generali Foundation, Vienna | 2001 |
| Eight Contemporary Artists | The Museum of Modern Art, New York | 1974 |
| Films by American Artists: One Medium Among Many | Art Council of Great Britian - a traveling exhibition of films | 1981 |
| First Impressions: Early Prints by Forty-six Contemporary Artists | The Walker Art Center, Minneapolis | 1989 |
| 557,087 | Seattle | 1969 |
| Image Bank Post Card Show | Image Bank, Vancouver | 1977 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Improbable Furniture | Institute of Contemporary Art, Philadelphia | 1977 |
| Information | Museum of Modern Art, New York | 1970 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| Into the Light: The Projected Image in American Art 1964-1977 | Whitney Museum for American Art | 2001 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Nature and Anti-Nature / also in Ambient Art | Venice | 1976 |
| la Biennale di Venezia 45: Opera Italiana - Transiti - Museo Elettronico | Venice, various locations | 1993 |
| Less: Alternative Living Strategies | Il PAC - Padiglione d'Arte Contemporanea di Milano | 2006 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| Massive Political Group Show II: Visual Art, Performance, Music, Poetry, Video. [poster / no catalogue] | ABC No Rio, New York | 1985 |
| 995,000 | Vancouver | 1970 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| Perverted by Language | Hillword Art Gallery, New York | 1987 |
| Place for the Self | Apex Art, New York | 2004 |
| playing in the ruins [curatorial training program] | Royal College of Art, London | 2001 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Public Art Program 1985-1988 [catalogue of projects] | Hillwood Art Gallery, Long Island University | 1989 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Rooms P.S.1 | MoMA, NY | 1970 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| Schemes: A Decade of Installation Drawings | Elise Meyer Inc | 1981 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Software: Information Technology: Its New Meaning for Art | The Jewish Museum | 1970 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Sydney Biennale 2002 - (The World May Be) Fantastic | Various venues, Sydney | 2002 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Art of Participation: 1950 to Now | San Francisco Museum of Modern Art | 2008 |
| The Edge of Awareness | World Health Organization | 1998 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Fairy Tale: Politics, Desire, and Everyday Life | Artists Space, New York | 1986 |
| The Last Picture Show | The Walker Art Center | 2003 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Valencia Biennial #2 - The Ideal City | Valencia, Spain | 2003 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| Whitney Biennial 1981 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1981 |
| Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| SELECTED BOOKS INCLUDING ACCONCI | ||
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
| Breakthrough Fictioneers | Something Else Press | 1973 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Creative Time: The Book 33 Years of Public Art in NYC | Princeton Architectural Press | 2007 |
| Dialogues in Public Art | MIT Press | 2000 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Illuminating Video: An Essential Guide to Video Art | Aperture | 1990 |
| Individuals: Post-Movement Art in America | E.P. Dutton & Co., Inc. | 1977 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Mapping the Terrain: New Genre Public Art | Bay Press | 1995 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Picture This: Films Chosen by Artists | Hallways Contemporary Art Center, Buffalo | 1987 |
| Postminimalism | Out of London Press | 1977 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING ACCONCI | ||
| Artforum [Aligned with Nazca by Robert Morris] | October | 1975 |
| Artforum [Article on "Rooms" exhibition at P.S.1] | October | 1976 |
| Artforum [In Pursuit of Acconci] | April | 1977 |
| Art Journal [From Gaget Video to Agit Video: Some Notes on Four Recent Video Works [Benjamin Buchloh] [and in Chronology] | Fall | 1985 |
| Arts Magazine [Word Art: Some Aspects of Word Art] | Summer | 1969 |
| Art in America [Vito Acconci: The Body Impolitic ] | October | 1980 |
| Art in America [Keeping Abreast (Vito Acconci] | July | 1991 |
| Art-Rite # 5 | Art-Rite Publishing | 1974 |
| Avalanche # 02 | Avalanche | 1971 |
| Avalanche # 06 (special issue devoted entirely to Acconci) | Avalanche | 1972 |
| Cover #2 | Artcover, New York | 1980 |
| Flash Art [The Body as Site] | November-December | 1991 |
| Interfunktionen #05 | Interfunktionen | 1970 |
| Interfunktionen #06 | Interfunktionen | 1971 |
| Interfunktionen #08 | Interfunktionen | 1972 |
| Interfunktionen #10 | Interfunktionen | 1973 |
| On Site 5/6 - On Energy | SITE, Inc., New York | 1974 |
| Parkett # 22 | Parkett | 1989 |
| TRANS> 9/10 | Passim, Inc. | 2001 |
| TriQuarterly # 32 (with cards) | TriQuarterly | 1975 |
| Upfront # 12/13 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1986/7 |
| 0 to 9 Number 4 | Acconci and Mayer, reprint 2006, June | 1968 |
| 0 to 9 Number 5 | Acconci and Mayer, reprint 2006, January | 1969 |
| 0 to 9 Number 6 | Acconci and Mayer, reprint 2006, July | 1969 |
| EXHIBITION REVIEWS | ||
| Vito Acconci at Sonnabend | Art in America, October | 1979 |
| Vito Acconci at The Kitchen | Artforum, Summer, | 1980 |
| Vito Acconci, Robert Morris, Dennis Oppenheim at Sonnabend | Artforum, Summer, | 1980 |
| Vito Acconci and Ana Mendieta at Galeria Lelong, New York | Art Nexus #41, August-October | 2001 |