DENNIS ADAMS
1948, Des Moines, Iowa - Lives and works in New York
| ARTISTS' BOOKS | ||
| der mull, ( .....) und der tod / garbage (.....) and death | Portikus, Frankfurt | 1993 |
| Port of View | L'observatoire, Marseille | 1992 |
| Public Difference: Architecture Shame | Christine Burgin Gallery, New York | 1989 |
| INDIVIDUAL CATALOGUES | ||
| Dennis Adams: Building Against Image 1979-1987 | The Alternative Museum, New York | 1987 |
| CATALOGUES INCLUDING ADAMS | ||
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
| Constitution [organized by Group Material] | The Temple Gallery, Temple University, Philadelphia | 1987 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Disinforamtion: The Manufacture of Consent | The Alternative Museum, New York | 1985 |
| Global Priority | Herter Art Gallery, University of Massachusetts, Amherst | 2003 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Intervenciones | Pabellon de Andalucia | 1992 |
| Liberty and Justice [curated by Group Material and the Alternative Museum] | Alternative Museum, New York | 1986 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Public Art Program 1985-1988 [catalogue of projects] | Hillwood Art Gallery, Long Island University | 1989 |
| Reprises de Vues / TV: For Real | Halle Sud, Geveve | 1988 |
| Rhetorical Image | The New Museum of Contemporary Art, New York | 1990 |
| The Photography of Invention: American Pictures on the 1980s | National Museum of American Art, Smithsonian Institution | 1989 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| Unknown Secrets: Art and the Rosenberg Era | Hillwood Art Gallery, Long Island University, New York | 1988 |
| Whitney Biennial 2000 [Michael Auping, Valerie Cassel, Hugh M. Davies, Jane Farver, Andrea Miller-Keller, and Lawrence R. Rinder] | Whitney Museum of American Art | 2000 |
| GROUP MATERIAL EXHIBITIONS | ||
| MASS | The New Museum of Contemporary Art, New York | 1986 |
| BOOKS INCLUDING ADAMS | ||
| Creative Time: The Book 33 Years of Public Art in NYC | Princeton Architectural Press | 2007 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Veiled Histories: The Body, Place and Public Art | San Francisco Art Institute Critical Press | 1997 |
| PERIODICALS INCLUDING ADAMS | ||
| Art in America [The Expanded Readymade (Sydney Biennale)] | September |
1990 |
| Art in America [The Expanded Readymade (Sydney Biennale)] | September |
1990 |
| Art in America [The Expanded Readymade (Sydney Biennale)] | September |
1990 |