LAURIE ANDERSON
1947, Chicago, Illinois - Lives and works in New York
| RECORDINGS BY ANDERSON | ||
| Airwaves | 110 Records (Bob George) | 1977 |
| Three Expeditions (1978) | Big Ego, Giorno Poetry Series | 1978 |
| New Music for Electronic and Recorded Media | 1750 Arch Records | 1977 |
| Tape Bow Song for Juanita | American Narrative / Story Art 1967-1977 - Record | 1978 |
| United States 1-IV Live [at the Brooklyn Academy of Music - February 7-10, 1983] | Warner Brothers | 1984 |
| Your the Guy I Want to Share My Money With | Giorno Poetry Series | 1981 |
| VIDEO INCLUDING ANDERSON | ||
| Two Moon July | The Kitchen, New York | 1987 |
| ARTICLES/ESSAYS BY ANDERSON | ||
| Forward to Performance: Live Art Since 1960 - this is the time and this is the record of the time | Harry N. Abrams | 1998 |
| from Americans on the Move | October # 8, Spring | 1979 |
| EPHEMERA | ||
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| Laurie Anderson [poster] | Institute of Contemporary Art, University of Pennsylvania | 1983 |
| Laurie Anderson: Quartets For Four Listeners [announcement card with text] | Holly Solomon Gallery, New York | 1978 |
| Laurie Anderson: The Speed of Darkness [program brochure and announcement] | Bucknell University, Lewisburg, Pennsylvania | 1997 |
| Next Wave Festival 1983 Program [Trish Brown: collaboration with Robert Rauschenberg and Donald Judd, visuals / Laurie Anderson, music-performance] | Brooklyn Academy of Music | 1983 |
| OTHER PUBLICATIONS | ||
| The Arties - Franklin Furnace's Tenth Anniversary Celebration [an "Artie" given to Anderson in recognition of here work: "United States"] | Franklin Furnace, New York | 1986 |
| Holly Solomon Gallery: The First Two Years | Holly Solomon | 1977 |
| INDIVIDUAL CATALOGUES | ||
| Laurie Anderson: Dal Vivo | Fondazione Prada of Milan and Milan's Prison Casa Circondariale-Milano San Vittore | 1998 |
| Laurie Anderson: Works from 1969 to 1983 | Institute of Contemporary Art, University of Pennsylvania | 1983 |
| BOOKS BY OR ABOUT ANDERSON | ||
| Empty Places: A Performance Laurie Anderson | Harper Perennial | 1991 |
| Laurie Anderson | Harry N. Abrams | 2000 |
| United States [by Anderson] | Harper & Row | 1983 |
| CATALOGUES INCLUDING ANDERSON | ||
| American Narrative / Story Art 1967-1977 | Contemporary Art Museum, Houston, Texas | 1978 |
| A Sound Selection:Audio Works by Artists [with artist statements] | Artists Space, New York | 1980 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Concept </> Decoratif: Anti-Formalist Art of the 70s | Nahan Contemporary, New York | 1990 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 8 [curator: Manfred Schneckenburger] Video | Kassel | 1987 |
| Extended Play [Anderson's work discussed in text - not in exhibition] | Emily Harvey Gallery, New York | 1988 |
| Gloria:Another Look at Feminist Art of the 1970s | White Columns, New York | 2002 |
| Holly Solomon Gallery Inaugural Exhibition [at 724 5th Avenue, New York] | Holly Solomon Gallery, New York | 1983 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Matrix, A Changing Exhibition of Contemporary Art [1979] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| Messages: Words and Images | Freedman Gallery, Albright College | 1981 |
| On the Wall / On the Air: Artists Make Noise | Hayden Corridor Gallery, MIT | 1985 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| Public Art | Nexus Contemporary Art Center, Atlanta | 1985 |
| Schemes: A Decade of Installation Drawings | Elise Meyer Inc | 1981 |
| 10th Biennale de Paris | Palais de Tokyo / Musee d'Art Moderne | 1977 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The 1984 Show | Ronald Feldman Fine Art, Inc, New York | 1983 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| BOOKS INCLUDING ANDERSON | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Midnight: The East Village Scene | St. Martin's Press | 1986 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| Conceptual Art | Phaidon | 1998 |
| Creative Time: The Book 33 Years of Public Art in NYC | Princeton Architectural Press | 2007 |
| Discourses: Conversations in Postmodern Art and Culture | The New Museum of Contemporary Art and MIT Press | 1990 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Hotel [Dark Dogs, American Dreams by Anderson] | Tanam Press | 1980 |
| Individuals: Post-Movement Art in America | E.P. Dutton & Co., Inc. | 1977 |
| On the Museum's Ruins | MIT Press | 1993 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| The Amazing Decade: Women and Performance Art in America 1970-1980 | Astro Artz | 1983 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Video by Artists 2 | Art Metropole, Toronto | 1986 |
| PERIODICALS INCLUDING ANDERSON | ||
| Artforum [Artist's Projects Issue] | Artforum | 1980 |
| Art in America, [A Critic's Diary: The New York Art Year by David Bourdon] | July-August | 1977 |
| Art in America [Amplifications: Laurie Anderson by Craig Owens] | March | 1981 |
| Art-Rite # 5 | Art-Rite Publishing | 1974 |
| Art-Rite # 10 | Art-Rite Publishing | 1975 |
| Avalanche # 11 | Avalanche | 1975 |
| New Observations #82 - Response to War | New Observations Ltd., New York | 1991 |
| October # 8 | Spring | 1979 |
| Parkett # 18 | Parkett | 1988 |
| Parkett # 49 | Parkett | 1997 |
| The Flue Vol 1 #5 | Franklin Furnace | 1981 |
| TRANS> 9/10 | Passim, Inc. | 2001 |
| Vision Number 4 (Word of Mouth) [audio issue] | Crown Point Press | 1980 |
| X-Tra Vol. 5 #3 | Project X Foundation for Art and Criticism | 2003 |
| EXHIBITION REVIEWS | ||
| Laurie Anderson at Artists Space | Art in America, March-April | 1974 |
| Laurie Anderson at Holly Soloman | Artforum, April | 1977 |
| Laurie Anderson at Holly Solomon | Artforum, Summer | 1980 |