CARL ANDRE
1935, Quincy, Massachusetts
| ARTISTS BOOKS AND MULTIPLES | ||
| Art & Project Bulletin # 85 | art & project, Amsterdam | 1975 |
| EPHEMERA | ||
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| Carl Andre: Angellipse, 199 Hay Bales [postcard] | An A.R.E.A. Project | 1979 |
| Carl Andre [invitation - periodic chart] | Dwan Gallery , New York (also a copy of Art International, May 1969 with advertisement for the exhibition) | 1969 |
| Carl Andre: Small Floor Pieces [invitation card] | Konrad Fischer Gallery, Dusseldorf | 1972 |
| Carl Andre [invitation card with text/squared] | Paula Cooper Gallery | 2006 |
| INDIVIDUAL CATALOGUES | ||
| Carl Andre | The Solomon R. Guggenheim Museum | 1970 |
| Carl Andre: Sculpture 1959-1977 | Laguna Gloria Art Museum | 1978 |
| Carl Andre: Wood | Van Abbemuseum, Eindhoven | 1978 |
| BOOKS BY OR ABOUT ANDRE | ||
| Cuts: Texts 1959-2004 | MIT Press | 2005 |
| ARTICLES INCLUDING OR BY ANDRE | ||
| Joint Statement [presented as an ad] in Artforum regarding exhibitions and artists rights (in response to Documenta 5) | Artforum, June | 1972 |
| Preface to Stripe Painting | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Time: A Panel Discussion [Moderator: Siegelaub / with Andre / Cain / Huebler / Wilson | Art International, November | 1969 |
| INTERVIEWS WITH ANDRE IN | ||
| Artforum | June | 1970 |
| The Artist's Contract | Verlag der Buchhandlung Walther Konig, Koln | 2009 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| SELECTED CATALOGUES INCLUDING ANDRE | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| A Different War: Vietnam in Art [mentioned in Lippard's essays, not in the exhibition] | Independent Curators Incorporated, New York [traveled] | 1990 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Andre / Le Va / Long | Corcoran Gallery of Art, Washington, D.C. | 1976 |
| Anti-Illusion: Procedures/Materials | Whitney Museum | 1969 |
| ArtCite: When Montreal Turns Into a Museum | Musse D'Art Contemporain de Montreal | 2001 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Blam! The Explosion of Pop, Minimalism and Performance 1958-1964 | Whitney Museum of American Art | 1984 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Construction in Process | 37 Pkwn Street, Lodz, Poland | 1981 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Diagrams & Drawings | Rijksmuseum Kroller-Muller, Otterlo | 1972 |
| Directions 1: Options | Milwaukee Art Center | 1968 |
| Documenta 4 [curator: Arnold Bode] | Kassel, Germany | 1968 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Earth Works (no catalogue, anouncement card written in sand) | Virginia Dawn Gallery | 1968 |
Ecologic Art (postcard, no catalogue) |
John Gibson Gallery, New York | 1969 |
| 8 Young Artists | Bennington College, Vermont and the Hudson River Museum | 1964 |
| 8 Young Artists Then and Now 1964-1991 | Hunter College of The City University of New York | 1991 |
| Exhibition to Benefit the Student Mobilization Committee to End the Vietnam War [no catalogue, included as a point of information] | Paula Cooper Gallery | 1968 |
| 557,087 | Seattle | 1969 |
| Floored | Hillwood Art Gallery, School of the Arts, Long Island University | 1983 |
| Focus 2: Minimal Art, Concept Art, Land Art and Arte Povera [brochure] | Museum Moderner Kunst Stiftung Ludwig | 2004 |
| Function of Drawing | Rijksmuseum Kroller-Muller, Otterlo | 1975 |
| Guggenheim International | Guggenheim Museum | 1971 |
| Information | MoMA, New York | 1970 |
| July - August - September 1969 | Seth Siegelaub | 1969 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - The Entropy of Art | Venice | 1976 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| Marcel Broodthaers: Correspondances | Galerie Hauser & Wirth, Zurich and David Zwirner, New York | 1995 |
| Minimal Art [in German] | Akademie der Kunste, Berlin | 1969 |
| 995,000 | Vancouver | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Op Losse Schroeven (Square Peg in Round Holes) | Stedelijk Museum | 1969 |
| Other Ideas | The Detroit Institute of Arts | 1969 |
| Primary Structures: Younger American and British Sculptors | The Jewish Museum, New York | 1966 |
| Rooms P.S.1 | P.S.1 | 1977 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| 10 | Dwan Gallery | 1966 |
| The Art of the Real: USA 18948-1968 | The Museum of Modern Art | 1968 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| The Xerox Book | Seth Siegelaub / John Wendler | 1968 |
| Urban Encounters: Art Architecture Audience [listed in 100 sites] | ICA, University of Pennsylvania | 1980 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Whitney Museum Sculpture Annual 1970 | Whitney Museum of American Art | 1970 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art | Walther Konig, Koln | 1966/ 1997 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| SELECTED BOOKS INCLUDING ANDRE | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art and Life | Praeger | 1971 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
| Art Povera: Earthworks - Impossible Art - Actual Art - Conceptual Art | Praeger | 1969 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco] | The New Press, New York | 1995 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| The Artist's Contract | Verlag der Buchhandlung Walther Konig, Koln |
2009 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| The New Avant-Garde: Issues for the Art of the Seventies | Praeger | 1972 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING ANDRE | ||
| Artforum [Earthworks and the New Picturesque] | December | 1968 |
| Artforum [Notes on Sculpture Part 4: Beyond Objects by Robert Morris] | April | 1969 |
| Artforum [Interview] | June | 1970 |
| Artforum [Article on "Rooms" exhibition at P.S.1] | October | 1976 |
| Art in America [The Emperor's New Bikini by Hilton Kramer] | January-February | 1969 |
| Art in America [Report from Italy: Count Panza Divests] | December | 1984 |
| Art International [A Museum of Language in the Vicinity of Art by Robert Smithson] | March | 1968 |
| Art International [Minimal Art at the Hague] | May 15 | 1968 |
| Art International [Letter from Holland (including: discussion of Square Peg in Round Holes and When Attitudes Become Form] | May 20 | 1969 |
| Art International [Time: A Panel Discussion edited by Lucy Lippard] | November | 1969 |
| Art Journal [What we Have Learned about Modern Public Sculpture: Ten Propositions] | Winter | 1989 |
| Avalanche # 01 | Avalanche | 1970 |
| Interfunktionen #12 | Interfunktionen | 1975 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| Sculpture Vol.21, #10 [Swept Away: Carl Andre's "Grave" and Early Works by Suzaan Boettger] | December | 2002 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| Vision #3 - New York City | Crown Point Press | 1976 |
| Witte de With - Cahier #5 | Witte de With center for contemporary art, Rotterdam | 1996 |
| EXHIBITON REVIEWS | ||
| Advertisement for Carl Andre at Dwan (periodic chart) | Artforum, April | 1969 |
| Advertisement for Carl Andre at Dwan (periodic chart) | Art International, May 20 | 1969 |
| Carl Andre at Dwan | Artforum, June | 1971 |
| Carl Andre at the Portland Center for the Visual Arts | Art in America, May-June | 1973 |
| Carl Andre at John Weber | Art in America, July-August | 1974 |
| Carl Andre - Hollis Frampton: 112 Dialogues 1962-1963 [book review in French] | Parachute # 23 | 1981 |
| DOCUMENTS AND OTHER PUBLICATIONS | ||
| Art Workers Coalition - Open Hearing | Art Workers Coalition | 1969 |
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| John Weber Gallery Newsletter | John Weber Gallery | 1975 |