ELEANOR ANTIN
1935, New York
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| 100 BOOTS - Mailed Postcards (14 out of 51) | |
| In a Field | 71 - 02 - 9 / 3:30 P.M. |
| In the Wild Mustard | 71 - 06 -19 / 3:00 P.M. |
| On the Way Down | 71 - 10 -13 / 3:00 P.M. |
| Out of a Job | 72 - 02 - 5 / 4:45 P.M. |
| On the Job | 72 - 02 -15 / 12:15 P.M. |
| Taking the Hill (2) | 72 - 06 -13 / 2:20 P.M. |
| Try Again | 72 - 06 - 24 / 11:00 A.M. |
| Doing Their Best | 72 - 06 - 24 / 11:30 A.M. |
| On Reconaissance | 72 - 06 - 24 / 9:30 A.M. |
| Boots Up | 72 - 06 - 28 / 1:30 P.M. |
| On the March | 72 - 07 - 6 / 11:45 A.M. |
| Enter the Museum | 73 - 05 - 15 / 10:50 A.M. |
| Visit the Egyptian Gardens | 73 - 05 - 15 / 4:35 P.M. |
| In the Park | 73 - 05 - 16 / 2:40 P.M. |
| ARTISTS' BOOK | ||
| Being Antinova (signed w/ letter to Lynn) | Astro Artz | 1983 |
| RECORDINGS | ||
| Antinova Remembers (Revolutions per Minute: The Art Record) | Ronald Feldman Gallery, New York | |
| Kings Meditations I / VII / IX / | American Narrative / Story Art 1967-1977 - Record | 1978 |
| BOOKS BY ANTIN | ||
| 100 Boots | Running Press | 1999 |
| OTHER WRITINGS | ||
| From the King's Meditations | in Vision #1 - California | 1976 |
| My Friend The Hijacker | Paper Air Magazine Vol 2 No 3 | 1980 |
| In Place of a Lecture. Three Musics for Two Voices [with David Antin] | Aspen Magazine # 8 (contribution to issue) | 1970-1 |
| POSTCARDS AND EPHEMERA | ||
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| Jan. 20, 1649 (Video tape) | Image Bank Post Card Show | 1977 |
| Eleanor Antin R.N. at the Clocktower [a single-fold announcement with image and text] | The Institute for Art and Urban Resources, The Clocktower, New York | 1976 |
| INDIVIDUAL CATALOGUES | ||
| Eleanor Antin | Fox, Howard N. | 1999 |
| The Angel of Mercy | La Jolla Museum of Contemporary Art | 1977 |
| SELECTED CATALOGUES INCLUDING ANTIN | ||
| Alternatives in Retrospect: An Historical Overview 1969-1975 | The New Museum of Contemporary Art, New York | 1981 |
| American Narrative / Story Art 1967-1977 | Contemporary Art Museum, Houston, Texas | 1978 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Bodyworks | Museum of Contemporary Art, Chicago | 1975 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Documenta 12 | Kassel, Germany | 2007 |
| Double Life: Identity and Transformation in Contemporary Life | Generali Foundation, Vienna | 2001 |
| Duration Piece #8 Global | Douglas Huebler | 1973 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Gloria:Another Look at Feminist Art of the 1970s | White Columns, New York | 2002 |
| Image Bank Post Card Show | Image Bank, Vancouver | 1977 |
| July / August Exhibition Book | Studio International | 1970 |
| La Biennale di Venezia 1976 - International Events | Venice | 1976 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Matrix, A Changing Exhibition of Contemporary Art [1977] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| Not For Sale: Feminism and Art in the USA during the 1970s | Apex Art, New York | 1998 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Persona | The New Museum of Contemporary Art , New York | 1981 |
| (photo) (photo)2 ... (photo)n Sequenced Photographs | University of Maryland Art Gallery | 1975 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Sydney Biennale 2002 - (The World May Be) Fantastic | Various venues, Sydney | 2002 |
| The Last Picture Show | The Walker Art Center | 2003 |
| Third International Open Encounter on Video | CAYC (organized by) / Galleria Civica D'Arte Moderna, Ferrara | 1975 |
| 2,972,453 | CAYC, Buenos Aires | 1970 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Walk Ways | Independent Curators International | 2002 |
| Whitney Biennial 1989 - Film and Video [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1989 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| SELECTED BOOKS INCLUDING ANTIN | ||
| Breakthrough Fictioneers | Something Else Press | 1973 |
| Fabrications: Staged, Altered, and Appropriated Photographs | Abbeville Press, New York | 1987 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Amazing Decade: Women and Performance Art in America 1970-1980 | Astro Artz | 1983 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| SELECTED PERIODICALS INCLUDING ANTIN | ||
| Art in America [An Authentik and Historikal Discourse on the Phenomenon of Mail Art] | January-February | 1973 |
| Art in America [The Post-Perceptual Portrait] | January-February | 1975 |
| Art-Rite #10 | Art-Rite | 1975 |
| Arts Magazine [Word Art: Some Aspects of Word Art] | Summer | 1969 |
| Aspen Magazine No. 8 | Fall / Winter | 1970-1 |
| Flash Art No. 66-67 Venice Biennale Issue | Flash Art | 1976 |
| TriQuarterly # 32 (with cards) | TriQuarterly | 1975 |
| Vision #1 - California | Crown Point Press | 1976 |
| EXHIBITION REVIEWS | ||
| Eleanor Antin at M.L.D'Arc | Artforum, April | 1977 |
| Eleanor Antin at Ronald Feldman | Artforum, January | 1981 |
| Eleanor Antin [LACMoMA] | Art Journal, Spring | 2000 |