
IDA APPLEBROOG
1929, Bronx, New York
| RECORDINGS | ||
| Really, Is that a fact? [Revolutions Per Minute] | Ronald Feldman Fine Arts, New York | 1982 |
| BOOKS BY OR ABOUT APPELBROOG | ||
| Are You Bleeding Yet (works 1976-2002) | Red | 2002 |
| INDIVIDUAL CATALOGUES | ||
| Ida Applebroog: Happy Families - A Fifteen-Year Survey | Contemporary Arts Museum, Huston | 1990 |
| SELECTED CATALOGUES INCLUDING APPLEBROOG | ||
| An International Survey of Recent Painting and Sculpture | The Museum of Modern Art, New York | 1984 |
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Liberty and Justice [curated by Group Material and the Alternative Museum] | Alternative Museum, New York | 1986 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Public Art | Nexus Contemporary Art Center, Atlanta | 1985 |
| Reframing the Family | Artists Space, New York | 1991 |
| Sites and Solutions: Recent Public Art [curated by Judith Tannenbaum] | Freedman Gallery, Albright College, Reading, Pennsylvania | 1984 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Figure as Fiction: The Figure in Visual Art and Literature [curator: Elaine A. King] | The Contemporary Arts Center, Cincinnati | 1994 |
| The Hybrid State | Exit Art, New York | 1992 |
| the Time of Our Lives [Marcia Tucker, curator] | The New Museum of Contemporary Art, New York | 1999 |
| Whitney Biennial 1991 - Film and Video [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| Whitney Biennial 1993 [Elisabeth Sussman with Thelma Golden, John G. Hanhardt and Lisa Philips]] | Whitney Museum of American Art | 1993 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| GROUP MATERIAL EXHIBITIONS | ||
| MASS | The New Museum of Contemporary Art, New York | 1986 |
| SELECTED BOOKS INCLUDING APPLEBROOG | ||
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| The Amazing Decade: Women and Performance Art in America 1970-1980 | Astro Artz | 1983 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| PERIODICALS INCLUDING APPLEBROOG | ||
| Cover #2 | Artcover, New York | 1980 |
| Heresies # 2 Patterns Of Communication and Space Among Women | Heresies | 1977 |
| Heresies #18 / 19 Mothers, Mags, & Movie Stars - Feminism and Class / Satire | Heresies | 1985 |
| Heresies #24 Twelve Years | Heresies | 1989 |
| Poliester #16 [Whitney Biennial Review] | Fall | 1996 |
| Upfront # 14/15 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1987/8 |
| EXHIBITION REVIEWS | ||
| Ida Applebroog at Feldman | Art in America, May | 1981 |