ART AFTER MODERNISM: RETHINKING REPRESENTATION
The New Museum of Contemporary Art / David R, Godine, Publishers, 1984
Editors: Brian Wallis and Marcia Tucker
Partial List:
| ABC No Rio |
| Acker, Kathy: Realism for the Cause of Future Revolution |
| Adorno, Theodor |
| A.I.R. Gallery |
| Akerman, Chantal |
| Anderson, Laurie |
| Andre, Carl |
| An Anti-Catalog |
| Arbus, Diane |
| Art & Language |
| Art Workers Coalition |
| Artists' aand Writers' Protest |
| Artists Call Against U.S. Intervention in Central America |
| Artists Meeting for Cultural Change |
| Artists Space |
| Baca, Judy |
| Baldessari, John |
| Ballard, J. G. |
| Barry, Judith |
| Barry, Robert |
| Barthes, Roland: From Work to Text |
| Baudrillard, Jean: The Precession of Simulacra |
| Becher, Bernd and Hilla |
| Benjamin, Walter: The Author as Producer |
| Birnbaum, Dara |
| Black Emergency Cultural Coalition |
| Bochner, Mel |
| Borges, Jorge Luis: Pierre Menard, Author of the Quixote |
| Borofsky, Jonathan |
| Brecht, Bertolt |
| Brown, Trisha |
| Buchloh, Benjamin: Figures of Authority, Ciphers of Regression |
| Bunuel, Luis |
| Buren, Daniel |
| Burgin, Victor |
| Charlesworth, Sarah |
| Chia, Sandro |
| Clemente, Francesco |
| Crary, Jonathan: Eclipse of the Spectacle |
| Crimp, Douglas: Pictures |
| Cucchi, Enzo |
| Darboven, Hanne |
| Derrida, Jacques |
| Documenta 7 |
| Duchamp, Marcel |
| Evans, Walker |
| Factory, The |
| Flavin, Dan |
| Fluxus |
| Foster, Hal: Re: Post |
| Foucault, Michel |
| Fox, The |
| Frankfurt School |
| Freud, Sigmund |
| Goldstein, Jack |
| Graham, Dan |
| Greenberg, Clement |
| Group Material |
| Guerrilla Art Action Group |
| Haacke, Hans |
| Heresies Magazine |
| Hesse, Eva |
| Hoberman, J.: After Avant-garde Film |
| Holzer, Jenny |
| Hughes, Robert: The Rise of Andy Warhol |
| Jameson, Fredric: Progress Versus Utopia; or, Can We Imagine the Future? |
| Judd, Donald |
| Kelly, Mary: Re-Viewing Modernist Criticism |
| Kiefer, Anselm |
| Kolbowski, Silvia |
| Kosuth, Joseph |
| Kounellis, Jannis |
| Krauss, Rosalind: The Originality of the Avant-Garde: A Postmodern Reprtition |
| Kruger, Barbara |
| Kuspit, Donald: Flak from the "Radicals": The American Case Against German Painting |
| Lacan, Jacques |
| Lacy, Suzanne |
| Lawler, Louise |
| Lawson, Thomas: Last Exit: Painting |
| Levine, Sherrie |
| LeWitt, Sol |
| Linker, Kate: Representation and Sexuality |
| Lippard, Lucy: Trojan Horses: Activist Art and Power |
| Long, Richard |
| Longo, Robert |
| Mekas, Jonas |
| Merz, Mario |
| Morris, Robert |
| Moskowitz, Robert |
| Mulvey, Laura: Visual Pleasure and Narrative Cinema |
| Nauman, Bruce |
| October |
| Oldenburg, Claes |
| Owens Craig: The Allegorical Impulse: Toward a Theory of Postmodernism |
| Palermo, Blinky |
| Penk, A.R. |
| Penley, Constance: "A Certain Refusal of Difference": Feminist Film Theory |
| Political Art Documentation / Distribution |
| Polke, Sigmar |
| Prince, Richard |
| Rauschenberg, Robert |
| Richter, Gerhard |
| Rollins, Tim |
| Rosler, Martha: Lookers, Buyers, Dealers, and Makers: Thoughts on Audience |
| Rothenberg, Susan |
| Ruscha, Edward |
| Salle, David |
| Salvo |
| Schnabel, Julian |
| Sekula, Allan |
| Serra, Richard |
| Sherman, Cindy |
| Simmons, Laurie |
| Sisters of Survival |
| Smithson, Robert |
| Solomon-Godeau, Abigial: Photography After Art Photography |
| Sontag, Susan |
| Spero, Nancy |
| Twombly, Cy |
| Ukeles, Mierle Laderman |
| Venet, Bernar |
| Viola, Bill |
| Warhol, Andy |
| Wodiczko, Krzysztof |
| Wollen, Peter |
| Women Artists in Revolution (WAR) |