MICHAEL ASHER
1943, Los Angeles
| INDIVIDUAL CATALOGUES | ||
| Michael Asher | The Renaissance Society | 1990 |
| Michael Asher: George Washington at the Art Insititute of Chicago 1979-2005 [see Artists Curating Exhibitions] | Art Institute of Chicago | 2006 |
| EPHEMERA | ||
| Vocation / Vacation Project (including Hans Haacke Garry Kennedy and Michael Asher [3 page carbon copy announcement sent to Judith Hoffberg] | Walter Phillips Gallery, Banff, Alberta, Canada | 1981 |
| SELECTED CATALOGUES INCLUDING ASHER | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Anti-Illusion: Procedures/Materials | Whitney Museum | 1969 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Documenta 5 | Kassel, Germany | 1972 |
| 18'6" x 6'9" x 11'21/2" x 47' x 11 3/16" x 29'8 1/2" x 31' 9 3/16 [poster] | San Francisco Art Institute | 1969 |
| 557,087 | Seattle | 1969 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Ambient Art | Venice | 1976 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Rooms P.S.1 | P.S.1 | 1977 |
| 75th American Exhibition | Art Institute of Chicago | 1982 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| Sonsbeek 93 | Arnhem, The Netherlands | 1993 |
| Spaces | MoMA, NY | 1970 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| Vocation / Vacation | The Baniff Center, School of Fine Arts | 1981 |
| SELECTED BOOKS INCLUDING ASHER | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Museums by Artists | Art Metropole, Toronto | 1983 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Artist's Contract | Verlag der Buchhandlung Walther Konig, Koln |
2009 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| PERIODICALS INCLUDING ASHER | ||
| Artforum [Documenta 5] | October | 1972 |
| Artforum [Aligned with Nazca by Robert Morris] | October | 1975 |
| Flash Art [Michael Asher] | November-December | 1993 |
| Parkett #30 | Parkett | 1991 |
| Studio International [New York Commentary] | March | 1970 |
| Vision #1 - California | Crown Point Press | 1976 |
| Whitte de With - Cahier #3 | Witte de With center for contemporary art, Rotterdam | 1995 |
| EXHIBITION REVIEWS | ||
| Michael Asher at Centre Pompidou | Flash Art, October | 1991 |