
JOHN BALDESSARI
1931, National City, California
| ARTISTS' BOOKS AND MULTIPLES | ||
| Art & Project Bulletin # 041 | art & project | 1971 |
| Brown and Green and Other Parables [signed] | Raeykjavik, Iceland | 2001 |
| Close-Cropped Tales | CEPA Gallery, Buffalo | 1981 |
| Ingres and Other Parables | Studio International Publications, UK | 1972 |
| The Metaphor Problem Again (1st / 900) | ink-tree & mai 36 | 1999 |
| The Telephone Book with Pearls | Imschoot | 1988 |
| Throwing a Ball Twice to Get Three Melodies and Fifteen Chords | University of California, Irvine | 1973 |
| Zorro: two gestures and one mark [flipbook - signed and #ed] | Oktagon Verlag Koln | 1998 |
| EPHEMERA | ||
| art & project invitation (CHOOSING: carrots asparagus) | art & project, Amsterdam | 1972 |
| Blasted Allegories (Colorful Sentences): Improved [foldout card] | Portland Center for the Visual Arts | 1978 |
| ARTICLES / PROJECTS | ||
| The Bra Story | Unmuzzled Ox #13 | 1976 |
| EXHIBITIONS CURATED | ||
| An Interest in Life [Baldessari with Meg Cranston] | Apex Art, New York | 2003 |
| INDIVIDUAL CATALOGUES | ||
| John Baldessari | The New Museum of Contemporary Art, New York | 1981 |
| John Baldessari: A Different Kind of Order (Arbeiten 1962 - 1984) | Museum Moderner Stiftung Ludwig, Vienna | 2005 |
| John Baldessari: Life's Balance Works 84-04 | Kunsthaus Graz am Landesmuseum Joanneum | 2005 |
| John Baldessari: National City | MoCA, San Diego | 1996 |
| CATALOGUES INCLUDING BALDESSARI | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| American Narrative / Story Art 1967-1977 | Contemporary Art Museum, Houston, Texas | 1978 |
| Art About Art | Whitney Museum of American Art | 1978 |
| Art by Telephone | Museum of Contemporary Art, Chicago | 1969 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| A Sound Selection:Audio Works by Artists [with artist statements] | Artists Space, New York | 1980 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Documenta 5 | Documenta | 1972 |
| Documenta 7 | Kassel, Germany | 1982 |
| Do It | Independent Curators, Inc., New York | 1997 |
| 557,087 | Seattle | 1969 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Information | MoMA, NY | 1970 |
| July / August Exhibition Book | Studio International | 1970 |
| Knowledge: Aspects of Conceptual Art | University Art Museum, Santa Barbara | 2002 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| "Konzept" - Kunst | Kunstmuseum, Basel | 1972 |
| La Biennale di Venezia 47 | Venice | 1997 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| Matrix, A Changing Exhibition of Contemporary Art [1977] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| 955,000 | Vancouver Art Gallery | 1970 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| (photo) (photo)2 ... (photo)n Sequenced Photographs | University of Maryland Art Gallery | 1975 |
| Public Information | San Francisco MoMA | 1994 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Rooms P.S.1 | P.S.1 | 1977 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| 75th American Exhibition | Art Institute of Chicago | 1982 |
| Software: Information Technology: Its New Meaning for Art | The Jewish Museum | 1970 |
| Stations | Centre International D'Art Contemporian De Montreal | 1988 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| Whitney Biennial 1979 [John G. Hanhardt, Barbara Haskell, Richard Marshall, Mark Segal and Patterson Sims] | Whitney Museum of American Art | 1979 |
| Whitney Biennial 1983 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1983 |
| Whitney Biennial 1985 [Richard Armstrong, John G. Hanhardt, Barbara Haskell, Richard Marshall, Lisa Phillips, and Patterson Sims] | Whitney Museum of American Art | 1985 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| SELECTED BOOKS INCLUDING BALDESSARI | ||
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Art Recollections:Artists' Interviews and Statements in the Nineties | Danilo Montanari & Exit & Zona Archives Editori | 1997 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| Breakthrough Fictioneers | Something Else Press | 1973 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Discourses: Conversations in Postmodern Art and Culture | The New Museum of Contemporary Art and MIT Press | 1990 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Picture This: Films Chosen by Artists | Hallways Contemporary Art Center, Buffalo | 1987 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS | ||
| Artforum [Los Angeles Report] | December | 1968 |
| Art in America [Scenarios / Documents / Images I] | March-April | 1973 |
| Art in America [The Post-Perceptual Portrait] | January-February | 1975 |
| Art in America [Telling Stories [John Baldessari] by Craig Owens] | May | 1981 |
| Art Journal [Learn to Read] | Summer | 1982 |
| Avalanche # 01 [Rumbles] | Avalanche | 1970 |
| Interfunktionen #05 | Interfunktionen | 1970 |
| Interfunktionen #08 | Interfunktionen | 1972 |
| Interfunktionen # 09 | Interfunktionen | 1972 |
| Interfunktionen #10 | Interfunktionen | 1973 |
| Parkett #29 | Parkett | 1991 |
| Trans> arts.cultures.media # 2 [review of "1965-1975: Reconsidering the Object of Art"] | Passim, Inc. | 1996 |
| TriQuarterly # 32 | TriQuarterly | 1975 |
| Unmuzzled Ox #13 | Unmuzzled Ox, New York | 1976 |
| EXHIBITION REVIEWS | ||
| John Baldessari at Sonnabend | Artforum, January | 1981 |