JUDITH BARRY
1949, Columbus, Ohio
| INDIVIDUAL CATALOGUES | ||
| Judith Barry: In the Shadow of the City... Vamp r y ... (catalogue brochure - texts by Barry and Jean Fisher, with images and diagrams) | Washington Project for the Arts, Media Gallery | 1989 |
| Judith Barry: Projections: Mise en abyme | Presentation House, Vancover, Canada | 1998 |
| Judith Barry: Through the Mirror of Seduction [with essay by Jean Fisher] | The Douglas Hyde Gallery, Dublin | 1988 |
| BOOKS BY OR ABOUT BARRY | ||
| Public Fantasy: an anthology of critical essays, fictions and project descriptions by Judith Barry [published to coincide with an exhibition of the same title at ICA, London] | The Institute on Contemporary Arts - ICA, London | 1991 |
| ARTICLES AND ESSAYS BY BARRY | ||
| Dissenting Spaces in Thinking About Exhibitions | Routledge | 1996 |
| Drive-In or Walk-In Museum | Real Life Magazine: Selected Writings and Project s 1979-1994 | 2006 |
| PANEL DISCUSSIONS | ||
| Resistance (Anti-Baudrillard) | held at White Columns / exhibition organized by Group Material | 1987 |
| CATALOGUES INCLUDING BARRY | ||
| A Forest of Signs: Art in the Crisis of Representation | The Museum of Contemporary Art, Los Angeles | 1989 |
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Berlin Biennale 3 - Migrations, Urban Conditions, Sonic Scapes, Fashion, and Scenes and Other Cinemas [Ute Meta Bauer] | KV Institute for Contemporary Art, Berlin | 2004 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Cultural Economies:Histories from the Alternative Arts Movement, NYC | The Drawing Center, New York | 1996 |
| Damaged Goods: Desire and the Economy of the Object | The New Museum of Contemporary Art, NY | 1986 |
| Dark Rooms [2] | Artists Space, New York | 1985 |
| Difference: On Representation and Sexuality | The New Museum of Contemporary Art, NY | 1984 |
| East Village USA | The New Museum of Contemporary Art, NY | 2004 |
| La Biennale di Venezia # XLIII [Aperto, curators Saskia Bos, Dan Cameron, Giovanni Carandente, Fumio Nanjo and Dieter Ronte] | Arsenale, Venice | 1988 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| Rhetorical Image | The New Museum of Contemporary Art, NY | 1990 |
| The Art of Memory / The Loss of History | The New Museum of Contemporary Art, NY | 1986 |
| Video Art: Expanded Forms [Curator: John G. Hanhardt] | Whitney Museum of American Art at Equitable Center | 1988 |
| Video Spaces: Eight Installations | The Museum of Modern Art, New York | 1995 |
| Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1987 |
| BOOKS INCLUDING BARRY | ||
| A Forest of Signs: Art in the Crisis of Representation | The Museum of Contemporary Art, Los Angeles | 1989 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art, NY | 1984 |
| Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art, NY | 1987 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Illuminating Video: An Essential Guide to Video Art | Aperture | 1990 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| The Amazing Decade: Women and Performance Art in America 1970-1980 | Astro Artz | 1983 |
| The Un/Necessary Image | Tanam Press | 1982 |
| Thinking About Exhibitions | Routledge | 1996 |
| Video by Artists 2 | Art Metropole, Toronto | 1986 |
| PERIODICALS INCLUDING BARRY | ||
| Wedge # 6 | Wedge | 1984 |
| Third Text # 22 [Simulation / Spectacle: Beyond the Boundaries of the Old Avant-Garde and Exhausted Modernism] | Third Text, Spring | 1993 |