ROBERT BARRY
1936, New York
| ARTISTS' BOOKS AND MULTIPLES | ||
| All the things I know but of which I am not at the moment thinking - 1:36 pm; June 15, 1969 | Stedelijk Museum Amsterdam | 1974 |
| Art & Project # 017 | art & project | 1969 |
| Art & Project # 037 | art & project | 1971 |
| Art & Project # 051 | art & project | 1971 |
| Art & Project # 097 | art & project | 1976 |
| Art & Project # 136 | art & project | 1983 |
| It is... it isn't... [signed] | Yvon Lambert | 1972 |
| It's About Time / Word for Word | Yvon Lambert, Paris | 1980 |
| Robert Barry (ed. 300) | art & project | 1974 |
| Robert Barry: Details from Not Intended | Holly Solomon Gallery, New York | 1991 |
| untitled [Robert Barry 1969-1970] | Sperone editore | 1970 |
| EPHEMERA AND POSTERS | ||
| art & project invitation [art & project invites you to an exhibition by robert barry at jack wendler gallery, london, during the month of december, 1972] | art & project | 1972 |
| For the exhibition the gallery will be closed [announcement card] | Galleria Sperone, Torino | 1969 |
| Inert Gas Series / Helium, Neon, Argon, Krypton, Xenon / From Measured volume to indefinite expansion / April 1969 [poster - signed] | Seth Siegelaub | 1969 |
| DOCUMENTS | ||
| Art Workers Coalition - Open Hearing | Art Workers Coalition | 1969 |
| OTHER PUBLICATIONS | ||
| Projects Class (12 artists / 12 cards - submitted to class) | Nova Scotia College of Art and Design | 1969 |
| Robert Barry "I'm talking about art...." (interview with Robin White) | View Vol. 1 No. 2, Point Publications | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Robert Barry | galeria foksal, Warsaw | 1973 |
| Robert Barry | Kunstmuseum Luzern | 1974 |
| Some places to which we can come, and for a while "be free to think about what we are going to do." Robert Barry: Works 1963-1975 | Kunsthalle Nurnberg | 2003 |
| CATALOGUES INCLUDING BARRY | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Concept </> Decoratif: Anti-Formalist Art of the 70s | Nahan Contemporary, New York | 1990 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Duration Piece #8 Global | Douglas Huebler | 1973 |
| 18'6" x 6'9" x 11'21/2" x 47' x 11 3/16" x 29'8 1/2" x 31' 9 3/16 [poster] | San Francisco Art Institute | 1969 |
| 18 Paris IV.70 | Seth Siegelaub | 1970 |
| 557,087 | Seattle | 1969 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| In another moment / at the moment | Gallery SKG, Belgrade | 1971 |
| Information | MoMA, NY | 1970 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| January 5 - 31, 1969 | Seth Siegelaub | 1969 |
| July - August - September 1969 | Seth Siegelaub | 1969 |
| July / August Exhibition Book | Studio International | 1970 |
| Knowledge: Aspects of Conceptual Art | University Art Museum, Santa Barbara | 2002 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| "Konzept" - Kunst | Kunstmuseum, Basel | 1972 |
| 955,000 | Vancouver Art Gallery | 1970 |
| One Month: March, 1969 | Seth Siegelaub | 1969 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Publication | David Lamelas | 1970 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner | Fruit Market Gallery, Edinburgh | 1976 |
| Slide Show: Projected Images in Contemporary Art | The Baltimore Museum of Art | 2005 |
| Software: Information Technology: Its New Meaning for Art | The Jewish Museum | 1970 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| The Snow Show [book documenting the exhibition in Finland, 2004] | Thames & Hudson | 2005 |
| 13 >Projekt '74< Artists | Paul Maenz | 1974 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| SELECTED BOOKS INCLUDING BARRY | ||
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Povera: Eartheworks/Impossible Art/Actual Art/ Conceptual Art | Germano Celant | 1969 |
| But is it Art? The Spirit of Art as Activism | Bay Press | 1995 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Thinking About Exhibitions | Routledge | 1996 |
| Recording Conceptual Art | Norvell, Patricia | 2001 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| SELECTED PERIODICALS INCLUDING BARRY | ||
| Artforum [Real Time Systems] | September | 1969 |
| Art in America, [Article: Impossible Art] | May-June | 1969 |
| Art in America [The American Artist from Loner to Lobbyist] | March April | 1977 |
| Art in America [Between Signs] | October | 1979 |
| Studio International [Groups by Lucy Lippard] | March | 1970 |
| TriQuarterly # 32 | TriQuarterly | 1975 |
| 0 to 9 Number 6 | Acconci and Mayer, reprint 2006, July | 1969 |
| EXHIBITION REVIEWS | ||
| Robert Barry at Castelli | Artforum, Summer | 1980 |