BERND AND HILLA BECHER
Bernhard: 1931, Siegen, Germany - 2007 / Hilla: 1934, Potsdam, Germany - Live(d) and work(ed) in Dusseldorf
| BOOKS ON OR BY THE BECHERS | ||
| Bernd and Hilla Becher: Basic Forms | te Neues Publishing Company, New York | 1999 |
| Bernd and Hilla Becher: Life and Work | MIT Press | 2007 |
| Blast Furnaces | MIT Press | 1990 |
| Field Trips: Bernd & Hilla Becher / Robert Smithson | Museu de Arte Contemporanea de Serralves - Porto | 2002 |
| INTERVIEWS WITH THE BECHERS | ||
| Interview included the article [and text] for The Context of art / The Art of Context | kunst & museumjournall, volume 7 | 1996 |
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Bernd & Hilla Becher | La Jolla Museum of Contemporary Art, California | 1974 |
| Bernd & Hilla Becher: Tipologie Typologien Typologies | la Biennale di Venezia | 1990 |
| SELECTED CATALOGUES INCLUDING THE BECHERS | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Buena Vista [cutators: Collins & Milazzo] | John Gibson Gallery, New York | 1989 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Constitution [organized by Group Material] | The Temple Gallery, Temple University, Philadelphia | 1987 |
| Deep Storage: Collecting, Storing, and Archiving in Art | P.S.1 Contemporary Art Center | 1998 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 11 | Kassel, Germany | 2002 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Idea and Image in Recent Art | The Art Institute of Chicago | 1974 |
| Idea Networks in Photography: Radical Rational Space Time | Henry Art Gallery, University of Washinton, Seattle | 1983 |
| Information | Museum of Modern Art, New York | 1970 |
| Konzeption - Conception: Documentation of Today's Art Tendencies | Westdeutscher Verlag | 1969 |
| la Biennale di Venezia 44: National Pavilion -Germany [with Mucha] | Venice, Arsenale | 1990 |
| Leaving Tracks: Artrenspennine 98 | Various locations, England | 1998 |
| (photo) (photo)2 ... (photo)n Sequenced Photographs | University of Maryland Art Gallery | 1975 |
| Photography in Contemporary German Art: 1960 to the Present | Walker Art Center, Minneapolis | 1992 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Signs of Life: Process and Materials, 1960-1990 | Institute of Contemporary Art, U. of Pensylvania, Philadelphia | 1990 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| Typologies: Nine Contemporary Photographers | Newport Harbor Art Museum | 1991 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| BOOKS INCLUDING THE BECHERS | ||
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| On the Museum's Ruins | MIT Press | 1993 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Archive [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2006 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| PERIODICALS INCLUDING THE BECHERS | ||
| Artforum [Documenta 5] | October | 1972 |
| Art International [Venice Preview] | Summer | 1990 |
| Flash Art [Repetition, Disguises, Documents: How Photography has Pervaded Two Decades of Contemporary German Art] | October | 1989 |