
LUIS BENEDIT
1937, Buenos Aires
| BOOKS BY OR ABOUT BENEDIT | ||
| Introduccion a Benedit | Ediciones Ruth Benzacar | 1978 |
| CATALOGUES INCLUDING BENEDIT | ||
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Art of the Americas: The Argentine Project [incluuding Luis Benedit, Victor Grippo, Norberto Gomez and Jacques, Bedel] | 3 NYC Galleries: Fawbusch Gallery, John Good Gallery, and Simon Watson Gallery, organized by Sally Baker in association with Ruth Benzacar | 1992 |
| Between Silence and Violence: Argentine Contemporary Art, November 2003 [including Luis Benedit, Oscar Bony, Victor Grippo, Norberto Gomez, Liliana Porter, and Graciela Sacco] | arteBA Fundacion, Buenos Aires / Sotheby's, New York | 2003 |
| Cantos Paralelos: Visual Parody in Contemporary Argentinean Art [Curator: Mari Carmen Ramirez] | Jack S. Blanton Museum of Art, University of Texas, Austin | 1999 |
| CAYC Group: 1971 - 1991 Twentienth Anniversary - catalogue for the 21st Biennial of Sao Paulo [including Jacques Bedel, Victor Grippo, Jorge Glusberg, Luis Benedit, Clorindo Testa and Alfredo Portillos] | Sao Paulo | 1991 |
| CAYC Group [founded in 1971 - Victor Grippo, Luis Benedit, Jacques, Bedel, Jorge Glusberg, Alfredo Portillos, and Clorindo Testa] | Striped House Museum of Art, Tokyo | 1993 |
| CAYC Group at the Museu de Arte Moderna do Rio de Janeiro [includes Victor Grippo among others] | Catalogue of the exhibition by CAYC - Centro de Arte y Communicacion, Buenos Aires | 1978 |
| Comparacion entre dos tipos de sociedades / Democracia Directa / El Groupo de los Trece en Arte de Sistemas | Organized by CAYC - Centro de Arte y Communicacion, Buenos Aires/ and no-votantes, Dusseldorf | 1972 |
| Garden of the Forking Path | Kunstforeningen, Copenhagen | 1998 |
| Hacia un Perfil del Arte Latinoamericano | CAYC - Centro de Arte y Communicacion, Buenos Aires [traveled through Latin America, Europe and the U.S.] | 1972 |
| Havana Bienal # 4 - Bienal de la Habana - El Desafio a la Colonization | Centro Wifredo Lam | 1991 |
| Havana Bienal #6 - Bienal de la Habana - El individuo y su memoria | Centro Wifredo Lam | 1997 |
| Latin American Artists of the Twentieth Century | The Museum of Modern Art, New York | 1993 |
| Re-Aligning Vision: Alternative Currents in South American Drawing [Mari Carmen Ramirez and Edith A. Gibson] | Archer M. Huntington Art Museum, The University of Texas at Austin | 1997 |
| PERIODICALS INCLUDING BENEDIT | ||
| Art Nexus Vol.33 [Parallel Songs by Luis Camnitzer] | August-October | 1999 |
| Grand Street #61 - All-American [Paradise] | Grand Street | 1997 |
| Trans> arts.cultures.media # 5 | Passim, Inc. | 1998 |
| EXHIBITION REVIEWS | ||
| Luis F. Benedit at National Museum of Fine Arts, Buenos Aires | Art Nexus Vol.23, January-March | 1997 |