JOSEPH BEUYS
1921, Krefeld, Germany - 1986
| BOOKS ABOUT BEUYS | ||
| Beuys in America | Edition Staack | 1997 |
| "Honey is flowing in all directions" Joseph Beuys | Edition Staack | 1997 |
| Joseph Beuys [Heiner Stachelhause] | Abbeville Press | 1987 |
| Joseph Beuys Posters | Prestel | 2004 |
| Joseph Beuys: We Go This Way [Caroline Tisdall] | Violette Editions | 1998 |
| BOOK IN TRIBUTE TO BEUYS | ||
| 7000 Eichen | Heiner Bastian / Benteli Verlag | 1985 |
| INTERVIEWS WITH BEUYS | ||
| An Interview with Willoughby Sharp | Artforum December | 1969 |
| VIDEOS | ||
| Dialogue with Audiance | Cooper Union's Great Hall, New York | 1980 |
| Public Dialogue | New School for Social Research, NY | 1974 |
| RECORDINGS | ||
| Excerpt from Cooper Union Dialogue (Revolutions per Minute: The Art Record) | Ronald Feldman Gallery, NY | 1980 |
| INDIVIDUAL CATALOGUES | ||
| Joseph Beuys | Dia Art Foundation, New York (first exhibition at Dia) | 1987 |
| Joseph Beuys: Actions, Vitrines, Environments | The Menil Collection, Houston | 2004 |
| Joseph Beuys: The Image of Humanity | Museo di Moderna e Contemporanea di Trento e Rovereto | 2001 |
| EPHEMERA | ||
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| Overcome Party Dictatorship Now (large image on paper - Beuys and students with brooms in the woods) | Organisation fur direkte Demokratie durch Volksabstimmung | 1971 |
| Deutsche Studentenparti Aktion und Gesprach (small poster) | Centre, Gottingen | 1968 |
| 7000 Eichen (large sheet announcement with rubber stamp) | Documenta VII, Kassel | 1982 |
| 7000 Eichen (photograph of Beuys planting oaks at Kassel) | Documenta VII, Kassel | 1982 |
| Joseph Beuys "Filz-TV": Identifications [individual artist exhibition post card] | Fernsehgalerie Gerry Schum, Hannover | 1970 |
| SELECTED CATALOGUES INCLUDING BEUYS | ||
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Art and the Dialectic Process [catalogue brochure] | Everhart Museum, Scranton, Pennsylvania | 1987 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| Bodyworks | Museum of Contemporary Art, Chicago | 1975 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Carnegie International 88 [Curator: John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1988 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Creative Solutions to Ecological Issues [in essay, not in exhibition] | Dallas Museum of Natural History [traveled] | 1993 |
| Deep Storage: Collecting, Storing, and Archiving in Art | P.S.1 Contemporary Art Center | 1998 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Dia Chelsea [periodic exhibition brochures in binder] Long Term & Short Term | Dia Chelsea, New York | 1981- |
| Documenta 4 [curator: Arnold Bode] | Kassel, Germany | 1968 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Ecovention: Current Art to Transform Ecologies | The Contemporary Arts Center, Cincinnati, Ohio | 2002 |
| Empty Dress: Clothing as Surrogate in Recent Art [curator: Nina Felshin] | Independent Curators, Inc., New York | 1993 |
| Fragile Ecologies: Contemporary Artists' Interpretation and Solutions [mentioned in the essays, not included in the exhibition] | The Queens Museum, New York | 1992 |
| Function of Drawing | Rijksmuseum Kroller-Muller, Otterlo | 1975 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Idea and Image in Recent Art | The Art Institute of Chicago | 1974 |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] | Kunstverein, Hannover / TV Broadcast | 1970 |
| In Another Moment/ At the Moment | Gallery SKG, Belgrade | 1971 |
| Information | MoMA, NY | 1970 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| In the Spirit of Fluxus | Walker Art Center | 1993 |
| Islands: Contemporary Installations | National Museum of Australia | 1996 |
| Istanbul Biennial # 4 | Istanbul | 1995 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature -National Pavilion - Germany / Also in: Ambient Art | Venice | 1976 |
| la Biennale di Venezia 44: Ubi Fluxus | Venice | 1990 |
| la Biennale di Venezia 45: Punti dell'arte / also: Transiti - Museo Elettronico | Venice, various locations | 1993 |
| la Biennale di Venezia 46: Identity and Alterity: Figures of the Body 1895-1995 [Jean Clair] | Venice, various locations | 1995 |
| la Biennale di Venezia 49: Plateau of Humankind | Venice, various locations | 2001 |
| Leaving Tracks: Artrenspennine 98 | Various locations, England | 1998 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| Memento Mori | Moore College of Art, Philadelphia | 1985 |
| Messages: Words and Images | Freedman Gallery, Albright College | 1981 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Op Losse Schroeven (Square peg in round hole) | Stedelijk Museum | 1969 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| Photography in Contemporary German Art: 1960 to the Present | Walker Art Center, Minneapolis | 1992 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Public Art | Nexus Contemporary Art Center, Atlanta | 1985 |
| Pulse: Art, Healing, and Transformation | The Institute of Contemporary Art, Boston | 2003 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Sculpture From Germany [curator: Michael R. Klien] | Independent Curators, Inc. | 1983 |
| Signs of Life: Process and Materials, 1960-1990 | Institute of Contemporary Art, U. of Pensylvania, Philadelphia | 1990 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| The Art of Eastern Europe in Dialogue with the West | Moderna galerija Ljubljana | 2000 |
| The Art of Participation: 1950 to Now | San Francisco Museum of Modern Art | 2008 |
| The Big Show / Healing | NICC, Antwerp | 2001 |
| The Interrupted Life [curated by France Morin] | The New Museum of Contemporary Art, New York | 1991 |
| The Last Picture Show | The Walker Art Center | 2003 |
| When Attitudes Become Form (Bern) | Kunsthalle Bern | 1969 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| Worthless (Invaluable) | Moderna galerija Ljubljana | 2000 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| Zero to Infinity: Arte Povera 1962-1972 | Walker Art Center | 2001 |
| EAST VILLAGE EXHIBITIONS [INVITATIONS ONLY] | ||
| Broken Landscape, discarded Object | P.P.O.W. | 1989 |
| GROUP MATERIAL EXHIBITIONS | ||
| Resistance (Anti-Baudrillard) | White Columns, New York | 1987 |
| SELECTED BOOKS INCLUDING BEUYS | ||
| ABC No Rio Dinero: The Story of a Lower East Side Art Gallery | ABC No Rio with Collaborative Projects | 1985 |
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art and Life | Praeger | 1971 |
| Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
| Art Povera: Eartheworks/Impossible Art/Actual Art/ Conceptual Art | Germano Celant | 1969 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Collectivism After Modernism: The Art of Social Imagination After 1945 | University of Minnesota Press | 2007 |
| Conceptual Art | Phaidon | 1998 |
| Conceptuallism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| Discourses: Conversations in Postmodern Art and Culture | The New Museum of Contemporary Art and MIT Press | 1990 |
| Fantastic Architecture | Something Else Press | 1969 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Happenings and Other Acts | Routledge | 1995 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| New Art of Cuba [author: Luis Camnitzer] (Beuys influence on Cuban Artists) | University of Texas Press, Austin | 1994 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| On the Museum's Ruins | MIT Press | 1993 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Robert Lehman Lectures on Contemporary Art #1 | Dia Art Foundation | 1996 |
| Robert Lehman Lectures on Contemporary Art #3 | Dia Art Foundation | 2004 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| Teaching and Learning as Performing Arts | Kasper Konig / Verlag Gebr. Koenig | 1970 |
| The Artist's Contract | Verlag der Buchhandlung Walther Konig, Koln |
2009 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The New Avant-Garde: Issues for the Art of the Seventies | Praeger | 1972 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Thinking About Exhibitions | Routledge | 1996 |
| OTHER PUBLICATIONS | ||
| Art Action 1958 - 1998 | Inter Art Actuel et Le Lieu, Centre en Art Actuel, Quebec | 2001 |
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| PERIODICALS INCLUDING BROUWN | ||
| Artforum [An interview with Willoughby Sharp] | December | 1969 |
| Artforum [Documenta 5] | October | 1972 |
| Artforum [Artist's Projects Issue] | Artforum | 1980 |
| Art Journal [Video Chronology] | Fall | 1985 |
| Art Journal [Joseph Beuys: Pioneer of a Radical Ecology - reference to "Overcome Party Dictatorship Now" / "Save the Woods"] and [Eco-Art: Strength in Diversity] | Summer | 1992 |
| Art in America [Beuys: Art Encage] | November-December | 1974 |
| Art in America [Under Western Eyes] | January | 1989 |
| Art-Rite # 10 | Art-Rite Publishing | 1975 |
| Avalanche # 01 | Avalanche | 1970 |
| Avalanche # 05 | Avalanche | 1972 |
| Flash Art [The Art of Coexistence] | November-December | 1991 |
| Flash Art [We are the Revolution - interview with Gioncarlo Politi (1972 - Documenta 50] and [Tram Stop - Joseph Beuys' Terminal Memory - article and interview with Caroline Tisdall (published in German Pavillion, Venice Biennale, 1976)] | March-April | 1993 |
| Flash Art [interview with Harald Szeemann - Joseph Beuys at Kunsthaus Zurich] | March-April | 1994 |
| Interfunktionen # 03 | Interfunktionen | 1969 |
| Interfunktionen # 04 | Interfunktionen | 1970 |
| Interfunktionen #05 | Interfunktionen | 1970 |
| Interfunktionen # 06 | Interfunktionen | 1971 |
| Interfunktionen # 07 | Interfunktionen | 1971 |
| Interfunktionen # 09 | Interfunktionen | 1972 |
| On Site 5/6 - On Energy | SITE, Inc., New York | 1974 |
| Parkett # 26 | Parkett | 1990 |
| Third Text # 24 | Third Text, Autumn | 1993 |
| TriQuarterly # 32 (with cards) | TriQuarterly | 1975 |
| Wedge #01 | Brian Wallis and Phil Mariani | 1982 |
| Whitte de With - Cahier #1 | Witte de With center for contemporary art, Rotterdam | 1993 |
| EXHIBITION REVIEWS | ||
| Joseph Beuys at John Gibson | Arts Magazine, April | 1973 |
| Joseph Beuys at Ronald Feldman | Artforum, February | 1980 |