MEL BOCHNER
1940, Pittsburgh, Pennsylvania - Lives and works in New York
| ARTISTS' BOOKS AND MULTIPLES | ||
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| Art & Project Bulletin # 027 | art & project | 1970 |
| Mel Bochner (toward) Axiom of Indifference 1971 - 1973 | Sonnabend Gallery | 1974 |
| Drawings 1966-1973 | Lawrence Markey, Inc. | 1998 |
| Misunderstandings (A Theory of Photography) [from Artists and Photographs Box] | Multiples, Inc | 1970 |
| Mel Bochner: Notes on Theory | University of Rhode Island | 1971 |
| Primer: The Complete Catalog of Twenty-One (ed. 2000) | Flash Art Edizioni | 1970 |
| Seven Translucent Tiers [from Aspen 5+6] | Aspen Magazine | 1967 |
| BOOKS BY OR ABOUT BOCHNER | ||
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| Solar Systems & Rest Rooms: Writings and Interviews 1965-2007 | The MIT Press (An October Book - WritinArt Series) | 2008 |
| EXHIBITIONS CURATED BY BOCHNER | ||
| Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art | Visual Arts Gallery, New York [facsimile by Walther Konig, Koln in 1997] | 1966/ 1997 |
| INDIVIDUAL CATALOGUES | ||
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| Mel Bochner | centro de arte y comunicacion - cayc | 1972 |
| Mel Bochner: Number and Shape | The Baltimore Museum of Art | 1976 |
| Mel Bochner Photographs, 1966-1969 | Harvard University | 2002 |
| Mel Bochner: 1973 - 1985 | Carnrgie-Mellon University Art Gallery | 1985 |
| Mel Bochner / Richard Serra | Hayden Gallery / MIT | 1980 |
| Mel Bochner: Thought Mage Visible 1966-1973 | Yale University Art Gallery | 1995 |
| EPHEMERA | ||
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| Mel Bochner Measured Room Series: 48" Longitudinal Projection (invitation card) | Konrad Fischer, Dusselforf | 1969 |
| Mel Bochner: 7 Properties of Between (announcement) | Sonnabend, New York | 1972 |
| ARTICLES WRITTEN BY OR ABOUT BOCHNER | ||
| A Compilation for Robert Mangold [by Bochner] | Art International Volume XII/4 April 20 | 1968 |
| Sentences on Conceptual Art [by Bochner] | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| The Axiom of Indifference [about Bochner by Bruce Boice] | Arts Magazine, April | 1973 |
| OTHER PUBLICATIONS | ||
| Projects Class (12 artists / 12 cards - submitted to class) | Nova Scotia College of Art and Design | 1969 |
| CATALOGUES INCLUDING BOCHNER | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| Afterimage: Drawing Through Process | Museum of Contemporary Art, Los Angeles | 1999 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Art by Telephone | Museum of Contemporary Art, Chicago | 1969 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| A Second Talent: Painters and Sculptors Who are Also Photographers | The Aldrich Museum of Contemporary Art | 1985 |
| As Painting: Division and Displacement | Wexner Center for the Arts, Columbus | 2001 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Concept </> Decoratif: Anti-Formalist Art of the 70s | Nahan Contemporary, New York | 1990 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Documenta 5 | Documenta | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| 557,087 | Seattle | 1969 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Idea and Image in Recent Art | The Art Institute of Chicago | 1974 |
| Information | MoMA, NY | 1970 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| "Konzept" - Kunst | Kunstmuseum, Basel | 1972 |
| 955,000 | Vancouver Art Gallery | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Prints: Bochner LeWitt Mangold Marden Martin Renouf Rockburne Ryman | Art Gallery of Ontario | 1975 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| 75th American Exhibition | Art Institute of Chicago | 1982 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Matter at Hand: Contemporary Drawings | Fine Arts Gallery, UWM Art Museum, U. of Wisconsin, Wilwaukee | 1990 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Whitney Biennial 1979 [John G. Hanhardt, Barbara Haskell, Richard Marshall, Mark Segal and Patterson Sims] | Whitney Museum of American Art | 1979 |
| Whitney Biennial 2004 [Chrissie Iles, Shamim M. Momin, and Debra Singer] | Whitney Museum of American Art, New York | 2004 |
| Whitney Museum Sculpture Annual 1970 | Whitney Museum of American Art | 1970 |
| BOOKS INCLUDING BOCHNER | ||
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Postminimalism | Out of London Press | 1977 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING BOCHNER | ||
| Artforum [Documenta 5] | October | 1972 |
| Art International | April | 1968 |
| Arts Magazine | April | 1973 |
| Arts Magazine | April | 1978 |
| Aspen No. 5+6 | Fall / Winter | 1967 |
| Studio International [New York Commentary] | March | 1970 |
| Trans> arts.cultures.media # 3/4 | Passim, Inc. | 1997 |
| EXHIBITION REVIEWS | ||
| Mel Bochner at Sonnabend | Art in America, January - February | 1974 |
| Mel Bochner at Stein Gladstone | Flash Art, November-December | 1991 |
| EXHIBITION ADS | ||
| Mel Bochner at Sonnabend | Artforum, February | 1973 |