CHRISTIAN BOLTANSKI
1944, Paris, France
| ARTISTS' BOOKS | ||
| Les Histoires | self | 1973 |
| BOOKS ON OR ABOUT BOLTANSKI | ||
| Chriatian Boltanski | Phaidon | 2000 |
| Christian Boltanski: Catalogue | Buchhandlung Walther Konig, Koln | 1992 |
| INDIVIDUAL CATALOGUES | ||
| Christian Boltanski: Lessons of Darkness | Museum of Contemporary Art, Chicago [also traveled to LA and The New Museum of Contemporary Art, New York in 1989 + other venues] | 1988 |
| ARTICLES AND INTERVIEWS WITH OR BY BOLTANSKI | ||
| Interview with Boltanski | The Print Collector's Newsletter, January-February | 1993 |
| Interview with Boltanski | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Research and Presentation of All That Remains of My Childhood 1944-1950 | The Archive [Documents of Contemporary Art] | 2006 |
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| EPHEMERA | ||
| Point d' Ironie - poster in two parts (available at Documenta II in Kassel) | Agnes B. / Hans-Ulrich Obrist | 2002 |
| CATALOGUES INCLUDING BOLTANSKI | ||
| Archive Fever: Uses of the Document in Contemporary Art | International Center for Photography, New York | 2008 |
| Ars - Aevi - International Cultural Project | Museum of Contemporary Art, Sarajevo | 1999 |
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deep Storage: Collecting, Storing, and Archiving in Art | P.S.1 Contemporary Art Center | 1998 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Do It | Independent Curators, Inc., New York | 1997 |
| Havana Bienal #6 - Bienal de la Habana - El individuo y su memoria | Centro Wifredo Lam | 1997 |
| House in Time | Moderna Galerija, Ljubljana | 1995 |
| Idea and Image in Recent Art | The Art Institute of Chicago | 1974 |
| la Biennale di Venezia 45: Punti dell'arte | Venice, various locations | 1993 |
| la Biennale di Venezia 46: Events | Venice, various locations | 1995 |
| Islands: Contemporary Installations | National Museum of Australia | 1996 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| 9th Biennale de Paris | Musee d'art Moderne de la Ville de Paris | 1975 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The End(s) of the Museum [Els Limits del Museu] | Fundacio Antoni Tapies de Barcelona | 1995 |
| The Interrupted Life [curated by France Morin. Including: Beuys, Boltanski, Calle, Charlesworth, Dittborn, Hatoum, Nauman, and Stilinovic] | The New Museum of Contemporary Art, New York | 1991 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Vanitas: Meditations on Life and Death in Contemporary Art [Curator: John B. Ravenal] | Virginia Museum of Fine Arts, Richmond | 2000 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| BOOKS INCLUDING BOLTANSKI | ||
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Fabrications: Staged, Altered, and Appropriated Photographs | Abbeville Press, New York | 1987 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Interarchive | Verlag der Buchhandlung Wather Konig | 2002 |
| New Art | Rizzoli | 1991 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| The Archive [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2006 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING BOLTANSKI | ||
| Art-Rite # 5 | Art-Rite Publishing | 1974 |
| Parkett # 22 | Parkett | 1989 |
| The Print Collector's Newsletter | January-February | 1993 |
| Vision #5 Artists' Photographs | Crown Point Press | 1982 |