MARCEL BROODTHAERS
1924, Brussels, Belgium - 1976
| ARTISTS' BOOKS AND MULTIPLES | ||
| art & project bulletin # 66 | art & project, Amsterdam | 1973 |
| RECORDINGS | ||
| Interview with a Cat (1970) | Marian Goodman Gallery, New York | 1995 |
| INTERVIEWS WITH BROODTHAERS | ||
| Interview with Jurgen Harten and Katharina Schmidt | The Archive [Documents of Contemporary Art] | 2006 |
| OTHER PUBLICATIONS | ||
| Blocknotes #1: Strategies of Exhibition | Blocknotes, Paris | 1992 |
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Marcel Broodthaers: Oeuvres 1963 - 1975 | Galerie Isy Brachot | 1990 |
| Marcel Broodthaers: Correspondances | Galerie Hauser & Worth, Zurich | 1995 |
| Marcel Broodthaers: Museum: Catalogue of the Editions, Prints and Books | Cantz Verlag | 1996 |
| CATALOGUES INCLUDING BROODTHAERS | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deep Storage: Collecting, Storing, and Archiving in Art | P.S.1 Contemporary Art Center | 1998 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 10 | Kassel, Germany | 1997 |
| 18 Paris 1970 | Seth Siegelaub | 1970 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| Function of Drawing | Rijksmuseum Kroller-Muller, Otterlo | 1975 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| Istanbul Biennial # 4 | Istanbul | 1995 |
| Konzeption - Conception: Documentation of Today's Art Tendencies | Westdeutscher Verlag | 1969 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - TheVisual Convention / also included in: International Events | Venice | 1976 |
| Lost and Found [curator Rene Block] | Apex Art, New York | 2001 |
| Manifesta 5: With All Due Intent [curated by Marta Kuzma and Massimiliano Gioni] | San Sebastian, Spain | 2004 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Painting at the Edge of the World | Walker Art Center | 2001 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Slide Show: Projected Images in Contemporary Art | The Baltimore Museum of Art | 2005 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| Sonsbeek 9 [Jan Hoet] | Arnhem, The Netherlands | 2001 |
| The End(s) of the Museum [Els Limits del Museu] | Fundacio Antoni Tapies de Barcelona | 1995 |
| The 1st Valencia Bennial - communication between the arts [Achille Bonito Oliva, Peter Greenaway, David Perez, and Viktor Misiano +] | Valencia, Spain | 2001 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| Valencia Bennial #1 - communication between the arts [Achille Bonito Oliva, Peter Greenaway, David Perez, and Viktor Misiano +] | Valencia, Spain | 2001 |
| Worthless (Invaluable) | Moderna galerija Ljubljana | 2000 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| BOOKS INCLUDING BROODTHAERS | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptuallism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| Museums by Artists | Art Metropole, Toronto | 1983 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| On the Museum's Ruins | MIT Press | 1993 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| The Archive [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2006 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Thinking About Exhibitions | Routledge | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING BROODTHAERS | ||
| Art in America [The Broodthaers Museum Gambit] | May-June | 1975 |
| Avalanche # 05 | Avalanche | 1972 |
| Flash Art [Belgian Beat: Stealing Home] | March-April | 1994 |
| October 42 | The MIT Press | 1987 |
| Interfunktionen #10 | Interfunktionen | 1973 |
| Interfunktionen #11 | Interfunktionen | 1974 |
| The Print Collector's Newsletter | March-April | 1992 |
| Trans> arts.cultures.media # 7 [included in article: Knowing Can Be Destroying] | Passim Inc. | 2000 |
| Trans> arts.cultures.media # 8 | Passim Inc. | 2000 |
| Witte de With - Cahier #5 | Witte de With center for contemporary art, Rotterdam | 1996 |