CHRIS BURDEN
1946, Boston, Massachusetts
| ARTISTS BOOKS | ||
| B-Car | CHOKE Publications | 1977 |
| RECORDINGS | ||
| The Atomic Alphabet [Revolutions Per Minute (The Art Record)] | Ronald Feldman Gallery, New York | 1982 |
| INDIVIDUAL CATALOGUES | ||
| Chris Burden: A Twenty-Year Survey | Newport Harbor Art Museum | 1988 |
| Chris Burden: When Robots Rule The Two-Minute Air-Plane Factory | Tate Gallery | 1999 |
| INTERVIEWS AND ARTICLES | ||
| Interview with Jan Hoet: "Before I was a crazy violent person..." | MAK - Round-Table, Vienna (publication 1994) | 1993 |
| Untitled Statement | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| SELECTED CATALOGUES INCLUDING BURDEN | ||
| An International Survey of Recent Painting and Sculpture | The Museum of Modern Art, New York | 1984 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Dislocations | Museum of Modern Art, New York | 1991 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Eight Artists: The Anxious Edge [curator: Lisa Lyons] | Walker Art Center, Minneapolis, Minnesota | 1982 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Istanbul Biennial # 7 - Egofugal [curator: Yuko Hasegawa] | Istanbul Foundation for Culture and Arts | 2001 |
| la Biennale di Venezia 48 | Venice, Italy | 1999 |
| la Biennale di Venezia 49: Plateau of Humankind | Venice, various locations | 2001 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Sydney Biennale 2002 - (The World May Be) Fantastic | Various venues, Sydney | 2002 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| Whitney Biennial 1989 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1989 |
| Whitney Biennial 1993 [Elisabeth Sussman with Thelma Golden, John G. Hanhardt and Lisa Phillips] | Whitney Museum of American Art | 1993 |
| Whitney Biennial 1997 [Lisa Phillips and Louise Neri] | Whitney Museum of American Art | 1997 |
| Worthless (Invaluable) | Moderna galerija Ljubljana | 2000 |
| EAST VILLAGE EXHIBITIONS [INVITATIONS ONLY] | ||
| All The News That's Fit For Prints: A parallel of social concerns of the 1930's/80's | P.P.O.W. | 1987 |
| SELECTED BOOKS INCLUDING BURDEN | ||
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| OTHER PUBLICATIONS | ||
| Your House Is Mine | Bullet Space, New York | 1993 |
| PERIODICALS INCLUDING BURDEN | ||
| Artforum [Aligned with Nazca by Robert Morris] | October | 1975 |
| Art in America [Disarming Metaphors] | January | 1984 |
| Avalanche #08 | Avalanche | 1973 |
| Grand Street #52 - Games [artists pages: America's Darker Moments] | Grand Street | 1995 |
| Lusitania Volume 1 #3 | Fall | 1990 |
| Parkett # 22 | Parkett | 1989 |
| Poliester #13 Danger [Dangerous Performances] | Fall | 1995 |
| Poliester, Vol.5 #15 | Spring | 1996 |
| EXHIBITION REVIEWS | ||
| Chris Burden at Christine Burgin | Flash Art, October | 1989 |