DANIEL BUREN
1938, Boulogne-Billancourt, France
| ARTISTS' BOOKS AND MULTIPLES | ||
| Art & Project Bulletin # 040 | art & project | 1971 |
| Art & Project Bulletin # 045 [aka: a private collector] | art & project | 1971 |
| Art & Project Bulletin # 075 | art & project | 1976 |
| Art & Project Bulletin # 076 | art & project | 1976 |
| l'ineffable -the ineffable | Editions Jannink, Paris | 1999 |
| Five Texts | John Weber Gallery | 1973 |
| Pertaining to a Structure - Text by Lawrence Weiner / Photographs by Buren | Robert Self Publications | 1977 |
| Reboundings: an essay by Daniel Buren followed by 7 plates and 7 diagrams (with a signed letter from Buren to John Russell enclosed) (ed. 530) | Daled & Gevaert, Brussels | 1977 |
| EPHEMERA / POSTERS | ||
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| A Presentation of Work: "On Two Levels With Two Colors" [announcement card with image of Bell Street scene Marylebone, London on one side with text on reverse] | Lisson Gallery, London | 1976 |
| Discordance / Coherence [three cards with images of street scene at different hours on April 30, each card with a different museum identified at top] | Van Abbemuseum, Eindhoven | 1976 |
| Halifax: 7 Days - 6 Placements - 7 Colors (postcards) | Daniel Buren | 1974 |
| Intervention (press release / exhibition announcement) | galerie 31, Paris | 1975 |
| Manipulation paintings by Daniel Buren [announcement with text only] | Jack Wendler Gallery, London | 1973 |
| Part 2 - Announcement To Read As A Guide To What Is To Be Seen... announcement card - text only] | John Weber Gallery, New York | 1970 |
| Publication about the Five Exhibitions by Daniel Buren at Wide White Space [announcement card, text only] | Wide White Space, Antwerp | |
| (red stripes) [poster] | Wide White Space | 1971 |
| Seven Ballets in Manhattan (poster) | John Weber Gallery, New York | 1975 |
| Daniel Buren "The Snack Bar" : Identifications [individual artist exhibition post card] | Fernsehgalerie Gerry Schum, Hannover | 1970 |
| To Place works in situ done by Daniel Buren [announcement card with image of gallery building at 420 W. Broadway and text on reverse] | John Weber Gallery, New York | 1976 |
| BOOKS BY OR ABOUT BUREN | ||
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| Daniel Buren | Flammarion | 2002 |
| Daniel Buren Les Couleurs: sculptures Les Formes: peintures | The Press of the Nova Scotia College of Art and Design | 1981 |
| ARTICLES, ESSAYS AND INTERVIEWS | ||
| Beware! | Studio International, March | 1970 |
| Beware! | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Function of Architecture: notes on work in connection with the places where it is installed taken between 1967 and 1975, some of which are specially summarized here. in Thinking About Exhibitions | Routledge | 1996 |
| Genesis of an Exhobition, "Displaced Placement - Provisionally Situated Work" in Whitte de With - Cahier #3 | Witte de With center for contemporary art, Rotterdam | 1995 |
| Interview with Buren | New Art, Rizzoli | 1991 |
| Paris August 23, 1993 - in Whitte de With - Cahier #2 | Witte de With center for contemporary art, Rotterdam | 1994 |
| Why Write? | Art Journal ,Summer | 1982 |
| OTHER PUBLICATIONS AND DOCUMENTATION | ||
| Blocknotes #1: Strategies of Exhibition | Blocknotes, Paris | 1992 |
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| John Weber Gallery Newsletter | John Weber Gallery | 1975 |
| Pertaining to a Structure - text by Lawrence Weiner / Photographs by Buren | Robert Self Publications | 1977 |
| The Cube The White The Idealism (1967-1975)... [exhibition guide] | Self [for exhibitions at Castelli and Weber] | 1976 |
| View - interview with Buren | Crown Point Press, San Francisco | 1979 |
| What Do You Expect? | Paul Maenz, Koln | 1977 |
| INDIVIDUAL CATALOGUES | ||
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| Daniel Buren: Discordance / Coherence | Van Abbemuseum, Eindhoven | 1976 |
| Daniel Buren: Frost and Defrost | Otis Art Institute Gallery, Los Angeles | 1979 |
| Daniel Buren: Rigidity / Flexibility on the Grid - Situated Works by Daniel Buren | The Arts Club of Chicago | 1994 |
| Daniel Buren / Sol LeWitt | Centre National D'Art Contemporain de Grenoble | 1987 |
| Daniel Buren: Metamorphoses - works in situ | U. of Mass, Amherst + | 1997 |
| The Eye of the Storm: Works in Situ by Daniel Buren | Guggenheim Museum, New York | 2005 |
| CATALOGUES INCLUDING BUREN | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| Ars - Aevi - International Cultural Project | Museum of Contemporary Art, Sarajevo | 1999 |
| As Painting: Division and Displacement | Wexner Center for the Arts, Columbus | 2001 |
| at the moment / in another moment | Gallery SKG, Belgrade | 1971 |
| Aufnahmen [takes, recordings] [Buren / Graham / Ruscha] | Osterreichische Galerie Belvedere | 1999 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Conceptual Art: The NSCAD Connection 1967-1973 | The Press of the Nova Scotia College of Art and Design | 1994 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Deconstruct / Reconstruct | John Gibson Gallery, New York | 1986 |
| De Europa | John Weber Gallery | 1972 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Drawings | John Weber Gallery, New York | 1991 |
| Eight Contemporary Artists | The Museum of Modern Art, New York | 1974 |
| 18 Paris IV.70 | Seth Siegelaub | 1970 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| 557,087 | Seattle | 1969 |
| Form Specific | Moderna Galerija Ljubljana | 2003 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Guggenheim International Exhibition 1971 | Guggenheim Museum | 1971 |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] | Kunstverein, Hannover / TV Broadcast | 1970 |
| Information | MoMA, NY | 1970 |
| July - August - September 1969 | Seth Siegelaub | 1969 |
| July / August Exhibition Book | Studio International | 1970 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| "Konzept" - Kunst | Kunstmuseum, Basel | 1972 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - TheVisual Convention / also in: Ambient Art | Venice | 1976 |
| la Biennale di Venezia 44: National Pavilion - France | Venice, Arsenale | 1990 |
| la Biennale di Venezia 45: Punti dell'arte | Venice, various locations | 1993 |
| La Biennale di Venezia 47 | Venice | 1997 |
| Laboratorium | Antwerpen Open | 1999 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| Marcel Broodthaers: Correspondances | Galerie Hauser & Wirth, Zurich and David Zwirner, New York | 1995 |
| Matrix, A Changing Exhibition of Contemporary Art [1977] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| 955,000 | Vancouver Art Gallery | 1970 |
| Painting Zero Degree | Independent Curators, Inc | 2000 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Publication | David Lamelas | 1970 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Rooms P.S.1 | P.S.1 | 1977 |
| Schemes: A Decade of Installation Drawings | Elise Meyer Inc | 1981 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Stations | Centre International D'Art Contemporian De Montreal | 1988 |
| Strategies for the Last Painting / Strategies for the Next Painting | Wolff Gallery, New York | 1991 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| Valencia Biennial #2 - The Ideal City | Valencia, Spain | 2003 |
| Wall Works: Wall Installations in Editions 1992-93 | Edition Schellmann, Koln and New York | 1993 |
| We Interrupt This Program: Print Ads and TV Spots by Artists | Mercer Union, Toronto | 2009 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| SELECTED BOOKS INCLUDING BUREN | ||
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Land Art | Tate Publishing | 2006 |
| Museums by Artists | Art Metropole, Toronto | 1983 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| On the Museum's Ruins | MIT Press | 1993 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Thinking About Exhibitions | Routledge | 1996 |
| SELECTED PERIODICALS INCLUDING BUREN | ||
| Artforum [Article on "Rooms" exhibition at P.S.1] | October | 1976 |
| Art in America [Report from New York: The French Occupation - "Une Idee en l'air" ] | March | 1981 |
| Art Journal [Why Write?] | Summer | 1982 |
| Interfunktionen # 04 | Interfunktionen | 1970 |
| Interfunktionen #11 | Interfunktionen | 1974 |
| Interfunktionen #12 | Interfunktionen | 1975 |
| Journal of Contemporary Art Volume 1, #1 [interview] | Spring | 1988 |
| October 10 | The MIT Press | 1979 |
| Parkett #66 | Parkett | 2002 |
| Trans> arts.cultures.media # 2 [review of "1965-1975: Reconsidering the Object of Art"] | Passim, Inc. | 1996 |
| TriQuarterly #32 | Charles Newman | 1975 |
| Vision Number 4 (Word of Mouth) [audio issue] | Crown Point Press | 1980 |
| Whitte de With - Cahier #2 [cover by Buren] | Witte de With center for contemporary art, Rotterdam | 1994 |
| Whitte de With - Cahier #3 | Witte de With center for contemporary art, Rotterdam | 1995 |
| EXHIBITION REVIEWS | ||
| Daniel Buren at CAPC, Bordeaux | Flash Art, November-December | 1991 |
| Daniel Buren at Bortolami-Dayan | Art in America, June / July | 2007 |