VICTOR BURGIN
1941, Sheffield, England
| ARTIST'S BOOKS | ||
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| Between | Basil Blackwell | 1986 |
| Two Essays on Art Photography and Semiotics | Robert Self Publications, London | 1976 |
| Work and Commentary | Latimer New Dimensions Limited | 1973 |
| INTERVIEWS AND ESSAYS | ||
| Essay: A Note on Minnesota Abstract | New Art, Rizzoli | 1991 |
| Interview [re: Artist's Reserved Rights Sale Agreement] | The Artist's Contract | 2009 |
| EPHEMERA | ||
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| "The Bridge" [announcement card] | John Weber Gallery | 1984 |
| BOOKS BY OR ABOUT BURGIN | ||
| Victor Burgin | Fundacio Antoni Tapies, Barcelona | 2001 |
| INDIVIDUAL CATALOGUE | ||
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| Victor Burgin [including Burgin's essay: "Modernism in the 'work' of art." | Van Abbemuseum, Eindhoven | 1977 |
| Victor Burgin: Office at Night and Danaides/Dames | Knight Gallery, Charlotte, NC | 1988 |
| Victor Burgin: Voyage to Italy | Galerie Thomas Zander, Cologne | 2006 |
| OTHER PUBLICATIONS AND DOCUMENTATION | ||
| What Do You Expect? | Paul Maenz, Koln | 1977 |
| SELECTED CATALOGUES INCLUDING BURGIN | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Difference: On Representation and Sexuality | The New Museum of Contemporary Art, New York | 1984 |
| Documenta 5 | Kassel, Germany | 1972 |
| Drawings | John Weber Gallery, New York | 1991 |
| Endgame: Reference and Simulation in Recent Painting and Sculpture [mentioned in essay by Hal Foster / work not in exhibition] | The Institute of Contemporary Art, Boston | 1987 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| Guggenheim International Exhibition 1971 | Guggenheim Museum | 1971 |
| In another moment / at the moment | Gallery SKG, Belgrade | 1971 |
| Information | MoMA, NY | 1970 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| I Promise It's Political: Perfomativity in Art | Museum Ludwig, Koln | 2002 |
| July / August Exhibition Book | Studio International | 1970 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| "Konzept" - Kunst | Kunstmuseum, Basel | 1972 |
| Live in Your Head: Concept and Experiment in Britan 1964-75 | Whitechapel Art Gallery | 2000 |
| Perverted by Language | Hillword Art Gallery, New York | 1987 |
| Publication | David Lamelas | 1970 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner | Fruit Market Gallery, Edinburgh | 1976 |
| The Critical Eye / I | Yale Center for British Art | 1984 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The New Art | Hayward Gallery | 1972 |
| The 1984 Show | Ronald Feldman Fine Art, Inc, New York | 1983 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| 13 >Projekt '74< Artists | Paul Maenz | 1974 |
| 2,972,453 | CAYC, Buenos Aires | 1970 |
| When Attitudes Become Form (Bern and London) | ICA, London | 1969 |
| SELECTED BOOKS INCLUDING BURGIN | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Fabrications: Staged, Altered, and Appropriated Photographs | Abbeville Press, New York | 1987 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Artist's Contract | Verlag der Buchhandlung Walther Konig, Koln |
2009 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Un/Necessary Image | Tanam Press | 1982 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| SELECTED PERIODICALS INCLUDING BURGIN | ||
| Artforum [Troubles with British Art Now] | April | 1977 |
| Artforum [Artist's Projects Issue] | Artforum | 1980 |
| Art-Language Vol.2 # 2 [In Reply] | Art & Language | 1972 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| Wedge # 6 | Wedge | 1984 |
| EXHIBITION REVIEWS | ||
| Victor Burgin at John Weber | Art in America, January | 1980 |
| Victor Burgin at Arnolfini, Bristol and Matt's Gallery, London | Frieze, January - February | 2003 |