JAMES LEE BYARS
1932, Detroit, Michigan - 1997
INDIVIDUAL CATALOGUES | ||
The Perfect Moment | IVAM Centre del Carme | 1994 |
EPHEMERA | ||
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A and B you ready to do some fant show ? Love B [announcement card] | Wide White Space, Antwerp | 1973 |
James Lee Byars: The Rest is Silence (large three-fold exhibition brochure with images) | 3 galleries: Mary Boone, Perry Rubenstein and Michael Werner, New York | 2006 |
OTHER PUBLICATIONS | ||
The Museum of Drawers | Kunsthaus Zurich | 1978 |
CATALOGUES INCLUDING BYARS | ||
Art by Telephone | Museum of Contemporary Art, Chicago | 1969 |
Beau Monde: Toward a Redeemed Cosmopolitanism - Site Santa Fe 4th International Biennial | Site Santa Fe, New Mexico | 2001 |
Choices: Making Art of Everyday Life | The New Museum of Contemporary Art, New York | 1986 |
Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
Conceptual Art: The NSCAD Connection 1967-1973 | The Press of the Nova Scotia College of Art and Design | 1994 |
Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958-1972 | Mason Gross Art Galleries, Rutgers University / Mead Art Gallery, Amherst | 2003 |
Documenta 5 | Kassel, Germany | 1972 |
Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
Documenta 7 | Kassel, Germany | 1982 |
Documenta 8 [curator: Manfred Schneckenburger] Performance | Kassel | 1987 |
18'6" x 6'9" x 11'21/2" x 47' x 11 3/16" x 29'8 1/2" x 31' 9 3/16 [poster] | San Francisco Art Institute | 1969 |
Information | Museum of Modern Art, New York | 1970 |
Intervenciones | Pabellon de Andalucia | 1992 |
La Biennale di Venezia 48 | Venice, Italy | 1999 |
Laboratorium | Antwerpen Open | 1999 |
Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
Metropolis | Martin Gropius Bau, Berlin | 1991 |
One Month March 1969 | Seth Siegelaub | 1969 |
Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
Prospect 69 | Kunsthalle Dusseldorf | 1969 |
Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures | Independent Curators International, New York | 2002 |
Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
BOOKS INCLUDING BYARS | ||
Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
Art Recollections:Artists' Interviews and Statements in the Nineties | Danilo Montanari & Exit & Zona Archives Editori | 1997 |
Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
Conceptual Art | Phaidon | 1998 |
Idea Art: A Critical Anthology | Dutton | 1973 |
Museums by Artists | Art Metropole, Toronto | 1983 |
New Art | Rizzoli | 1991 |
Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
Six Years: The dematerialization of the art object.... | Praeger | 1973 |
The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
PERIODICALS INCLUDING BYARS | ||
Art in America, [Article: Impossible Art] | May-June | 1969 |
Interfunktionen # 03 | Interfunktionen | 1969 |
Sculpturre, Vol.21, #9 | November | 2002 |
0 to 9 Number 6 [supplement - street work] | Acconci and Mayer, reprint 2006, July | 1969 |
EXHIBITION REVIEWS | ||
James Lee Byars at Michael Werner, Cologne | Flash Art, November-December | 1991 |