JOHN CAGE
1912, Los Angeles
| BOOKS BY OR ABOUT CAGE | ||
| Anarchy (New York City, January 1988) | Weslyan University Press | 2001 |
| Conversation without Feldman [A Talk Between John Cage and Geoffery Barnard] | Black Ram Press | 1980 |
| RECORDINGS | ||
| Daughters of the Lonesome Isle performed by Margaret Leng Tan | New Albion Records | 1994 |
| Fontana Mix-Feed [included in Aspen 5+6] Recording and Score | Aspen Magazine | 1967 |
| FILM / VIDEO | ||
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| Cage / Cunningham | Kultur | 2007 |
| The Piano Works 7 | Koch Releasing | 2006 |
| Variations VII [9 evenings / Experiments in Art and Technology - 1966] | E.A.T. & Artpix | 1966 2008 |
| ARTICLES BY OR ABOUT CAGE - INTERVIEWS | ||
| Composition as Process Part II: Indeterminacy | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Cunningham/Cage by Richard Kostelanetz | Next Wave Festival 1986 Program, Brooklyn Academy of Music | 1986 |
| Interview with Cage in Happenings and Other Acts | Routledge | 1995 |
| Interview with Cage in The Print Collector's Newsletter | January- February | 1990 |
| Music and Particularly Silence in the Work of Jackson Mac Low | Paper Air Magazine Vol 2 No 3 | 1980 |
| EPHEMERA | ||
| Next Wave Festival 1986 Program [Merce Cunningham Dance Company / music by John Cage] | Brooklyn Academy of Music | 1986 |
| OTHER PUBLICATIONS | ||
| In and Out of Kutztown: a documentation of the Art Series Program 1974-1981 | Kutztown State College, Pennsylvania | 1983 |
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| View - interview with Cage | Crown Point Press, San Francisco | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Rolywholyover: A Circus [a metal box with contents: articles, art work, etc.] | Museum of Contemporary Art, Los Angeles | 1993 |
| CATALOGUES INCLUDING CAGE | ||
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Extended Play | Emily Harvey Gallery, New York | 1988 |
| Idea and Image in Recent Art | The Art Institute of Chicago | 1974 |
| In the Spirit of Fluxus | Walker Art Center | 1993 |
| la Biennale di Venezia 44: Ubi Fluxus | Venice | 1990 |
| la Biennale di Venezia 45: Opera Italiana - Transiti - Museo Elettronico | Venice, various locations | 1993 |
| Off Limits: Rutgers University and the Avant-Garde, 1957-1963 [mentioned in text - not in exhibition] | The Newark Museum | 1999 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Strange Attractors: Signs of Chaos | The New Museum of Contemporary Art, New York | 1989 |
| The Art of Participation: 1950 to Now | San Francisco Museum of Modern Art | 2008 |
| Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art | Walther Konig, Koln | 1966/ 1997 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| BOOKS INCLUDING CAGE | ||
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art and Life | Prager | 1971 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Fantastic Architecture | Something Else Press | 1969 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Happenings and Other Acts | Routledge | 1995 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| Teaching and Learning as Performing Arts | Kasper Konig / Verlag Gebr. Koenig | 1970 |
| The Archive [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2006 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Theatre of Mixed Means | The Dial Press, New York | 1968 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| OTHER PUBLICATIONS | ||
| Art Action 1958 - 1998 | Inter Art Actuel et Le Lieu, Centre en Art Actuel, Quebec | 2001 |
| PERIODICALS INCLUDING CAGE | ||
| Art in America [The Dimensions of the Miniarts by Douglas Davis] | November-December | 1967 |
| Art in America [Give my regards to Eighth Street] | March-April | 1971 |
| Aspen No. 5+6 | Fall / Winter | 1967 |
| Flash Art [John Cage - interview with Fancesco Bomani] | October | 1991 |
| Grand Street #45 [Correspondence] | Grand Street | 1993 |
| New Observations #82 - Response to War | New Observations Ltd., New York | 1991 |
| The Print Collector's Newsletter | January-February | 1990 |
| Third Text # 24 | Third Text, Autumn | 1993 |
| Vision Number 4 (Word of Mouth) [audio issue] | Crown Point Press | 1980 |
| Vision #5 Artists' Photographs | Crown Point Press | 1982 |