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LUIS CAMNITZER
1937, Lubeck, Germany (moved to Uruguay) - Lives and works in New York
F / S / V / INSTV
| INDIVIDUAL CATALOGUES | ||
| Luis Camnitzer: Retrospective Exhibition 1966-1990 | Lehman College Art Gallery | 1990 |
| Luis Camnitzer: Uruguayan Torture | The Alternative Museum, New York | 1984 |
| Uruguay: Luis Camnitzer | Venice Biennale | 1988 |
| BOOKS BY OR ABOUT CAMNITZER | ||
| Conceptualism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| New Art of Cuba [by Camnitzer] | University of Texas Press | 1994 |
| EPHEMERA | ||
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| Luis Camnitzer "the Agent Orange Series" and "From the Uruguayan Troture" (announcement card) | Massachusetts College of Art | 1986 |
| WORKS IN PUBLICATIONS | ||
| The Fence | WhiteWalls #45 - Terra Form | 2004 |
| untitled | WhiteWalls #37 - Tourists, Voyeurs and Exiles | 1996 |
| ARTICLES BY CAMNITZER | ||
| Absolute Art [Absolut and Benetton] | Art Nexus # 24, April-June | 1997 |
| Absolute Relativity [Absolute Vodka] | Third Text # 38, Spring | 1997 |
| Access to the Mainstream | Beyond the Fantastic: Contemporary art criticism from Latin America | 1996 |
| Adrian Piper / Yoko Ono: Conceptualism and Biographies | Art Nexus #41, August-October | 2001 |
| Ana Mendieta | Third Text # 7, Summer | 1989 |
| Antonio Caro: Visual Guerrilla | Poliester, Vol.4 #12, Summer | 1995 |
| Antonio Tapies | Art Nexus #17, July-September | 1995 |
| Armando Reveron and the Nocturnal Butterflies | Art Nexus Vol.43, #1 January-March | 2002 |
| Art and Science | Art Nexus Vol.39, February-April | 2001 |
| Art, Politics and the Evil Eye | Third Text # 20 Cuba, Autumn | 1992 |
| Bitstreams in the Whitney | Art Nexus #42, November 2001 - January | 2002 |
| Cultural Identities: Before and After the Exit of Bureau-Communism | The Hybrid State [catalogue - Exit Art] | 1992 |
| Latin American Art in Long Island; Points of View from the Provinces | Art Nexus Vol.25, July-September | 1997 |
| Letter from Porto Alagre | Art Nexus Vol.27, January-March | 1998 |
| Liliana Porter: The Poetry of Communication | Art Nexus Vol.35, February-April | 2000 |
| Marvel Entertainment Group Presents... | Third Text # 26, Spring | 1994 |
| Meret Oppenheim | Art Nexus Vol.23, January-March | 1997 |
| Mona Hatoum [in the New Museum of New York] | Art Nexus Vol.29, August-October | 1998 |
| Nam June Paik in the Guggenheim Museum | Art Nexus Vol.33, August-October | 2000 |
| Parallel Songs | Art Nexus Vol.33 , August-October | 1999 |
| Pedro Figari | Third Text # 16/17, Autumn / Winter | 1991 |
| Pop Politico | Trans> arts.cultures.media # 5 | 1998 |
| Recent Latin American Art | Art Journal, Winter | 1992 |
| Report from Havana: The First Biennial of Latin America | Art in America, December | 1984 |
| Spanglish Art | Third Text # 13, Winter | 1991 |
| The Columbus Quincentenary and Latin American Art: A Critical Evaluation [with Shifra Goldman] | Art Journal, Winter | 1992 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The 49th Vanice Biennale: Prisoners of Time | Art Nexus #42, No vember 2001 - January | 2002 |
| The Whitney Biennial, 1997 | Art Nexus Vol.25, July-September | 1997 |
| The Fifth Biennial of Havana | Third Text # 28/29, Autumn | 1994 |
| Vasarely at the Fundacion Juan March: The Design of Paintings | Art Nexus #38, November - January | 2001 |
| Venice Biennale Review | Art Nexus Vol.18, October-December | 1995 |
| Venice Biennial 47 | Art Nexus #26 , October-December | 1997 |
| Wonder Bread and Spanglish Art | Beyond the Fantastic: Contemporary art criticism from Latin America | 1996 |
| SELECTED CATALOGUES INCLUDING CAMNITZER | ||
| A Different War: Vietnam in Art | Independent Curators Incorporated, New York | 1990 |
| Ante America / Regarding America | Biblioteca Luis-Angel Arango, Bogota | 1992 |
| Arte no es Vida: Actions by Artists of the Americas, 19960-2000 | el Museo del Barrio, New York | 2008 |
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Disinforamtion: The Manufacture of Consent | The Alternative Museum, New York | 1985 |
| Documenta 11 | Kassel, Germany | 2002 |
| Encounters / Displacements: Louis Camnitzer, Alfredo Jaar, Cildo Meireles | U. of Texas at Austin | 1992 |
| Havana Bienal #1 - 1 Bienal de la Habana | Museo Nacional de Bellas Artes, Havana | 1984 |
| Havana Bienal #2 - Segunda Bienal de la Habana | Museo Nacional de Bellas Artes, Havana | 1986 |
| Havana Bienal # 4 - Bienal de la Habana - El Desafio a la Colonization | Centro Wifredo Lam | 1991 |
| La Biennale di Venezia # XLIII [National Pavilion: Uruguay] | Venice | 1988 |
| Latin American Artists of the Twentieth Century | The Museum of Modern Art, New York | 1993 |
| Life Experience | Generali Foundation, Vienna | 2000 |
| Rayuela / Hopscotch: Fifteen Contemporary Latin American Artists | University Art Gallery, University of Scranton / Mahady Gallery, Marywood University | 2002 |
| The Disappeared / Los Desaparecidos | North Dakota Museum of Art | 2006 |
| The Hybrid State | Exit Art, New York | 1992 |
| Unknown Secrets: Art and the Rosenberg Era | Hillwood Art Gallery, Long Island University, New York | 1988 |
| Whitney Biennial 2000 [Michael Auping, Valerie Cassel, Hugh M. Davies, Jane Farver, Andrea Miller-Keller, and Lawrence R. Rinder] | Whitney Museum of American Art | 2000 |
| Worthless (Invaluable) | Moderna galerija Ljubljana | 2000 |
| BOOKS INCLUDING CAMNITZER | ||
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Collectivism After Modernism: The Art of Social Imagination After 1945 | University of Minnesota Press | 2007 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco] | The New Press, New York | 1995 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] | Pantheon Books | 1990 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Bodies That Were Not Ours and other writings [Coco Fusco] | Routledge | 2001 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| PERIODICALS INCLUDING CAMNITZER | ||
| Art Nexus Vol.23 [The Past as Subjective Experience] | January-March | 1997 |
| Art Nexus #31 [7th International Forum on Contemporary Theory] | February-April | 1999 |
| Art Nexus #41 [Aezthetyks of Dream: The Identity of Shortage] | August-October | 2001 |
| Third Text # 20 Cuba [Havana Bienal +] | Third Text | 1992 |
| Third Text # 24 | Third Text, Autumn | 1993 |
| EXHIBITION REVIEWS | ||
| Luis Camnitzer at Basta Gallery, Hamburg | Art Nexus #26 , October-December | 1997 |