
SARAH CHARLESWORTH
1947, East Orange, New Jersey
| ARTISTS' BOOKS | ||
| A Lover's Tale | Wedge Press [Wedge Pamphlet 13] | 1983 |
| In - Photography | CEPA Gallery, Buffalo, New York | 1982 |
| INDIVIDUAL CATALOGUES | ||
| Sarah Charlesworth: A Retrospective | Site Santa Fe | 1997 |
| OTHER PUBLICATIONS | ||
| an anti-catalog | Artists Meeting for Cultural Change | 1977 |
| Sex-Quake: Art After the Apocalypse [an exhibition in book form] | 1st Art-Genes Portable Museum | 1993 |
| EXHIBITIONS CURATED | ||
| Somatogenics [curated with Cindy Sherman and Laurie Simmons] | Artists Space, New York | 1995 |
| SELECTED CATALOGUES INCLUDING CHARLERWORTH | ||
| A Fatal Attraction: Art and the Media | The Renaissance Society at the University of Chicago | 1982 |
| A Forest of Signs: Art in the Crisis of Representation | The Museum of Contemporary Art, Los Angeles | 1989 |
| Art & Social Change | Allen Memorial Art Museum, Oberlin College, Ohio | 1983 |
| East Village USA | The New Museum of Contemporary Art, NY | 2004 |
| Empty Dress: Clothing as Surrogate in Recent Art [curator: Nina Felshin] | Independent Curators, Inc., New York | 1993 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Infotainment (18 Artists from New York) | Nature Morte, New York | 1985 |
| Knowledge: Aspects of Conceptual Art | University Art Museum, Santa Barbara | 2002 |
| La Biennale di Venezia 1976 - International Events | Venice | 1976 |
| Media Post Media | Scott Hanson Gallery, New York | 1988 |
| Public Art [Lawler designed the catalogue for this exhibition] | Nexus Contemporary Art Center, Atlanta | 1985 |
| Recent Tendencies in Black and White | Sidney Janis Gallery, New York | 1987 |
| Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner | Fruit Market Gallery, Edinburgh | 1976 |
| The Art of Memory / The Loss of History | The New Museum of Contemporary Art | 1986 |
| The Interrupted Life [curated by France Morin. Including: Beuys, Boltanski, Calle, Charlesworth, Dittborn, Hatoum, Nauman, and Stilinovic] | The New Museum of Contemporary Art, New York | 1991 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Photography of Invention: American Pictures on the 1980s | National Museum of American Art, Smithsonian Institution | 1989 |
| The Pictures Generation 1974-1984 | The Metropolitan Museum of Art, New York | 2009 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| Whitney Biennial 1985 [Richard Armstrong, John G. Hanhardt, Barbara Haskell, Richard Marshall, Lisa Phillips, and Patterson Sims] | Whitney Museum of American Art | 1985 |
| BOOKS INCLUDING CHARLESWORTH | ||
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Fabrications: Staged, Altered, and Appropriated Photographs | Abbeville Press, New York | 1987 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| SELECTED PERIODICALS INCLUDING CHARLESWORTH | ||
| Art-Language vol. 3 #2 | Art & Language | 1975 |
| Cover #3 | Artcover, New York | 1980 |
| Heresies # 2 Patterns Of Communication and Space Among Women | Heresies | 1977 |
| Journal of Contemporary Art Volume 1, #1 [interview] | Spring | 1988 |
| The Fox #1 | art & language | 1975 |
| The Fox #2 | art & language | 1975 |
| The Fox #3 | art & language | 1976 |
| Wedge #3/4/5 | Wedge | 1985 |
| EXHIBITION REVIEWS | ||
| Sarah Charlesworth at Tony Shafrazi | Artforum, Summer | 1980 |