LYGIA CLARK
1920, Belo Horizonte, Brazil
| INDIVIDUAL CATALOGUES | ||
| ESSAYS/PROJECTS BY CLARK | ||
| "The Relational Object" in: The Flue Vol 3 #2 - Special Issue - Latin America | Franklin Furnace, Spring | 1983 |
| CATALOGUES INCLUDING CLARK | ||
| Arte no es Vida: Actions by Artists of the Americas, 19960-2000 | el Museo del Barrio, New York | 2008 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| Documenta 10 | Kassel, Germany | 1997 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Istanbul Biennial # 7 - Egofugal [curator: Yuko Hasegawa] | Istanbul Foundation for Culture and Arts | 2001 |
| Latin American Artists of the Twentieth Century | The Museum of Modern Art, New York | 1993 |
| Life Experience | Generali Foundation, Vienna | 2000 |
| Looking for a Place | Site Santa Fe - 3rd International Biennial | 1999 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Pulse: Art, Healing, and Transformation | The Institute of Contemporary Art, Boston | 2003 |
| Sans (an exhibition) | Apexart, New York | 2002 |
| The Art of Participation: 1950 to Now | San Francisco Museum of Modern Art | 2008 |
| Ultramodern: The Art of Contemporary Brazil [Aracy A. Amaral and Paulo Herkenhoff] | The National Museum of Women in the Arts, Washington, D.C. | 1993 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| BOOKS INCLUDING CLARK | ||
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art and Life | Prager | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptuallism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| OTHER PUBLICATIONS | ||
| Art Action 1958 - 1998 | Inter Art Actuel et Le Lieu, Centre en Art Actuel, Quebec | 2001 |
| PERIODICALS INCLUDING CLARK | ||
| Art in America Report From Sao Paulo Crossed Signals: The 16 Bienal by John Perreault [including Cildo Meireles, Gilbert & George, Helio Oiticica, and Lygia Clark] | May | 1982 |
| Art in America [Courting the Carnivalesque (including: Lygia Clark, and Helio Oiticica) ] | January | 1989 |
| Art Journal | Spring | 2000 |
| Art Nexus #31 [The Inside is the Outside: The Precariousness of Boundaries in the Work of Lygia Clark by Monica Amor] | February-April | 1999 |
| Art Nexus #42 [Geometric Abstraction: Latin American Art] | November 2001 - January | 2002 |
| Poliester #16 [Sao Paulo Biennial Review] | Fall | 1996 |
| The Flue Vol 3 #2 - Special Issue - Latin America | Franklin Furnace, Spring | 1983 |
| Third Text # 1 | Third Text, Autumn | 1987 |
| Third Text # 22 [review of "Gravity and [Dis] Grace"] | Third Text, Spring | 1993 |
| Trans> arts.cultures.media # 2 | Passim, Inc. | 1996 |
| Trans> arts.cultures.media # 6 | Passim, Inc. | 1999 |
| EXHIBITION REVIEWS | ||
| Lygia Clark at Antoni Tapies Foundation, Barcelona | Art Nexus Vol.27, January-March | 1998 |