WALTER DE MARIA
1935, Albany, California - Lives and works in New York
| EPHEMERA | ||
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| The Broken Kilometer (invitation) | Heiner Friedrich, 393 West Broadway, NY | 1979 |
| The New York Earth Room [poster] | Dia Art Foundation | 1980 |
| The New York Earth Room (gallery card, early) | 141 Wooster Street, NY | 1980 |
| Two lines three circles in the dessert [individual mailed announcement card for work in Land Art exhibition] | Fernsehgalerie Gerry Schum, Berlin | 1969 |
| Walter De Maria (photograph of work - spike sculpture - for exhibition) | Dwan Gallery , New York | 1969 |
| Walter De Maria ("unconditional release" form for spike sculpture) | Dwan Gallery , New York | 1969 |
| INDIVIDUAL CATALOGUES | ||
| Walter de Maria | Museum Boymans-van Beuningen, Rotterdam | 1984 |
| Walter de Maria: Large Rod Series: Circles / Rectangles | Xavier Fourcade, Inc., New York | 1986 |
| Walter de Maria: Skulpturen [text in German] | Kunstmuseum Basel | 1972 |
| Walter de Maria: The 5 - 7 - 9 Series | Gagosian Gallery | 1992 |
| Walter de Maria: 360 I ching / 64 Sculptures [brochure in French] | Centre Georges Pompidou | 1981 |
| Walter de Maria: Two Very Large Presentations | Moderna Museet, Stockholm | 1989 |
| SELECTED CATALOGUES INCLUDING DE MARIA | ||
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Blam! The Explosion of Pop, Minimalism and Performance 1958-1964 | Whitney Museum of American Art | 1984 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Dia Chelsea [periodic exhibition brochures in binder] - Lighting Field | Dia Chelsea, New York | 1981- |
| Diagrams & Drawings | Rijksmuseum Kroller-Muller, Otterlo | 1972 |
| Directions 1: Options | Milwaukee Art Center | 1968 |
| Documenta 4 [curator: Arnold Bode] | Kassel, Germany | 1968 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Earth Works (no catalogue, anouncement card written in sand) | Virginia Dawn Gallery | 1968 |
| Energieen [Energies] | Stedelijk Museum, Amsterdam | 1990 |
| 557,087 | Seattle | 1969 |
| Fragile Ecologies: Contemporary Artists' Interpretation and Solutions [mentioned in the essays, not included in the exhibition] | The Queens Museum, New York | 1992 |
| Function of Drawing | Rijksmuseum Kroller-Muller, Otterlo | 1975 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Guggenheim International Exhibition 1971 | Guggenheim Museum | 1971 |
| Information | MoMA, NY | 1970 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Nature and Anti-Nature | Venice | 1976 |
| Land Art | Fernsehgalerie Berlin Gerry Schum | 1969 |
| 955,000 | Vancouver Art Gallery | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Off Limits: Rutgers University and the Avant-Garde, 1957-1963 [mentioned in text - not in exhibition] | The Newark Museum | 1999 |
| Op Losse Schroeven (Square peg in round hole) | Stedelijk Museum | 1969 |
| Other Ideas | The Detroit Institute of Arts | 1969 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Primary Structures: Younger American and British Sculptors | The Jewish Museum, New York | 1966 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Rooms P.S.1 | P.S.1 | 1977 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| The Last Picture Show | The Walker Art Center | 2003 |
| When Attitudes Become Form (Bern) | Kunsthalle Bern | 1969 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| BOOKS INCLUDING DE MARIA | ||
| Art and Life | Prager | 1971 |
| Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Art Povera: Eartheworks/Impossible Art/Actual Art/ Conceptual Art | Germano Celant | 1969 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Conceptuallism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| The New Avant-Garde: Issues for the Art of the Seventies | Praeger | 1972 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Thinking About Exhibitions | Routledge | 1996 |
| OTHER DOCUMENTS | ||
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| PERIODICALS INCLUDING DE MARIA | ||
| Artforum [Earthworks and the New Picturesque] | December | 1968 |
| Artforum ["Site Inspection" by Lawrence Alloway] | October | 1976 |
| Art in America: [The Audience is His Medium!] | # 2 (March-April) | 1963 |
| Art in America, [Article: Impossible Art] | May-June | 1969 |
| Art in America [Earthscapes, Landworks and Oz by Dave Hickey] | September-October | 1971 |
| Art in America [Artworks on the Land] | January-February | 1976 |
| Art in America [DeMaria: Elements (including Earth Room, New York City) by Roberta Smith] | May-June | 1978 |
| Avalanche #04 | Avalanche | 1972 |
| Interfunktionen # 03 | Interfunktionen | 1969 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| Parkett # 32 | Parkett | 1992 |
| Vision #3 - New York City | Crown Point Press | 1976 |
| EXHIBITION REVIEWS AND ANNOUNCEMENT ADDS | ||
| Walter De Maria and Richard Serra at Noah Goldowsky | Artforum, Arpil | 1968 |
| Walter de Maria at Dwan Gallery (bed of spikes) | Art in America, March-April | 1969 |
| Walter De Maria at Hessisches Landesmuseum | Art in America, November-December | 1974 |
| Announcement of De Maria's Broken Kilometer at 393 West Broadway | Art in America, October | 1979 |
| Announcement for opening of De Maria's Earth Room at 141 Wooster Street | Art in America, January | 1980 |