
MARK DION
1961, New Bedford, Massachusetts - Lives in New York and Pennsylvania
| ARTISTS' BOOKS/CATALOGUES | ||
| Field Guide to the Wildlife of Madison Square Park | Public Art Fund, New York | 2002 |
| Polar Bear | Verlag der Buchhandlung Walther König | 2003 |
| ARTICLES AND CONTRIBUTIONS | ||
| Tales From The Dark Side [1985] | Real Life Magazine: Selected Writings and Project s 1979-1994 | 2006 |
| The Gordon Matta-Clark Subterranean Museum (contribution to catalogue: Odd Lots: Revisiting Gordon Matta-Clark's Fake Estates) | White Columns / Queens Museum, New York | 2005 |
| INDIVIDUAL CATALOGUES | ||
| Mark Dion: Drawings, Journals, Photographs, Souvenirs, and Trophies 1990-2003 | The Aldrich Museum of Contemporary Art | 2003 |
| CATALOGUES INCLUDING DION | ||
| Carnegie International [curator: Madeleine Grynsztejn] | Carnegie Museum of Art, Pittsburgh, Pennsylvania | 1999 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Fake [Curator: William Olander] | The New Museum of Contemporary Art, New York | 1987 |
| Global Priority | Herter Art Gallery, University of Massachusetts, Amherst | 2003 |
| I Love New York [curator: Jochen Poetter] | Museum Ludwig Koln | 1998 |
| Klima Global: Arte Amazonas | Museu de Arte Moderna, Rio de Janeiro / Staatliche Kunsthalle, Berlin | 1992 |
| Leaving Tracks: Artrenspennine 98 | Various locations, England | 1998 |
| Paradise Now: Picturing the Genetic Revolution [curator: Jodi Hanel and Edward Leffingwell] | Exit Art, New York and The Tang Museum, Skidmore College, Saratoga Springs, New York | 2000 |
| Platzwechsel / Changing Places [project idea by Christian Philipp Muller] | Kunsthalle Zurich | 1995 |
| Sonsbeek 93 | Arnhem, The Netherlands | 1993 |
| The Desire of the Museum | Whitney Museum Downtown at Federal Reserve Plaza | 1989 |
| The Fairy Tale: Politics, Desire, and Everyday Life | Artists Space, New York | 1986 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| Transgressions in the White Cube: Territorial Mappings | Bennington College Suzanne Lemberg Usdan Gallery | 1992 |
| Weird Science: A Conflation of Art and Science [curator: Irene Hofmann] | Cranbrook Art Museum, Bloomfield, Michigan | 1999 |
| BOOKS INCLUDING DION | ||
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Echoes: Contemporary Art in the Age of Endless Conclusions | The Monacelli Press | 1996 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| Site-Specificity: The Ethnographic Turn | de-,dis-,ex-. Volume 4, Black Dog Publishing Limited, London | 2000 |
| The Archive [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2006 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| PERIODICALS INCLUDING DION | ||
| Art Nexus Vol.39 [inSITE 2000] | February-April | 2001 |
| Fri-Art [The Self-Reflecting Endless Loop: A Polemic] | Centre d'Art Contemporain Kunsthalle, Fribourg | 1995 |
| Grand Street #61 - All-American [Navigation] | Grand Street | 1997 |
| Parkett # 44 | Parkett | 1995 |