
JIMMIE DURHAM
1940 Washington, Arkansas
| INDIVIDUAL CATALOGUES | ||
| Jimmie Durham: Between the Furniture and the Buildingm (Between a Rock and a Hard Place) | Kunstverien Munchen, Berliner Kunstlerprogramm DAAD | 1998 |
| Jimmie Durham: The Bishop's Moose and the Pinkerton Men | Exit Art, New York | 1989 |
| ARTICLES AND ESSAYS BY DURHAM | ||
| A Friend of Mine Said That Art is a European Invention | Jetztzeit (exhibition, Kunsthalle Wein and De Appel) | 1994 |
| Cowboys and ... | Third Text # 12, Autumn | 1990 |
| Legal Aliens | The Hybrid State [catalogue - Exit Art] | 1992 |
| Mr. Catlin and Mr. Rockefeller Tame the Wilderness | an anti-catalog | 1977 |
| DOCUMENTS / OTHER PUBLICATIONS | ||
| an anti-catalog | Artists Meeting for Cultural Change | 1977 |
| CATALOGUES INCLUDING DURHAM | ||
| Acts of Faith: Politics and the Spirit [curated by Lucy Lippard] | Art Gallery, Cleveland State University | 1988 |
| Ante America / Regarding America | Biblioteca Luis-Angel Arango, Bogota | 1992 |
| Cocido y Crudo | Museo Nacional Centro de Arte Reina Sofia | 1995 |
| Dissent, Difference and the Body Politic [curators: Simon Watson and John S. Weber] | Portland Art Museum | 1992 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Do It | Independent Curators, Inc., New York | 1997 |
| Istanbul Biennial # 5 On Life, Beauty, Translations and Other Difficulities | Istanbul | 1997 |
| La Biennale di Venezia 48 | Venice, Italy | 1999 |
| La Biennale di Venezia 50: Dreams and Conflicts: The Dictatorship of the Viewer | Venice | 2003 |
| la Biennale di Venezia 51: The Experience of Art / Always a Little Further | Venice | 2005 |
| Less: Alternative Living Strategies | Il PAC - Padiglione d'Arte Contemporanea di Milano | 2006 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Souvenir of Site Seeing: Travel and Tourism in Contemporary Art | Whitney Museum of Americna Art Downtown | 1991 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Hybrid State | Exit Art, New York | 1992 |
| Tirana Bienale 3 - Sweet Taboos | National Gallery & Villa Goldi, Tirana, Albania | 2005 |
| Whitney Biennial 1993 [Elisabeth Sussman with Thelma Golden, John G. Hanhardt and Lisa Philips]] | Whitney Museum of American Art | 1993 |
| Whitney Biennial 2006 [Elisabeth Sussman, John G. Hanhardt, Thelma Golden, and Lisa Phillips] | Whitney Museum of American Art | 2006 |
| BOOKS INCLUDING DURHAM | ||
| Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] | Pantheon Books | 1990 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Thinking About Exhibitions | Routledge | 1996 |
| PERIODICALS INCLUDING DURHAM | ||
| Art Journal [Artists' Pages] | Summer | 1992 |
| Grand Street #61 - All-American [Navigation] | Grand Street | 1997 |
| Ikon, Second Series: Special Issue Art Against Apartheid | Ikon, New York | 1986 |
| Third Text # 2 [Jean Fisher: The Health of the People is the Highest Law] | Third Text, Winter | 1987 |
| Third Text # 12 - Body Politics | Third Text, Autumn | 1990 |
| Third Text # 21 - The Wake of Utopia [The Savage Gift: Jimmie Durham's Ama by Jean Fisher] | Third Text, Winter | 1992-3 |
| Third Text # 28/29 | Third Text, Autumn | 1994 |
| Third Text #32 - Contaminations [Mapping Differences] | Autumn | 1995 |
| Upfront # 10 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1985 |