ENDGAME: REFERENCE AND SIMULATION IN RECENT PAINTING AND SCULPTURE
The Institute of Contemporary Art, Boston, 1986
Curators: Elisabeth Sussman, David Joselit and Bob Riley
| ARTISTS | |
| Baim, Richard | |
| Bender, Gretchen | |
| Bleckner, Ross | |
| General Idea | |
| Halley, Peter | |
| Hoberman, Perry | |
| Kessler, Jon | |
| Koons, Jeff | |
| Levine Sherrie | |
| Otterson, Joel | |
| Steinbach, Haim | |
| Taaffe, Philip | |
| ESSAYS | |
| Thomas Crow | The Return of Hank Herron [incluging; Levine, Steinbach, Max Ernst, Barnett Newman, Andy Warhol, among others] |
| Yve-Alain Bois | Painting: The Task of Mourning [including Levine, Halley, Bleckner, Robert Ryman, Duchamp, Lichtenstein, Picasso, among others |
| Elisabeth Sussman | The Last Picture Show [including: David Salle, Bridget Riley, Frank Stella, Levine, Taaffe, Halley, Bleckner] |
| David Joselit | Modern Leisure [including General Idea, Steinbach, Koons, Warhol, Bill Woodrow, Kessler, Otterson] |
| Hal Foster | The Furture of an Illusion, or the Contemporary Artist as Cargo Cultist [including: Otterson, Warhol, Donald Judd, Mary Kelly, Victor Burgin, Johns, Koons, Haring +] |
| Bob Riley | Notes on New Media Theater [ ncluding Baim, Bender, and Hoberman] |