VALIE EXPORT
1940, Linz, Austria - Lives and works in Vienna
| BOOKS BY OR ABOUT EXPORT | ||
| Valie Export: Fragments of the Imagination | Indiana University Press [Women Artists in Film series] | 1994 |
| ARTICLES AND INTERVIEWS BY OR WITH EXPORT | ||
| Women's Art: A Manifesto | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Valie Export | Centre national de la photographie, Paris / Editions de l'Oeil | 2003 |
| CATALOGUES INCLUDING EXPORT | ||
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Double Life: Identity and Transformation in Contemporary Life | Generali Foundation, Vienna | 2001 |
| feministische kunst international: performance / video / film / dokumentatie [text in Dutch] | De Appel, Amsterdam | 1978 |
| Gloria:Another Look at Feminist Art of the 1970s | White Columns, New York | 2002 |
| In the Spirit of Fluxus | Walker Art Center | 1993 |
| 9th Biennale de Paris | Musee d'art Moderne de la Ville de Paris | 1975 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Occupying Space: Sammlung Generali Foundation Collection | Generali Foundation, Vienna | 2003 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Parallel Actions [no catalogue] | Austrian Cultural Forum, New York | 2003 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| The Art of Participation: 1950 to Now | San Francisco Museum of Modern Art | 2008 |
| The Last Picture Show | The Walker Art Center | 2003 |
| Third International Open Encounter on Video | CAYC (organized by) / Galleria Civica D'Arte Moderna, Ferrara | 1975 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Walking in the City | Apex Art, New York [also Kunsthalle Fridericianum, Kassel] | 2003 |
| We Interrupt This Program: Print Ads and TV Spots by Artists | Mercer Union, Toronto | 2009 |
| White Cube / Black Box: Video - Installation - Film | Generali Foundation, Vienna | 1996 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| BOOKS INCLUDING EXPORT | ||
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art and Social Chane: A Critical Reader | Tate Publishing in association with Afterall | 2007 |
| Documenta 12 Magazine #3 - Education | Documenta 12 | 2007 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Witness to Her Art [Eau de Cologne - Monika Spruth Galerie] | Center for Curatorial Studies, Bard College | 2006 |
| OTHER PUBLICATIONS | ||
| Art Action 1958 - 1998 | Inter Art Actuel et Le Lieu, Centre en Art Actuel, Quebec | 2001 |
| PERIODICALS INCLUDING EXPORT | ||
| Art in America [When Video was Young] | May | 2007 |
| Interfunktionen #05 | Interfunktionen | 1970 |
| EXHIBITION REVIEWS | ||
| Valie Export at Klemens Gasser | Art in America, June / July | 2007 |