
BARRY FLANAGAN
1941, Prestatyn, North Wales, England - 2009
| MULTIPLES | ||
| Art & Project Bulletin # 093 | art & project | 1975 |
| Art & Project Bulletin # 104 | art & project | 1977 |
| EPHEMERA | ||
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| A hole in the sea [individual mailed announcement card for work in Land Art exhibition] | Fernsehgalerie Gerry Schum, Berlin | 1969 |
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Barry Flanagan: Sculpture 1966 - 1976 | Van Abbemuseum Eindhoven | 1977 |
| Barry Flanagan: Sculpture | British Pavilion, Venice Biennale | 1982 |
| SELECTED CATALOGUES INCLUDING FLANAGAN | ||
| An International Survey of Recent Painting and Sculpture | The Museum of Modern Art, New York | 1984 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Documenta 7 | Kassel, Germany | 1982 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| 557,087 | Seattle | 1969 |
| In another moment / at the moment | Gallery SKG, Belgrade | 1971 |
| Information | MoMA, NY | 1970 |
| July / August Exhibition Book | Studio International | 1970 |
| la Biennale di Venezia 46: Identity and Alterity: Figures of the Body 1895-1995 [Jean Clair] | Venice, various locations | 1995 |
| Land Art | Fernsehgalerie Gerry Schum, Berlin | 1969 |
| Live in Your Head: Concept and Experiment in Britan 1964-75 | Whitechapel Art Gallery | 2000 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| 19:45 - 21:55 September 9th 1967 Frankfurt Germany [397/500] | Paul Maenz, Brussels | 1967 |
| 9th Biennale de Paris | Musee d'art Moderne de la Ville de Paris | 1975 |
| One Month March 1969 | Seth Siegelaub | 1969 |
| Op Losse Schroeven (Square Peg in Round Holes) | Stedelijk Museum | 1969 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| The New Art | Hayward Gallery | 1972 |
| When Attitudes Become Form (Bern) | Kunsthalle Bern | 1969 |
| SELECTED BOOKS INCLUDING FLANAGAN | ||
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Land Art | Tate Publishing | 2006 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING FLANAGAN | ||
| Artforum [Review of Anti-Illusion: Procedures / Materials] | September | 1969 |
| Art International [New York] | November | 1969 |
| Avalanche #08 | Avalanche | 1973 |
| Flash Art [Gravity and Grace: A Decade of Dismantled Fromalism] | March-April | 1993 |
| Third Text # 22 [review "Gravity and [Dis] Grace"] | Third Text, Spring | 1993 |
| EXHIBITION REVIEWS | ||
| Barry Flanagan at Fischbach | Art in America, September-October | 1969 |