HAMISH FULTON
1946, London
| ARTISTS' BOOKS | ||
| Ajawaan (750) | Art Metropole | 1987 |
| Art & Project Bulletin # 052 | art & project | 1972 |
| Art & Project Bulletin # 086 | art & project | 1975 |
| Magpie | Southern Alberta Art Gallery | 2000 |
| Skyline Ridge | P M J Self & Co. Ltd. | 1975 |
| Song of the Skylark | Coracle Press for Waddington Galleries | 1982 |
| The Snow Mountain | John Weber Gallery | 1987 |
| Twillight Horizons | Coracle Press | 1983 |
| Walking Artist: The Separation of Subject and Medium | Morning Star | 1999 |
| EPHEMERA | ||
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| Hamish Fulton: A walk to the summit of Pico de Orizaba Mexico.... [poster] | John Weber Gallery | 1990 |
| Hamish Fulton: Identifications [individual artist exhibition post card] | Fernsehgalerie Gerry Schum, Hannover | 1970 |
| Hamish Fulton: Quick Sand (announcement card) | Van Abbemuseum, Eindhoven | 1977? |
| Coast to Coast Walks (postcard) | Victoria Miro | 1987 |
| Hamish Fulton: Walking Artist / Door Road...[large announcement card] | Annely Juda Fine Art, London | 1998 |
| Melting Snow Ice Rain Mud Puddles Changing to Dust [announcement card] | John Weber Gallery | 1996 |
| No Talking for 14 Days... [announcement card] | John Weber Gallery | 1998 |
| Winter Solstice Full Moon... [announcement card] | John Weber Gallery | 1992 |
| INDIVIDUAL CATALOGUE | ||
| Hamish Fulton | Edizioni Charta | 1999 |
| CATALOGUES INCLUDING FULTON | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| De Europa | John Weber Gallery | 1972 |
| Documenta 5 | Documenta | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Drawings | John Weber Gallery, New York | 1991 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] | Kunstverein, Hannover / TV Broadcast | 1970 |
| Information | MoMA, NY | 1970 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| Live in Your Head: Concept and Experiment in Britan 1964-75 | Whitechapel Art Gallery | 2000 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Revered Earth | Center for Contemporary Arts of Santa Fe | 1990 |
| Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner | Fruit Market Gallery, Edinburgh | 1976 |
| Signs of Life: Process and Materials, 1960-1990 | Institute of Contemporary Art, U. of Pensylvania, Philadelphia | 1990 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The New Art | Hayward Gallery | 1972 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| Walk Ways | Independent Curators International | 2002 |
| We Interrupt This Program: Print Ads and TV Spots by Artists | Mercer Union, Toronto | 2009 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| BOOKS INCLUDING FULTON | ||
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING FULTON | ||
| Interfunktionen #05 | Interfunktionen | 1970 |
| Interfunktionen #06 | Interfunktionen | 1971 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| Vision #5 - Artists' Photographs | Crown Point Press | 1982 |
| EXHIBITION REVIEWS | ||
| Hamish Fulton at Serpentine Gallery, London | Art in America, April | 1991 |