|
|
|
|
|
|
|
CARLOS GARAICOA
1967, Havana, Cuba
F / B / S / V / INSTV
| WORKS | ||
| Acerca de la Construccion de la Verdadera Torre de Babel | Lithograph (43/50) | 1993 |
| Rivoli - o el lugar de donde emana la Sangre (proyecto cruel) | Lithograph (5/20) | 1994 |
| BOOK BY GARAICOA | ||
| Cualquier sitio puede ser un buen sitio para vivir | Havana | 1999 |
| DVD | ||
 |
||
| Carlos Garaicoa: Fragments Talk to You | stopLAproductions | 2005 |
| INDIVIDUAL CATALOGUES | ||
 |
 |
|
| Carlos Garaicoa: Continuity of somebody's architecture. [Project for Documentat 11 / Platform 5] | Kassel, Germany | 2002 |
| Carlos Garaicoa: El Espacio Decapitado | PasquArt, Switzerland | 1995 |
| Carlos Garaicoa:: La Misuradi Quasi Tutte le Cose | Palazzo delle PapesseCentro Arte Contemporanea, Siena | 2004 |
| Carlos Garaicoa: La runin; la utopia | Biblioteca Luis Angel Arango, Bogota | 2000 |
| Cuando el Deseo se Parece a Nada (When Desire Resembles Nothing) [small catalogue] | Art in General, New York | 1996 |
| Jardin Cubano (in Spanish) [small catalogue] | 6th Havana Bienal | 1997 |
| CATALOGUES INCLUDING GARAICOA | ||
| Contemporary Art from Cuba: Irony and Survival on the Utopian Island | Arizona State University Museum, Tempe, Arizona | 1999 |
| Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection | Samuel P. Harn Museum of Art, University of Florida, Gainesville | 2007 |
| Demonstration Room: Ideal House | Apex Art | 2001 |
| Documenta 11 | Kassel, Germany | 2002 |
| fragmentos a su iman | Galeria Latinoamericana, Casa de las Americas, Havana | 1998 |
| la Biennale di Venezia 51: The Experience of Art / Always a Little Further | Venice | 2005 |
| Quinta Bienal de la Habana: Art/Sociedad/Reflexion [5th Havana Biennial] | Centro Wifredo Lam | 1994 |
| Havana Bienal #6 - Bienal de la Habana - El individuo y su memoria | Centro Wifredo Lam | 1997 |
| Rayuela / Hopscotch: Fifteen Contemporary Latin American Artists | University Art Gallery, University of Scranton / Mahady Gallery, Marywood University | 2002 |
| Shifting Tides: Cuban Photography After the Revolution [curator: Tim B. Wride] | Los Angeles County Museum of Art | 2001 |
| Sonsbeek 9 [Jan Hoet] | Arnhem, The Netherlands | 2001 |
| The Big Show / Demonstration Room: Ideal House | NICC, Antwerp | 2001 |
| Tirana Bienale 3 - Sweet Taboos | National Gallery & Villa Goldi, Tirana, Albania | 2005 |
| Utopia / Post-Utopia: Conceptual Photography and Video from Cuba | Samuel Dorsky Museum of Art, State University of New York, New Paltz | 2003 |
| BOOKS INCLUDING GARAICOA | ||
| Art Cuba: The New Generation [Holly Block] | Harry N. Abrams | 2001 |
| PERIODICALS INCLUDING GARAICOA | ||
| Art Nexus Vol.18 [Letter from Havana] | October-December | 1995 |
| Art Nexus #26 [The Sixth Havana Biennial by Rachel Weiss] | October-December | 1997 |
| Art Nexus Vol.29 [Discreet Authorships. Cuba and Venezuela: New Poetics] | August-October | 1998 |
| Art Nexus #31 [24th Sao Paulo Biennial: A Cannibalist Proposal] | February-April | 1999 |
| Poliester, Vol.5 #15 | Spring | 1996 |
| EXHIBITION REVIEWS | ||
| Carlos Garaicoa at Biblioteca Luis Angel Arango, Bogota | Art Nexus #38, November - January | 2001 |