GILBERT & GEORGE
Gilbert - 1943, Dolomites, Italy / George - 1942, Devon, England / Met and studied at St. Martin's School of Art in 1967
| MULTIPLES | ||
| art & project bulletin #73 | art & project | 1974 |
| POSTERS AND EPHEMERA | ||
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| A Guide to Singing Sculptures [small pamphlet with text and rubber stamp GG] | 'Art for All', London | 1973 |
| Gilbert & George: "The Nature of our Looking" Identifications [individual artist exhibition post card] | Fernsehgalerie Gerry Schum, Hannover | 1970 |
| Dirty Words Picture Poster | Serpentine Gallery | 2002 |
| Gilbert & George: Perversive Pictures | Sonnabend Gallery, New York [+ Lehmann Maupin] | 2004 |
| INTERVIEWS WITH GILBERT & GEORGE | ||
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| INDIVIDUAL CATALOGUES | ||
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| Gilbert & George | The Baltimore Museum of Art | 1984 |
| Gilbert & George: Major Exhibition | Tate Modern, London | 2007 |
| CATALOGUES INCLUDING GILBERT & GEORGE | ||
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Bodyworks | Museum of Contemporary Art, Chicago | 1975 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Documenta 5 | Documenta | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Do It | Independent Curators, Inc., New York | 1997 |
| 18 Paris IV.70 | Seth Siegelaub | 1970 |
| Enclosed & Enchanted [curated by: Kerry Brougher and Michael Tarantino; also included Stan Douglas among others] | Museum of Modern Art Oxford | 2000 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] | Kunstverein, Hannover / TV Broadcast | 1970 |
| In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976 | The Museum of Modern Art, New York | 2009 |
| Information | The Museum of Modern Art, New York | 1970 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| "Konzept" - Kunst | Kunstmuseum, Basel | 1972 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Nature and Anti-Nature | Venice | 1976 |
| Live in Your Head: Concept and Experiment in Britan 1964-75 | Whitechapel Art Gallery | 2000 |
| Lyon Biennale #5 - 5th Biennale D'Art Contemporain de Lyon - Partage d'Exotismes | Lyon, France | 2000 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| Metropolis | Martin Gropius Bau, Berlin | 1991 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Perverted by Language | Hillword Art Gallery, New York | 1987 |
| Publication | David Lamelas | 1970 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner | Fruit Market Gallery, Edinburgh | 1976 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Social Strategies: Redefining Social Realism | University Art Museum, University of California, Santa Barbara | 2003 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| The Critical Eye / I | Yale Center for British Art | 1984 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The New Art | Hayward Gallery | 1972 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| 2,972,453 | CAYC, Buenos Aires | 1970 |
| Valencia Biennial #2 - The Ideal City | Valencia, Spain | 2003 |
| Wall Works: Wall Installations in Editions 1992-93 | Edition Schellmann, Koln and New York | 1993 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| BOOKS INCLUDING GILBERT & GEORGE | ||
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Interarchive | Verlag der Buchhandlung Wather Konig | 2002 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Land Art | Tate Publishing | 2006 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| PERIODICALS INCLUDING GILBERT & GEORGE | ||
| Artforum [Troubles with British Art Now] | April | 1977 |
| Artforum [Artist's Projects Issue] | Artforum | 1980 |
| Art in America [Down and Out with Gilbert and George by Carter Ratcliff] | May-June | 1978 |
| Art in America [Life and Times: Gilbert & George] mentioned in [Report From Sao Paulo Crossed Signals: The 16 Bienal by John Perreault] | May | 1982 |
| Art in America [Gilbert & George: How English Is It? by Peter Plagens] | October | 1984 |
| Art Journal [Doppelgangers and the Tird Force: The Artistic Collaborations of Gilbert & George and Marina Abramovic / Ulay] | Summer | 2000 |
| Avalanche #08 | Avalanche | 1973 |
| Flash Art [Turin in the 1970s] | October | 1991 |
| Interfunktionen # 04 | Interfunktionen | 1970 |
| Interfunktionen #05 | Interfunktionen | 1970 |
| Parkett # 14 | Parkett | 1987 |
| The Flue Vol 4 #3/4 - Special Issue on Mail Art | Franklin Furnace, Winter | 1984 |
| TriQuarterly # 32 (with cards) | TriQuarterly | 1975 |
| EXHIBITION REVIEWS | ||
| Gilbert & George at Sonnabend | Arts Magazine, November | 1971 |
| Gilbert & Geroge at Sperone Westwater Fischer | Art in America, January-February | 1976 |
| Gilbert & George at Sonnabend | Flash Art, November-December | 1991 |
| IMAGES / INSTALLATIONS IN | ||
| SoHo: The Essential Guide to Art and Life in Lower Manhattan | Simon and Schuster | 1979 |