
LEON GOLUB
1922, Chicago - 2004
| INTERVIEWS WITH | ||
| Irving Sandler: Interview With Leon Golub | Arts Magazine, February | 1970 |
| INDIVIDUAL CATALOGUES | ||
| Golub | The New Museum of Contemporary Art, New York | 1984 |
| Leon Golub | S.M.A.K., Gent | 2000 |
| Leon Golub: Paintings 1987-92 | ICA, University of Pennslyvania | 1992 |
| Notes in Time: Leon Golub and Nancy Spero | Fine Arts Gallery, University of Maryland | 1995 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| ARTICLES | ||
| Three Essays [including: Corporate Power and Free Will] | Sulfur #17 | 1986 |
| CATALOGUES INCLUDING GOLUB | ||
| A Different War: Vietnam in Art | Independent Curators Incorporated, New York | 1990 |
| Anxiety [Curator: Manon Slome] | The Chelsea Art Museum, New York | 2003 |
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection | San Jose Art Museum | 1991 |
| Constitution [organized by Group Material] | The Temple Gallery, Temple University, Philadelphia | 1987 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Disinforamtion: The Manufacture of Consent | The Alternative Museum, New York | 1985 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Documenta 11 | Kassel, Germany | 2002 |
| Do It | Independent Curators, Inc., New York | 1997 |
| Figures: Forms and Expressions | Albright Knox Art Gallery / CEPA / Hallwalls | 1981 |
| First Impressions: Early Prints by Forty-six Contemporary Artists | The Walker Art Center, Minneapolis | 1989 |
| Massive Political Group Show II: Visual Art, Performance, Music, Poetry, Video. [poster / no catalogue] | ABC No Rio, New York | 1985 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Stations | Centre International D'Art Contemporian De Montreal | 1988 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| The Walls of the 70s: A Pluralist Exhibition | The QCC Art Gallery - Queensborough Community College CUNY | 1983 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Three Cities Against the Wall: Ramallah / Tel Aviv / New York | ABC No Rio, New York / Al-Hallaj Gallery, Ramallah / Beit Ha'omanim, Tel Aviv | 2005 |
| 10 Downtown / 10 Years | 112 Workshop and P.S.1 | 1978 |
| To the Rescue: Eight Artists in an Archive [Marvin Heiferman and Carole Kismaric] | International Center of Photography Midtown, New York | 1999 |
| Whitney Biennial 1983 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1983 |
| EAST VILLAGE EXHIBITIONS [INVITATIONS ONLY] | ||
| All The News That's Fit For Prints: A parallel of social concerns of the 1930's/80's | P.P.O.W. | 1987 |
| GROUP MATERIAL EXHIBITIONS | ||
| Resistance (Anti-Baudrillard) | White Columns, New York | 1987 |
| BOOKS INCLUDING GOLUB | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco] | The New Press, New York | 1995 |
| Hot Off The Press: Prints and Politics | Tamarind Institute / The University of New Mexico Press | 1994 |
| New Art | Rizzoli | 1991 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING GOLUB | ||
| Appearances #9 | Spring | 1983 |
| Artforum [A Note on Golub by Robert Pincus-Witten] | Summer | 1968 |
| Art in America [The Politicalization of the Avant-Garde] | November-December | 1971 |
| Art in America [Golub's Assassins: An Anatomy of Violence] | May-June | 1975 |
| Art in America [Theater of Power by Carter Ratcliff] | January | 1984 |
| Ikon, Second Series: Special Issue Art Against Apartheid | Ikon, New York | 1986 |
| New Observations #82 - Response to War | New Observations Ltd., New York | 1991 |
| Sulfur #17 | Eastern Michigan University | 1986 |
| The Flue Vol. 3, #1: Special Issue on Artists' Books, Archives and Collections | Franklin Furnace | 1982 |
| Upfront # 05 - PAD/D [Political Art Documanetation / Distribution] | PAD/D | 1983 |
| Upfront # 11 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1985/6 |
| Upfront # 12/13 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1986/7 |