DOUGLAS GORDON
1966, Glasgow
| ARTISTS' BOOKS | ||
| Punishment Exercise in Gothic (flip book signed) | Oktagon, Koln | 2001 |
| VIDEOS | ||
| Over My Shoulder (Point of View - POV Series) | DVD | 2003 |
| INDIVIDUAL CATALOGUES | ||
| Douglas Gordon | MoCA, Los Angeles | 2001 |
| BOOKS BY OR ABOUT GORDON | ||
| Douglas Gordon: Kidnapping | Stedelijk van Abbemuseum, Eindhoven | 1998 |
| WRITINGS BY GORDON | ||
| Lost, then found, then lost again: a true story, after Samuel Beckett - in Whitte de With - Cahier #2 | Witte de With center for contemporary art, Rotterdam | 1994 |
| Screen / Off-screen [with Diana Thater] - in Whitte de With - Cahier #3 | Witte de With center for contemporary art, Rotterdam | 1995 |
| CATALOGUES INCLUDING GORDON | ||
| Action, We're Filming [Curator; Laurence Gateau] | Centre National d'Art Contemporain, Villa Arson, Nice | 2000 |
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Berlin Biennale 1 - Berlin/Berlin [curator: Klaus Biesenbach] | Kunst Werke, Berlin | 1998 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Dia Chelsea [periodic exhibition brochures in binder] - '99 - '00 | Dia Chelsea, New York | 1981- |
| Disparities & Deformations: Our Grotesque - 5th Site Santa Fe Biennial [Robert Storr] | Site Santa Fe, New Mexico | 2004 |
| Do It | Independent Curators, Inc., New York | 1997 |
| La Biennale di Venezia 47 | Venice, Italy | 1997 |
| La Biennale di Venezia 48 | Venice, Italy | 1999 |
| Let's Entertain: Life's Guilty Pleasures | Walker Art Center | 2000 |
| Loop - Back to the Beginning [curator: Klaus Biesenbach] | P.S. 1 Contemporart Art Center, New York | 2001 |
| Manifesta 1 [Rosa Martinez, Viktor Misiano, Katalin Neray, Hans-Ulrich Obrist, and Andrew Renton] | Rotterdam, The Netherlands | 1996 |
| Moving Pictures: Contemporary Photography and Video from the Guggenheim Collections | Solomon R. Guggenheim Museum, New York | 2003 |
| Propositions | Musee Departmental de Rochechouart | 1996 |
| Tempo [curated by: Paulo Herkenhoff, Roxana Marcoci and Mariam Basilio] | The Museum of Modern Art, New York | 2002 |
| Video Spaces: Eight Installations | The Museum of Modern Art, New York | 1995 |
| Wild Walls [Curators: Leontine Coelewij and Martijn van Nieuwenhuyzen] | Stedelijk Museum, Amsterdam | 1995 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| BOOKS INCLUDING GORDON | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Robert Lehman Lectures on Contemporary Art #3 | Dia Art Foundation | 2004 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Archive [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2006 |
| PERIODICALS INCLUDING GORDON | ||
| Atlantica International Revista de las Artes #17 [Strategies of Difference and Differentiation] | Centro Atlantico de Arte Moderno, Gran Canaria | 1997 |
| Parachute # 103 | Parachute, Montreal | 2001 |
| Parkett # 49 | Parkett | 1997 |
| Third Text # 37 | Third Text, Winter | 1996 |
| Whitte de With - Cahier #2 | Witte de With center for contemporary art, Rotterdam | 1994 |
| Whitte de With - Cahier #3 [cover by Buren] | Witte de With center for contemporary art, Rotterdam | 1995 |