DAN GRAHAM
1942, Urbana, Illinois - Lives and works in New York
| ARTISTS' BOOKS AND MULTIPLES | ||
| Schema / Poetry [included in Aspen 5+6] | Aspen Magazine | 1967 |
| Schema (March, 1966)... [publication of works by Graham from 1966 to 1972 with a few notes - also, announcement card listed below] | Lisson Publications, London / Koenig Publishing, Cologne | 1972 |
| Two Parallel Essays: Photographs of Motion & Two Related Projects for Slide Projectors [from Artists and Photographs Box] | Multiples, Inc | 1970 |
| BOOKS BY OR ABOUT DAN GRAHAM | ||
| Dan Graham | Ediciones Poligrafa | 1998 |
| Dan Graham: Video Architecture-Television | The Press of Nova Scotia College of Art & Design | 1979 |
| Rock My Religion | MIT | 1993 |
| Two Way Mirror Power | MIT | 1999 |
| ARTICLES / ESSAYS BY GRAHAM | ||
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| BOW WOW WOW (the Age of Piracy) [1981] | Real Life Magazine: Selected Writings and Project s 1979-1994 | 2006 |
| Corporate Atriums: Urban Arcadias [with Robin Hurst] | If You Lived Here: The City in Art, Theory, and Social Activism - A Project by Martha Rosler | 1991 |
| Editors Notes and work "..miles to edge of...." (on folder) | Aspen Magazine # 8 [guest curator for issue] | 1970-1 |
| Elements of Video/Elements of Architecture (excerpts) in Video by Artists | Art Metropole, Toronto | 1976 |
| Eleven Sugar Cubes | Art in America, May-June | 1970 |
| Flavin's Proposal | Arts Magazine, February | 1970 |
| Intention Intentionality Sequence | Arts Magazine, April | 1973 |
| Oldenburgh's Monuments | Art Forum, January | 1968 |
| Rock My Religion | Video by Artists 2, Art Metropole | 1986 |
| The Destroyed Room of Jeff Wall [1980] | Real Life Magazine: Selected Writings and Project s 1979-1994 | 2006 |
| EPHEMERA | ||
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| New Urban Landscapes # 5 [poster/brochure] | Institute for Art and Urban Resources (P.S.1) | 1976 |
| Dan Graham: Clinic for a Suburban Site | Foundation for Art Resources, Inc, Venice, California | 1980 |
| Dan Graham: Gallery Projections / Architectural Proposals / Photographs | Rudiger Schottle, Munich | 1980 |
| Dan Graham: Performance, Film Television, & Tape [announcement card with image and text - first in a series of Performances & Activities produced by John Gibson] | New York University | 1970 |
| Dan Graham: Printed Matter [book announcement card] | Verlag Gebr. Konig, Koln - New York | 1972 |
| Dan Graham: Two Consciousness Projection(s) | Galerie Rene Block | 1977 |
| VIDEOS AND FILM | ||
| Two Way Mirror Cylinder Inside Cube and a Video Salon | Dia, New York | 1992 |
| DOCUMENTS | ||
| Art Workers Coalition - Open Hearing | Art Workers Coalition | 1969 |
| OTHER PUBLICATIONS | ||
| If You Lived Here: The City in Art, Theory, and Social Activism - A Project by Martha Rosler | Bay Press / Dia Art Foundation | 1991 |
| Projects Class (12 artists / 12 cards - submitted to class) | Nova Scotia College of Art and Design | 1969 |
| In and Out of Kutztown: a documentation of the Art Series Program 1974-1981 | Kutztown State College, Pennsylvania | 1983 |
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
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| Dan Graham: Beyond | The Museum of Contemporary Art, Los Angeles | 2009 |
| Dan Graham: Public / Private | Moore College of Art and Design, Philadelphia | 1993 |
| CATALOGUES INCLUDING GRAHAM | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Aufnahmen [takes, recordings] [Buren / Graham / Ruscha] | Osterreichische Galerie Belvedere | 1999 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Collected Views from East to West [no catalogue] | Generali Foundation, Vienna | 2004 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Conceptual Art: The NSCAD Connection 1967-1973 | The Press of the Nova Scotia College of Art and Design | 1994 |
| Construction in Process | 37 Pkwn Street, Lodz, Poland | 1981 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Demonstration Room: Ideal House | Apex Art | 2001 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Dia Chelsea [periodic exhibition brochures in binder] - 1981- | Dia Chelsea, New York | 1981- |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Documenta 10 | Kassel, Germany | 1997 |
| Do It | Independent Curators, Inc., New York | 1997 |
| Double Life: Identity and Transformation in Contemporary Arts | Generali Foundation, Vienna | 2001 |
| Earth, Air, Fire, Water: Elements of Art | Museum of Fine Arts, Boston | 1971 |
| 557,087 | Seattle | 1969 |
| Focus on Light | The New Jersey State Museum, Trenton | 1967 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| I Love New York [curator: Jochen Poetter] | Museum Ludwig Koln | 1998 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Information | MoMA, NY | 1970 |
| Into the Light: The Projected Image in American Art 1964-1977 | Whitney Museum | 2001 |
| July / August Exhibition Book | Studio International | 1970 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Ambient Art | Venice | 1976 |
| la Biennale di Venezia 50: Dreams and Conflicts: The Dictatorship of the Viewer | Venice | 2003 |
| la Biennale di Venezia 51: The Experience of Art / Always a Little Further | Venice | 2005 |
| Massive Political Group Show II: Visual Art, Performance, Music, Poetry, Video. [poster / no catalogue] | ABC No Rio, New York | 1985 |
| 955,000 | Vancouver Art Gallery | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Occupying Space: Sammlung Generali Foundation Collection | Generali Foundation, Vienna | 2003 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| Public Information | San Francisco MoMA | 1994 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| 75th American Exhibition | Art Institute of Chicago | 1982 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Slide Show: Projected Images in Contemporary Art | The Baltimore Museum of Art | 2005 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| The Art of Memory / The Loss of History | The New Museum of Contemporary Art | 1986 |
| The Art of Participation: 1950 to Now | San Francisco Museum of Modern Art | 2008 |
| The Big Show / Demonstration Room: Ideal House | NICC, Antwerp | 2001 |
| The End(s) of the Museum [Els Limits del Museu] | Fundacio Antoni Tapies de Barcelona | 1995 |
| The Last Picture Show | The Walker Art Center | 2003 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| We Interrupt This Program: Print Ads and TV Spots by Artists | Mercer Union, Toronto | 2009 |
| White Cube / Black Box: Video - Installation - Film | Generali Foundation, Vienna | 1996 |
| Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1987 |
| Whitney Biennial 1997 [Lisa Phillips and Louise Neri] | Whitney Museum of American Art | 1997 |
| Whitney Biennial 2006 [Elisabeth Sussman, John G. Hanhardt, Thelma Golden, and Lisa Phillips] | Whitney Museum of American Art | 2006 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art | Walther Konig, Koln | 1966/ 1997 |
| Worthless (Invaluable) | Moderna galerija Ljubljana | 2000 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| SELECTED BOOKS INCLUDING GRAHAM | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Recollections:Artists' Interviews and Statements in the Nineties | Danilo Montanari & Exit & Zona Archives Editori | 1997 |
| Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| Breakthrough Fictioneers | Something Else Press | 1973 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Discussions in Contemporary Cultural #1 | Dia Art Foundation / Bay Press | 1987 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Illuminating Video: An Essential Guide to Video Art | Aperture | 1990 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Picture This: Films Chosen by Artists | Hallways Contemporary Art Center, Buffalo | 1987 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Robert Lehman Lectures on Contemporary Art #1 | Dia Art Foundation | 1996 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Un/Necessary Image | Tanam Press | 1982 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| Video by Artists | Art Metropole, Toronto | 1976 |
| Video by Artists 2 | Art Metropole, Toronto | 1986 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING GRAHAM | ||
| Artforum [Documenta 5] | October | 1972 |
| Artforum [Artist's Projects Issue] | Artforum | 1980 |
| Art International [A Museum of Language in the Vicinity of Art by Robert Smithson] | March | 1968 |
| Art Journal [From Gaget Video to Agit Video: Some Notes on Four Recent Video Works [Benjamin Buchloh] [and in Chronology] | Fall | 1985 |
| Art Journal [review of: Two-Way Mirror Power: Selected Writings by Dan Graham on His Art] | Summer | 2000 |
| Art-Language: The Journal of Conceptual Art V.1#1 | Art-Language | 1969 |
| Arts Magazine | April | 1973 |
| Aspen Magazine No. 5+6 | Fall / Winter | 1967 |
| Aspen Magazine No. 8 | Fall / Winter | 1970-1 |
| Avalanche # 01 [Rumbles] | Avalanche | 1970 |
| Interfunktionen #05 | Interfunktionen | 1970 |
| Interfunktionen #07 | Interfunktionen | 1971 |
| Interfunktionen #08 | Interfunktionen | 1972 |
| Interfunktionen #09 | Interfunktionen | 1972 |
| Interfunktionen #11 | Interfunktionen | 1974 |
| October 10 | The MIT Press | 1979 |
| Parkett # 22 | Parkett | 1989 |
| Parkett #68 | Parkett | 2003 |
| Trans> arts.cultures.media # 2 [review of "1965-1975: Reconsidering the Object of Art"] | Passim, Inc. | 1996 |
| Whitte de With - Cahier #1 | Witte de With center for contemporary art, Rotterdam | 1993 |
| 0 to 9 Number 4 | Acconci and Mayer, reprint 2006, June | 1968 |
| 0 to 9 Number 6 | Acconci and Mayer, reprint 2006, July | 1969 |
| EXHIBITION REVIEWS | ||
| Dan Graham at Roger Pailhas, Marseille | Flash Art, October | 1991 |
| Dan Graham at Marian Goodman | Flash Art, March-April | 1993 |
| Dan Graham at Lisson Gallery, London | Frieze, November-December | 2001 |
