HANS HAACKE

1936, Koln, Germany - Lives and works in New York City

F / B / S / V / INSTV

ARTISTS' BOOKS
Business As Usual	John Weber Gallery, New York	1988
Hans Haacke: Four Recent Works of Art	Mary Porter Sesnon Art Gallery, University of California, Santa Cruz	1977
Hans Haacke: Four Works 1978-79	John Weber Gallery, New York	1979
Hans Haacke: Upstairs at Mobil	John Weber Gallery, New York	1981
Seurat's "Les Poseuses" (small version), 1888 - 1975	John Weber Gallery, New York	1975
The Chocolate Master [in German]	Paul Maenz, Koln	1981
The Chocolate Master	Metrepole, Toronto	1982
The Good Will Umbrella [Mobil Oil]	John Weber Gallery, New York	1977
The Philips Pieces [7 stapled pages with images and text on one side. Philips is headquarted in Eindhoven.]	Van Abbemuseum, Eindhoven	1979
(We believe in the power of creative imagination) [Fabrique Nationale - with gun sales internationally - is headquarted in Hestral, Belgium]	Gent, Belgium	1980
EXHIBITIONS CURATED BY HAACKE
Viewing Matters / AnsichtsSachen	Museum Boijmans Van Beuningen, Rotterdam	1999
DOCUMENTS AND OTHER PUBLICATIONS
Art Workers Coalition - Open Hearing	Art Workers Coalition	1969
Democracy: A Project by Group Material	Bay Press / Dia Art Foundation	1990
Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann]	Kunstkreis AG Luzern	1972
Inserts ["Advertising Supplement to The New York Times" sponsored by the Public Art Fund]	Group Material	1988
John Weber Gallery Newsletter	John Weber Gallery , New York	1975
What Do You Expect?	Paul Maenz, Koln	1977
EPHEMERA
Hans Haacke [poster - text and images on both sides - for the exhibition at the Van Abbemuseum - exhibition - Volume 1 - shared with the Museum of Modern Art, Oxford where it was first installed in 1978]	Van Abbemuseum, Eindhoven	1979
Hans Haacke: Business could hold art exhibitions to tell its own story [announcement card, text on one side]	John Weber Gallery , New York	1979
John Weber Gallery Visitors' Profile: Results - Hans Haacke [announcement card with text on both sides]	John Weber Gallery , New York	1973
Hans Haacke: Memory and Instrumental Reason [announcement card for a lecture by Benjamin Buchloh in conjuntion with the exhibition: Unfinished Business]	The New Museum of Contemporary Art	1987
Hans Haacke: Nach allen Regeln der Kunst (announcement card with image)	Kunsthalle Bern	1985
Hans Haacke: New York (large heavy stock card with announcement information including: "Demonstrationen der physikalischen Welt Biologische und gesellschaftliche Systeme" - card has four ring holes for binder)	Museum Haus Lange Krefeld	1972
From Hans Haacke: On the Wallrf-Richartz-Museum's censorship of my project for Projekt '74 [artists statement, 2 pages]	Self, Cologne, June 24	1974
Vocation / Vacation Project (including Hans Haacke Garry Kennedy and Michael Asher [3 page carbon copy announcement sent to Judith Hoffberg]	Walter Phillips Gallery, Banff, Alberta, Canada	1981
ARTICLES BY OR ABOUT / INTERVIEWS WITH
Artist as Corporate Critic: and interview with Hans Haacke	Parachute # 23	1981
Fictional Community [Haacke - Reichstag work]	Parachute # 103	2001
Hans Haacke's Cancelled Show at the Guggenheim [Jack Burnham]	Artforum, June	1971
Hans Haacke: Memory and Instrumental Reason [Benjamin H.D. Buchloh]	Art in America, February	1988
Hans Haacke: Where the Consciousness Industry is Concentrated [includes interview and numerous works]	Cultures in Contention, The Real Comet Press	1985
Hans Haacke wind and water sculpture [Jack Burnham]	Tri-Quarterly Supplement	1967
Joint Statement [presented as an ad] in Artforum regarding exhibitions and artists rights (in response to Documenta 5)	Artforum, June	1972
Touching the Rawest Nerves	Contemporanea, April	1990
INDIVIDUAL CATALOGUE / BOOKS
Framing and Being Framed	The Press of Nova Scotia College	1975
Free Exchange [Hans Haacke and Pierre Bourdieu]	Stanford University Press	1995
Hans Haacke - Volume 1	Museum of Modern Art, Oxford / Van Abbemuseum, Eindhoven	1978 / 9
Hans Haacke - Volume 2	The Tate Gallery / Van Abbemuseum, Eindhoven	1984
Hans Haacke	Galerija Suvremene Umjetnosti, Zagreb	1980
HansHaacke	Baxter Art Gallery, California Institute of Technology, Pasadena	1978
Hans Haacke: For Real Works 1959-2006	Deichtorhallen, Hamburg	2007
Hans Haacke: Mia san mia	Generali Foundation	2001
Hans Haacke: Mixed Messages [included in larger catalogue Give & Take]	Serpentine Gallery, London	2001
Hans Haacke: Recent Work	The Renaissance Society at The University of Chicago	1979
Hans Haacke: Unfinished Business [plus supplement]	The New Museum of Contemporary Art	1986
CATALOGUES INCLUDING HAACKE
A Different War: Vietnam in Art  [mentioned in Lippard's essays, not in the exhibition]	Independent Curators Incorporated, New York [traveled]	1990
A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s]	The Museum of Contemporary Art, Los Angeles	1989
Air Art	Arts Council YM/YWHA, Philadelphia	1968
A Minimal Future? Art as Object 1958-1968	The Museum of Contemporary Art, L.A.	2004
Art and the Dialectic Process [catalogue brochure]	Everhart Museum, Scranton, Pennsylvania	1987
Art by Telephone	Museum of Contemporary Art, Chicago	1969
Arte de Sistemas	Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires	1971
Artists Look At Art	Helen Foresman Spencer Museum of Art, Lawrence, Kansas	1978
Artists of Conscience	The Alternative Museum, New York	1991
A View of a Decade 1967-1977	Museum of Contemporary Art, Chicago	1977
Behind the Facts: Interfunktionen 1968-1975	Fundacio Jan Miro, Barcelona	2004
Beyond Geometry: Experiments in Form, 1940s-1970s	Los Angeles County Museum of Art	2004
Committed to Print: Social and Political Themes in Recent American Printed Art	The Museum of Modern Art, New York	1988
Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection	San Jose Art Museum	1991
Conception, Conceptual Documents 1960-1990	Norwich Gallery, Norwich School of Art and Design, U.K.	2001
Conceptual Art Conceptual Aspects	The New York Cultural Center	1970
Contemporary Sculpture. Projects in Munster 1997	Munster, Germany	1997
Content: A Contemporary Focus 1974-1984	Hirshhorn Museum and Sculpture Garden	1984
Contra Media	The Alternative Museum, New York	1983
Difference: On Representation and Sexuality	The New Museum of Contemporary Art , New York	1984
Directions 1: Options	Milwaukee Art Center	1968
Directions 3: Eight Artists	Milwaukee Art Center	1971
Disarming Images: Art for Nuclear Disarmament	The Art Museum Association of America	1984
Documenta 5	Documenta	1972
Documenta 7	Kassel, Germany	1982
Documenta 8 [curator: Manfred Schneckenburger]	Kassel	1987
Documenta 10	Kassel, Germany	1997
Drawings	John Weber Gallery, New York	1991
Earth Art	Andrew Dikson White Museum of Art, Cornell	1969
Earth, Air, Fire, Water: Elements of Art	Museum of Fine Arts, Boston	1971
Ecovention: Current Art to Transform Ecologies	The Contemporary Arts Center, Cincinnati, Ohio	2002
557,087	Seattle	1969
Fragile Ecologies: Contemporary Artists' Interpretation and Solutions [mentioned in the essays, not included in the exhibition]	The Queens Museum, New York	1992
From the Collection of Sol LeWitt	Independent Curators	1985
Global Conceptualism: Points of Origin, 1950s-1980s	Queens Museum of Art	1999
Homeland	Whitney Museum of American Art, New York	2003
Image World: Art and Media Culture	Whitney Museum for American Art	1989
Information	The Museum of Modern Art, NY	1970
"Konzept" - Kunst	Kunstmuseum, Basel	1972
La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Nature and Anti-Nature / also included in: International Events	Venice	1976
la Biennale di Venezia 45: National Pavilion - Germany [with Paik]	Venice, various locations	1993
Magiciens de la Terre	Musee National d'Art Moderne Centre Georges Pompidou	1989
Marcel Broodthaers: Correspondances	Galerie Hauser & Wirth, Zurich and David Zwirner, New York	1995
Matrix, A Changing Exhibition of Contemporary Art  [1977]	Wadsworth Atheneum, Hartford, CT	1975+
Messages: Words and Images	Freedman Gallery, Albright College	1981
955,000	Vancouver Art Gallery	1970
No Art = No City! Urban Utopias in Contemporary Art	Stadtutopien in der zeitgenossischen Kunst	2003
Occupying Space: Sammlung Generali Foundation Collection	Generali Foundation	2003
Open Systems: Rethinking Art c. 1970	Tate Modern	2005
Other Ideas	The Detroit Institute of Arts	1969
Perverted by Language	Hillword Art Gallery, New York	1987
Prospect 69	Kunsthalle Dusseldorf	1969
Public Art	Nexus Contemporary Art Center, Atlanta	1985
Reagan: American Icon	Center Gallery of Bucknell University, Lewisburg, Pennsylvania	1989
Reconsidering the Object of Art: 1965-1975	The Museum of Contemporary Art, Los Angeles	1995
Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner	Fruit Market Gallery, Edinburgh	1976
Signs of Life: Process and Materials, 1960-1990	Institute of Contemporary Art, U. of Pensylvania, Philadelphia	1990
'60 - '80: Attitudes / Concepts / Images	Stedelijk Museum, Amsterdam	1982
Software: Information Technology: Its New Meaning for Art	The Jewish Museum	1970
Temporarily Possessed: The Semi-Permanent Collection	The New Museum of Contemporary Art, New York	1995
The Art of Participation: 1950 to Now	San Francisco Museum of Modern Art	2008
The Decade Show: Frameworks of Identity in the 80s	The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York	1990
The Desire of the Museum	Whitney Museum Downtown at Federal Reserve Plaza	1989
The Last Picture Show	The Walker Art Center	2003
The Machine as seen at the end of the mechanical age	The Museum of Modern Art, New York	1968
The Museum as Muse: Artists Reflect	The Museum of Modern Art, New York	1999
The 1984 Show	Ronald Feldman Fine Art, Inc, New York	1983
The Political Arm	John Weber Gallery / Washington University Gallery of Art	1991
The Real Big Picture	The Queens Museum, New York	1986
13 >Projekt '74< Artists	Paul Maenz	1974
Vocation / Vacation	The Baniff Center, School of Fine Arts	1981
When Attitudes Become Form (Bern and London)	Kunsthalle Bern	1969
Whitney Biennial 2000 [Michael Auping, Valerie Cassel, Hugh M. Davies, Jane Farver, Andrea Miller-Keller, and Lawrence R. Rinder]	Whitney Museum of American Art	2000
Word as Image: American Art 1960-1990	Milwaukee Art Museum	1990
Worthless (Invaluable)	Moderna galerija Ljubljana	2000
EAST VILLAGE EXHIBITIONS [INVITATIONS ONLY]
All The News That's Fit For Prints: A parallel of social concerns of the 1930's/80's	P.P.O.W.	1987
100 Years: A Tradition of Social and Political Art on the LOWER EAST SIDE	P.P.O.W.	1988
GROUP MATERIAL EXHIBITIONS
MASS	The New Museum of Contemporary Art, New York	1986
Resistance (Anti-Baudrillard)	White Columns, New York	1987
SELECTED  BOOKS INCLUDING HAACKE
Alternative Art New York 1965-1985	The Drawing Center / University of Minnesota Press	2002
Appropiation [Documents of Contemporary Art]	MIT Press / Tate Gallery	2009
Art, Activism & Oppositionality: Essays from Afterimage	Duke University Press	1998
Art After Conceptual Art	MIT Press / Generali Foundation	2006
Art After Modernism: Rethinking Representation	The New Museum of Contemporary Art	1984
Art and Artifact: The Museum as Medium	Thames & Hudson	2001
Art and Life	Prager	1971
Art and Social Chane: A Critical Reader	Tate Publishing in association with Afterall	2007
Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971	Los Angeles County Museum of Art / The Viking Press	1971
Art in the Age of Mass Media	Westview Press	1994
Art in the Land: A Critical Anthology of Environmental Art	E. P. Dutton	1983
Art Povera: Eartheworks/Impossible Art/Actual Art/ Conceptual Art	Germano Celant	1969
Art Talk: The Early 80s	Da Capo Press	1988
Art Workers: Radical Practice in the Vietnam Era	University of California Press	2009
Beyond Recognition: Representation, Power, and Culture	University of California Press	1992
Challenging Art: Artforum 1962-1974	Soho Press	2000
Changing: Essays in Art Criticism [Lucy Lippard]	E. P. Dutton & Co.	1971
Collectivism After Modernism: The Art of Social Imagination After 1945	University of Minnesota Press	2007
Conceptual Art	Dutton	1972
Conceptual Art	Phaidon	1998
Conceptual Art: A Critical Anthology	MIT Press	1999
Conceptual Art and the Politics of Publicity	MIT Press	2003
Conceptuallism in Latin American Art: Didactics of Liberation	University of Texas Press	2007
Creative Time: The Book 33 Years of Public Art in NYC	Princeton Architectural Press	2007
English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco]	The New Press, New York	1995
5000 Artists Return to Artists Space: 25 Years	Artists Space / D.A.P. Press	1998
From Margin to Center: The Spaces of Installation  Art	MIT Press	1999
From the Center: feminist essays on women's art	Dutton	1976
Get the Message? A Decade of Art for Social Change [Lucy Lippard]	E.P. Dutton	1984
Great Western Salt Works: essays on the meaning of Post-Formalist art	George Braziller	1974
Land and Environmental Art	Phaidon	1998
Mapping the Terrain: New Genre Public Art	Bay Press	1995
Minimal Art: A Critical Survey	E.P. Dutton & Co.	1968
Museums by Artists	Art Metropole, Toronto	1983
New Art	Rizzoli	1991
New Art in the 60s and 70s: Redefining Reality	Thames and Hudson	2001
New Art of Cuba [author: Luis Camnitzer] (Haacke's influence on Cuban artists)	University of Texas Press, Austin	1994
One Place After Another: Site-Specific Art and Locational Identity	MIT Press	2004
On the Beaten Tack: tourism, art, and culture	The New Press, New York	1999
On the Museum's Ruins	MIT Press	1993
Out of the Box: The Reinvention of Art, 1965-1975	School of Visual Arts	2000
Overlay: Contemporary Art and the Art of Prehistory	Pantheon	1983
Rewriting Conceptual Art	Reaktion Books [Critical Views], London	1999
Six Years: The dematerialization of the art object....	Praeger	1973
The Bodies That Were Not Ours and other writings [Coco Fusco]	Routledge	2001
The Context of Art / The Art of Context	Navado Press, Trieste	2004
The Contingent Object of Contemporary Art	MIT Press	2003
The Everyday [Documents of Contemporary Art]	MIT Press and Whitechapel Gallery	2008
The Lure of the Local: senses of place in a multicentered society	The New Press, New York	1997
Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings	University of California Press	1996
The Pink Glass Swan: Selected Feminist Essays on Art	The New Press, New York	1995
The Un/Necessary Image	Tanam Press	1982
Thinking About Exhibitions	Routledge	1996
Who Cares	Creative Time Books	2006
Words To Be Looked At: Language in 1960s Art	MIT Press	2007
SELECTED PERIODICALS INCLUDING HAACKE
Artforum [Jack Burnham: Systems Esthetics]	September	1968
Artforum [Two Contributions of the Art and Science Muddle]	January	1969
Artforum [Real Time Systems]	September	1969
Artforum [Documenta 5]	October	1972
Art in America [Manhattan Seven (including Matta-Clark, Sonfist, and Haacke)]	July-August	1977
Art in America [article by Benjamin Buchloh on Haacke]	February	1988
Art in America [Moral Rights: First Stage of False Start? by Martha Buskirk]	July	1991
Art International [Artists on Their Art]	April 20	1968
Art Journal [On Social Grease]	Summer	1982
Art Journal [The Need for Public Representation and the Burden of the German Past]	Winter	1989
Art Journal [The Second Johannesburg Biennale]	Summer	1998
Art Nexus Vol.27  [The Second Johannesburg Biennial]	January-March	1998
Avalanche # 01 [Rumbles]	Avalanche	1970
Grand Street #69 - Berlin	Grand Street	1999
Interfunktionen #09	Interfunktionen	1972
October 39	The MIT Press	1986
Parachute # 23 [Hans Haacke and the Aesthetics of Legitimation]	Parachute, Montreal	1981
Parachute # 103	Parachute, Montreal	2001
Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces	Studio International	1980
Third Text # 24	Third Text, Autumn	1993
Third Text # 38 [The 23rd Sao Paulo International Biennial: Dematerialization and Contextualisation ]	Third Text, Spring	1997
Trans> arts.cultures.media # 7 [included in article: Knowing Can Be Destroying]	Passim Inc.	2000
TriQuarterly #32	Charles Newman	1975
Upfront # 05 - PAD/D [Political Art Documanetation / Distribution]	PAD/D	1983
Upfront # 14/15 - PADD [Politicial Art and Documentation / Distribution]	PAD/D	1987/8
Vision #3 - New York City	Crown Point Press	1976
Vision #5 - Artists' Photographs	Crown Point Press	1982
EXHIBITION REVIEWS
Hans Haacke: Viewing Matters	Art Journal, Fall	1999