ANN HAMILTON
1956, Lima, Ohio - Lives and works in New York
F / V / INSTV
| EPHEMERA | ||
| Ann Hamilton: corpus [four-fold brochure with diagram, text and small images] [Plus: white sheet of paper which was part of the installation] | MASS MoCA, North Adams, Mass. | 2003 |
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Ann Hamilton, tropos | Dia Center for the Arts | 1994 |
| CATALOGUES INCLUDING HAMILTON | ||
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| ArtCite: When Montreal Turns Into a Museum | Musse D'Art Contemporain de Montreal | 2001 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Carnegie International [curator: Madeleine Grynsztejn] | Carnegie Museum of Art, Pittsburgh, Pennsylvania | 1999 |
| Furture Perfect | Heiligenkreuzerhof, Vienna | 1993 |
| Istanbul Biennial #8 Poetic Justice | Istanbul | 2003 |
| La Biennale di Venezia 47 | Venice, Italy | 1997 |
| Longing and Belonging From the Faraway Nearby | Site Santa Fe | 1995 |
| Moving Pictures: Contemporary Photography and Video from the Guggenheim Collections | Solomon R. Guggenheim Museum, New York | 2003 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Sonsbeek 93 | Arnhem, The Netherlands | 1993 |
| Strange Attractors: Signs of Chaos | The New Museum of Contemporary Art, New York | 1989 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| BOOKS INCLUDING HAMILTON | ||
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| Mapping the Terrain: New Genre Public Art | Bay Press | 1995 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Robert Lehman Lectures on Contemporary Art #1 | Dia Art Foundation | 1996 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| PERIODICALS INCLUDING HAMILTON | ||
| Parkett #30 | Parkett | 1991 |
| Third Text #32 - Contaminations [Dispersed Visions: 'About Place'] | Autumn | 1995 |
| Trans> arts.cultures.media #1 [in review of About Place: Recent Art in the Americas] | Passim, Inc. | 1995 |