DAVID HAMMONS
1943, Springfield, Illinois
INDIVIDUAL CATALOGUES | ||
David Hammons: Rousing the Rubble | MIT Press / The Institute for Contemporary Art, P.S. 1, New York | 1991 |
INTERVIEWS WITH HAMMONS | ||
Interview with Kellie Jones (1986) in Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
SELECTED CATALOGUES INCLUDING HAMMONS | ||
Artists of Conscience | The Alternative Museum, NY | 1991 |
Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
Dislocations | Museum of Modern Art, New York | 1991 |
Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
La Biennale di Venezia 50: Dreams and Conflicts: The Dictatorship of the Viewer | Venice | 2003 |
Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
Sites and Solutions: Recent Public Art [curated by Judith Tannenbaum] | Freedman Gallery, Albright College, Reading, Pennsylvania | 1984 |
Strange Attractors: Signs of Chaos | The New Museum of Contemporary Art, New York | 1989 |
Tempo [curated by: Paulo Herkenhoff, Roxana Marcoci and Mariam Basilio] | The Museum of Modern Art, New York | 2002 |
The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
The Hybrid State | Exit Art, New York | 1992 |
Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
Visual Politics | The Alternative Museum, New York | 1982 |
Whitney Biennial 1997 [Lisa Phillips and Louise Neri] | Whitney Museum of American Art | 1997 |
SELECTED BOOKS INCLUDING HAMMONS | ||
Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
Art, Activism & Oppositionality: Essays from Afterimage | Duke University Press | 1998 |
Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
Creative Time: The Book 33 Years of Public Art in NYC | Princeton Architectural Press | 2007 |
Dialogues in Public Art | MIT Press | 2000 |
Discourses: Conversations in Postmodern Art and Culture | The New Museum of Contemporary Art and MIT Press | 1990 |
Echoes: Contemporary Art in the Age of Endless Conclusions | The Monacelli Press | 1996 |
5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
Mapping the Terrain: New Genre Public Art | Bay Press | 1995 |
Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] | Pantheon Books | 1990 |
Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
The Bodies That Were Not Ours and other writings [Coco Fusco] | Routledge | 2001 |
The Contingent Object of Contemporary Art | MIT Press | 2003 |
The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
OTHER PUBLICATIONS | ||
Your House Is Mine | Bullet Space, New York | 1993 |
SELECTED PERIODICALS INCLUDING HAMMONS | ||
Art in America [Speaking Out: Some Distance to Go...] | September |
1990 |
Art in America [Speaking Out: Some Distance to Go...] | September |
1990 |