KEITH HARING
1958, Reading, Pennsylvania - 1990
| INDIVIDUAL CATALOGUES | ||
| Keith Haring | The Whitney Museum of American Art | 1997 |
| Keith Haring: Heaven and Hell | Museum fur Neue Kunst, Karlsruhe | 2001 |
| BOOKS BY OR ABOUT HARING | ||
| Keith Haring: The Authorized Biography | Prentice Hall Press | 1991 |
| SELECTED CATALOGUES INCLUDING HARING | ||
| Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection | San Jose Art Museum | 1991 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Documenta 7 | Kassel, Germany | 1982 |
| Endgame: Reference and Simulation in Recent Painting and Sculpture [mentioned in essay by Hal Foster / work not in exhibition] | The Institute of Contemporary Art, Boston | 1987 |
| East Village USA | The New Museum of Contemporary Art, New York | 2004 |
| Events: Fashion Moda / Taller Boricua / Artists Invite Artists | The New Museum of Contemporary Art, NY | 1980 |
| Matrix, A Changing Exhibition of Contemporary Art [1987] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| 100 Years: A Tradition of Social and Political Art on the LOWER EAST SIDE | P.P.O.W. | 1988 |
| Sites and Solutions: Recent Public Art [curated by Judith Tannenbaum] | Freedman Gallery, Albright College, Reading, Pennsylvania | 1984 |
| The East Village Scene | Institute of Contemporary Art, Philadelphia | 1984 |
| The Last Decade: American Artists of the 80's | Tony Shafrazi Gallery, New York | 1990 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| The UFO Show | University Galleries of Illinois State University | 2000 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Whitney Biennial 1983 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1983 |
| Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| BOOKS INCLUDING HARING | ||
| ABC No Rio Dinero: The Story of a Lower East Side Art Gallery | ABC No Rio with Collaborative Projects | 1985 |
| Art, Activism & Oppositionality: Essays from Afterimage | Duke University Press | 1998 |
| Art After Midnight: The East Village Scene | St. Martin's Press | 1986 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| New Art | Rizzoli | 1991 |
| Selling the Lower East Side: Culture, Real Estate, and Resistance in New York City | University of Minnesota Press | 2000 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING HARING | ||
| Upfront # 6/7 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1983 |
| EXHIBITION REVIEWS | ||