HELEN AND NEWTON HARRISON
Newton - 1932, Brooklyn, New York / Helen -
| RECORDINGS | ||
| Revolutions Per Minute / Excerpt from The Second Lagoon: A Memorium to John Isaacs | Ronald Feldman Gallery | 1982 |
| ARTICLES BY THE HARRISONS | ||
| Three Projects: Harrison, Mock, McGowin | Art in America, January-February | 1974 |
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
| The Lagoon Cycle | Herbert F. Johnson Museum of Art | 1985 |
| The Serpentine Lattice | The Douglas M. Cooley Memorial Gallery | 1993 |
| CATALOGUES INCLUDING THE HARRISONS | ||
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Creative Solutions to Ecological Issues | Dallas Museum of Natural History [traveled] | 1993 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Earth, Air, Fire, Water: Elements of Art [Newton only] | Museum of Fine Arts, Boston | 1971 |
| Fragile Ecologies: Contemporary Artists' Interpretation and Solutions | The Queens Museum, New York | 1992 |
| La Biennale di Venezia 1976 - International Events | Venice | 1976 |
| Land Marks: New site proposals by twenty-two original pioneers of environmental art | Bard College Center | 1984 |
| Leaving Tracks: Artrenspennine 98 | Various locations, England | 1998 |
| Revered Earth | Center for Contemporary Arts of Santa Fe | 1990 |
| Signs of Life: Process and Materials, 1960-1990 | Institute of Contemporary Art, U. of Pensylvania, Philadelphia | 1990 |
| Weather Report: Art and Climate Change [Lucy Lippard] | Boulder Museum of Contemporary Art | 2007 |
| SELECTED BOOKS INCLUDING THE HARRISONS | ||
| Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| But is it Art? The Spirit of Art as Activism | Bay Press | 1995 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| Mapping the Terrain: New Genre Public Art | Bay Press | 1995 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| The Citizen Artist: 20 Years of Art in the Public Arena - An Anthology from High Performance Magazine 1978-1998# | Critical Press / D.A.P. | 1998 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| PERIODICALS INCLUDING THE HARRISONS | ||
| Art Journal [Conversational Drift: Helen Mayer Harrison and Newton Harrison] and [Eco-Art: Strength in Diversity] | Summer | 1992 |
| New Observations # 81 Terra Firma | New Observations Ltd, New York | 1991 |