MICHAEL HEIZER
1944, Berkeley, California - Lives in Nevada (working on "city")
| BOOKS ABOUT HEIZER | ||
| Michael Heizer (Germano Celant) | Fondazione Prada | 1997 |
| Michael Heizer: Double Negative | The Museum of Contemporary Art, Los Angeles | 1991 |
| Michael Heizer: Effigy Tumuli | Abrams | 1990 |
| EPHEMERA | ||
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| Coyote [individual mailed announcement card for work in Land Art exhibition] | Fernsehgalerie Gerry Schum, Berlin | 1969 |
| Michael Heizer: New York - Nevada (invitation card) | Dwan Gallery , New York | 1970 |
| Michael Heizer: Seven Sculptures in Granite, Steel and Wood (invitation card) | Xavier Fourcade, New York | 1977 |
| ARTICLES AND INTERVIEWS BY AND WITH HEIZER | ||
| Discussion with Michael Heizer, Dennis Oppenheim, and Robert Smithson | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| The Art of Michael Hezer [Heizer comments on individual works] | Artforum, December | 1969 |
| INDIVIDUAL CATALOGUES | ||
| Michael Heizer | Museum Folkwang Essen | 1979 |
| Michael Heizer / Dragged Mass Geometric | Whitney Museum of American Art | 1985 |
| SELECTED CATALOGUES INCLUDING HEIZER | ||
| A Second Talent: Painters and Sculptors Who are Also Photographers | The Aldrich Museum of Contemporary Art | 1985 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Diagrams & Drawings | Rijksmuseum Kroller-Muller, Otterlo | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Earth, Air, Fire, Water: Elements of Art | Museum of Fine Arts, Boston | 1971 |
| Earth Works (no catalogue, anouncement card written in sand) | Virginia Dawn Gallery | 1968 |
| 557,087 | Seattle | 1969 |
| Fragile Ecologies: Contemporary Artists' Interpretation and Solutions [mentioned in the essays, not included in the exhibition] | The Queens Museum, New York | 1992 |
| Guggenheim International 71 | Guggenheim Museum | 1971 |
| Information | MoMA, NY | 1970 |
| La Biennale di Venezia 47 | Venice, Italy | 1997 |
| Land Art | Fernsehgalerie Berlin Gerry Schum | 1969 |
| 995,000 | Vancouver | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Op Losse Schtoeven (Square Peg in Round Holes) | Stedelijk Museum | 1969 |
| Other Ideas | The Detroit Institute of Arts | 1969 |
| Probing The Earth: Contemporary Land Projects | Hirshhorn Museum | 1977 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| Urban Encounters: Art Architecture Audience | ICA, University of Pennsylvania | 1980 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| SELECTED BOOKS INCLUDING HEIZER | ||
| Art and Life | Praeger | 1971 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Art Povera: Earthworks - Impossible Art - Actual Art - Conceptual Art | Praeger | 1969 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| Fantastic Architecture | Something Else Press | 1969 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| The New Avant-Garde: Issues for the Art of the Seventies | Praeger | 1972 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING HEIZER | ||
| Artforum [Earthworks and the New Picturesque] | December | 1968 |
| Artforum [The Art of Michael Heizer] | December | 1969 |
| Artforum ["Site Inspection" by Lawrence Alloway] | October | 1976 |
| Art in America, [Article: Impossible Art] | May-June | 1969 |
| Art in America [Earthscapes, Landworks and Oz by Dave Hickey] | September-October | 1971 |
| Art in America [Michael Heizer Paints a Picture by Hayden Herrera] | November-December | 1974 |
| Art in America [Artworks on the Land] | January-February | 1976 |
| Art International [Letter from Holland (including: discussion of Square Peg in Round Holes and When Attitudes Become Form] | May 20 | 1969 |
| Art International [London: Metamorphic Strategies] | Summer | 1990 |
| Avalanche # 01 | Avalanche | 1970 |
| Cover #5 | Artcover, New York | 1981 |
| Interfunktionen # 03 | Interfunktionen | 1969 |
| Interfunktionen #06 | Interfunktionen | 1971 |
| Interfunktionen # 07 | Interfunktionen | 1971 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| Sculpture, Vol.22, #10 [single article on Double Negative] | December | 2003 |
| Studio International [New York Commentary] | March | 1970 |
| 0 to 9 Number 6 | Acconci and Mayer, reprint 2006, July | 1969 |