EVA HESSE
1936, Hamburg, Germany - Studied and worked in New York - 1970, New York
| INDIVIDUAL CATALOGUES | ||
| Eva Hesse: A Memorial Exhibition | The Solomon R. Guggenheim Museum | 1972 |
| Eva Hesse Drawing | The Drawing Center, New York | 2006 |
| Eva Hesse: Sculpture | The Jewish Museum | 2006 |
| BOOKS ABOUT HESSE | ||
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| Eva Hesse (by Lucy Lippard) | New York University Press | 1976 |
| Eva Hesse - October files | THe MIT Press | 2002 |
| SELECTED CATALOGUES INCLUDING HESSE | ||
| Afterimage: Drawing Through Process | Museum of Contemporary Art, Los Angeles | 1999 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Anti-Form [announcement card / no catalogue] | John Gibson Gallery, New York | 1968 |
| Anti-Illusion: Procedures/Materials | Whitney Museum | 1969 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Directions 1: Options | Milwaukee Art Center | 1968 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| 557,087 | Seattle | 1969 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Hanging / Leaning | The Emily Lowe Gallery, Hofstra University, Hempstead, New York | 1970 |
| 995,000 | Vancouver | 1970 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Matrix, A Changing Exhibition of Contemporary Art [1983] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Strata [curated by Lucy Lippard] | The Vancouver Art Museum | 1977 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The New Sculpture 1965-75: Between Geometry and Gesture | The Whitney Museum of American Art | 1990 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art | Walther Konig, Koln | 1966/ 1997 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| SELECTED BOOKS INCLUDING HESSE | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Povera: Earthworks - Impossible Art - Actual Art - Conceptual Art | Praeger | 1969 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Postminimalism | Out of London Press | 1977 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| PERIODICALS INCLUDING HESSE | ||
| Artforum [Review of Anti-Illusion: Procedures / Materials] | September | 1969 |
| Art Journal [Eva Hesse's Influence Today? Conversations with Three Contemporary Artists] | Summer | 2004 |
| Sculpture Vol.21, #10 [Eva Redux or What Do We Owe Eva Hesse?] | December | 2002 |
| Studio International [New York Commentary] | March | 1970 |
| Third Text # 37 | Third Text, Winter | 1996 |
| EXHIBITION REVIEWS | ||
| Eva Hesse at Fischbach | Artforum, January | 1969 |
| Eva Hesse at the Guggenheim | Art in America, March-April | 1973 |
| Strata (Hesse and Stuart +) | Parachute # 9 | 1977 |