NANCY HOLT
1938, Worcester, Massachusetts - Lives and works in New York
| ARTISTS' BOOKS | ||
| Ransacked | Lapp Princess Press | 1980 |
| Time Outs | Visual Studies Workshop, Rochester, New York | 1985 |
| ARTICLES BY HOLT | ||
| Sun Tunnels | Artforum, April | 1977 |
| Sun Tunnels | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| EPHEMERA | ||
 |
||
| Gallery Installation: Electrical System (for Thomas Edison) [postcard announcement] | John Weber Gallery, New York | 1982 |
INDIVIDUAL CATALOGUES |
||
| Dark Star Park [An 8 page project catalogue] | Rosslyn, Arlington County, Virginia | 1979-1984 |
| CATALOGUES INCLUDING HOLT | ||
| Afterimage: Drawing Through Process | Museum of Contemporary Art, Los Angeles | 1999 |
| Alternatives in Retrospect: An Historical Overview 1969-1975 | The New Museum of Contemporary Art, New York | 1981 |
| A Second Talent: Painters and Sculptors Who are Also Photographers | The Aldrich Museum of Contemporary Art | 1985 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Construction in Process | 37 Pkwn Street, Lodz, Poland | 1981 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Creative Solutions to Ecological Issues | Dallas Museum of Natural History [traveled] | 1993 |
| Films by American Artists: One Medium Among Many | Art Council of Great Britian - a traveling exhibition of films | 1981 |
| Fragile Ecologies: Contemporary Artists' Interpretation and Solutions | The Queens Museum, New York | 1992 |
| Land Marks: New site proposals by twenty-two original pioneers of environmental art | Bard College Center | 1984 |
| Landscape / Sculpture | Amelia A. Wallace Gallery, SUNY, Old Westbury, New York | 1981 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Probing The Earth: Contemporary Land Projects | Hirshorn Museum | 1978 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Schemes: A Decade of Installation Drawings | Elise Meyer Inc | 1981 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| The Political Landscape | Hillwood Art Museum, Brooklyn, New York | 1990 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| Urban Encounters: Art Architecture Audience [listed in 100 sites] | ICA, University of Pennsylvania | 1980 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| Viewpoint: The Artist as Photographer | Summit Art Center, Summit, New Jersey | 1984 |
| Whitney Biennial 1979 [John G. Hanhardt, Barbara Haskell, Richard Marshall, Mark Segal and Patterson Sims] | Whitney Museum of American Art | 1979 |
| Whitney Biennial 1981 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1981 |
| SELECTED BOOKS INCLUDING HOLT | ||
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Artpark: The Program in Visual Arts [documentation of 1974-6 projects] | Artpark, New York | 1976 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Creative Time: The Book 33 Years of Public Art in NYC | Princeton Architectural Press | 2007 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Land Art | Tate Publishing | 2006 |
| Mapping the Terrain: New Genre Public Art | Bay Press | 1995 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| OTHER PUBLICATIONS | ||
| On Site #4 - Not Seen and/or Less Seen of... | Site, Inc., New York | 1973 |
| PERIODICALS INCLUDING HOLT | ||
| Art in America [Architectural Sculpture in Nature by Lucy Lippard] | January-February | 1979 |
| Art Journal [Collaborations: Artists and Architects on Public Sites] | Winter | 1989 |
| Art-Rite # 4 | Art-Rite Publishing | 1974 |
| Arts Magazine | April | 1978 |
| Cover #2 | Artcover, New York | 1980 |
| Frieze [A Place in the Sun (Nancy Holt's monumental Earthwork)] | September | 2003 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| Sculpture, Vol.27, #9 [Excavating Land Art by Women in the 1970s: Discoveries and Oversights by Suzanne Boettger] | November | 2008 |
| TriQuarterly # 32 (with cards) | TriQuarterly | 1975 |