REBECCA HORN
1944, Michelstadt, Germany
| INDIVIDUAL CATALOGUES | ||
| Rebecca Horn: The Glance of Infinity | Kestner Gesellschaft, Hannover / Scalo Verlag | 1997 |
| BOOKS BY OR ABOUT HORN | ||
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| all these black days - between [postcard collages and texts by Horn] | Scalo Publishers, Berlin | 2001 |
| 10 Works / 20 Postcards | DAP | 2005 |
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| CATALOGUES INCLUDING HORN | ||
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Berlin Now: Contemporary Art 1977 | Goethe House New York | 1977 |
| Broken Landscape, Discarded Object | P.P.O.W. Gallery, New York | 1989 |
| Carnegie International 88 [Curator: John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1988 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| La Biennale di Venezia 47 | Venice | 1997 |
| Longing and Belonging From the Faraway Nearby | Site Santa Fe | 1995 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| 9th Biennale de Paris | Musee d'art Moderne de la Ville de Paris | 1975 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Plastic Fantastic Lover (object a) [curator: Catherine Liu] | Blum Helman Warehouse, 80 Green Street, New York | 1991 |
| Pulsa 2: Report on a Phenomenon [curator: Phyllis Plous] | University Art Museum, Santa Barbara, California | 1990 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| Stations | Centre International D'Art Contemporian De Montreal | 1988 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| SELECTED BOOKS INCLUDING HORN | ||
| From the Center: feminist essays on women's art | Dutton | 1976 |
| New Art | Rizzoli | 1991 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| SELECTED PERIODICALS INCLUDING HORN | ||
| Interfunktionen #08 | Interfunktionen | 1972 |
| Parkett # 18 | Parkett | 1988 |
| Parkett # 40/41 | Parkett | 1994 |