DOUGLAS HUEBLER
1924, Ann Arbor, Michican - 1997
| ARTISTS' BOOKS AND MULTIPLES | ||
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| Art & Project # 022 | art & project | 1970 |
| Art & Project # 039 | art & project | 1971 |
| Art & Project # 057 | art & project | 1972 |
| Art & Project # 068 | art & project | 1973 |
| At the moment / In another moment (letter to Braco Dimitrijevic regarding work to be included in the exhibition.) | self | 1971 |
| Crocodile Tears (Brief fictions re-sounding from the proposal in Variable Piece #70:1971 "to photographically document the existence of everyone alive.") | The Museum of Conemporary Art, Los Angeles | 1986 |
| Durata / Duration | Galleria Sperone / Sperone Editore, Torino | 1970 |
| Location Piece #2, New York City - Seattle [from Artists and Photographs Box] | Multiples, Inc | 1970 |
| Secrets | Printed Matter | 1973 |
| ARTICLES INCLUDING AND INTERVIEWS WITH HUEBLER | ||
| Time: A Panel Discussion [Moderator: Siegelaub / with Andre / Cain / Huebler / Wilson | Art International November | 1969 |
| EPHEMERA | ||
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| Douglas Huebler (announcement card - image) | Rudiger Schottle, Munich | 1979 |
| Douglas Huebler. Mediate [Corners] (announcement card - graphic/text) | Rudiger Schottle, Munich | 1978 |
| Douglas Huebler (announcement card - text) | Yvon Lambert, Paris | 1974 |
| Douglas Huebler (announcement card - image) | Sperone Gian Enzo & Konrad Fischer | 1973 |
| Douglas Huebler: An exhibition of recent works including: 45/Variable Piece #70: 1971... Duration Piece #8, 1970-1973, a book... (announcement card - text) | Leo Castelli, New York (420 West Broadway) | 1973 |
| Douglas Huebler: "Variable Piece No. 70" (in process) (announcement card - text) | Konrad Fischer | 1972 |
| Variable Piece # 11. Variable Piece # 44... (announcement card - text) | Leo Castelli, New York (4 East 77) | 1971 |
| Variable Piece (in Progress) (Description is "Simultaneous" Exhibition with Konrad Fischer, Dusseldorf and Galleria Sperone, Turin)... (announcement card - text) | Galleria Sperone, Torino | 1970 |
| OTHER | ||
 Huebler,
upper left two images |
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| Page from the Bradford Junior College Year Book [Annals] - Art Faculty including: "Charles D." Douglas Huebler / Donald Burgy / Robert McDonald / Richard Newman | Bradford Junior College, Bradford, Massachusetts | 1968 |
| INDIVIDUAL CATALOGUES | ||
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| Douglas Huebler | The Addison Gallery, Andover | 1970 |
| Douglas Huebler | Van Abbemuseum Eindhoven | 1979 |
| Douglas Huebler November 1968 Exhibition | Seth Siegelaub | 1968 |
| Douglas Huebler 10+ | Northwestern University Dittmar Memorial Gallery | 1980 |
| PUBLICATION / CURATED | ||
| Duration Piece #8 Global | self | 1973 |
| OTHER PUBLICATIONS | ||
| Numero Quattro a cura di Sol Lewitt - Periodical Curated by Sol LeWitt | Edizione Cenobio Visualita Ass., Milan | 1982 |
| Projects Class (12 artists / 12 cards - submitted to class) | Nova Scotia College of Art and Design | 1969 |
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| ADVERTISEMENT / EXHIBITION DOCUMENTATION | ||
| November, 1968 (announcement of exhibition/catalogue by Seth Siegelaub) | Artforum, November | 1968 |
| CATALOGUES INCLUDING HUEBLER: | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| American Narrative / Story Art 1967-1977 | Contemporary Art Museum, Houston, Texas | 1978 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| A Second Talent: Painters and Sculptors Who are Also Photographers | The Aldrich Museum of Contemporary Art | 1985 |
| Aspects of the 70's - Photography: Recent Directions | DeCordova Museum, Lincoln, Massachusetts | 1980 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Concept </> Decoratif: Anti-Formalist Art of the 70s | Nahan Contemporary, New York | 1990 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Conceptual Art: The NSCAD Connection 1967-1973 | The Press of the Nova Scotia College of Art and Design | 1994 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Documenta 5 | Documenta | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Earth, Air, Fire, Water: Elements of Art | Museum of Fine Arts, Boston | 1971 |
| 18'6" x 6'9" x 11'21/2" x 47' x 11 3/16" x 29'8 1/2" x 31' 9 3/16 [poster] | San Francisco Art Institute | 1969 |
| 18 Paris IV.70 | Seth Siegelaub | 1970 |
| 557,087 | Seattle | 1969 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Idea and Image in Recent Art | The Art Institute of Chicago | 1974 |
| In another moment / at the moment | Gallery SKG, Belgrade | 1971 |
| Information | MoMA, NY | 1970 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| January 5 - 31, 1969 | Seth Siegelaub | 1969 |
| July - August - September 1969 | Seth Siegelaub | 1969 |
| July / August Exhibition Book | Studio International | 1970 |
| Knowledge: Aspects of Conceptual Art | University Art Museum, Santa Barbara | 2002 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| "Konzept" - Kunst | Kunstmuseum, Basel | 1972 |
| 955,000 | Vancouver Art Gallery | 1970 |
| One Month: March, 1969 | Seth Siegelaub | 1969 |
| Op Losse Schroeven (Square peg in round hole) | Stedelijk Museum | 1969 |
| Primary Structures: Younger American and British Sculptors | The Jewish Museum, New York | 1966 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Reasoned Space | Center for Creative Photography, U. of Arizona | 1980 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Remembrances of Things Past | Long Beach Museum of Art, California | 1986 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Software: Information Technology: Its New Meaning for Art | The Jewish Museum | 1970 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| The Xerox Book | Seth Siegelaub / John Wendler | 1968 |
| When Attitudes Become Form [Bern and London] | Kunsthalle Bern | 1969 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| SELECTED BOOKS INCLUDING HUEBLER | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
| Art Povera: Eartheworks/Impossible Art/Actual Art/ Conceptual Art | Germano Celant | 1969 |
| Breakthrough Fictioneers | Something Else Press | 1973 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Fantastic Architecture | Something Else Press | 1969 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Recording Conceptual Art [interviews originally carried out by Norvell in 1969] | University of California Press | 2001 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Artist's Contract | Verlag der Buchhandlung Walther Konig, Koln |
2009 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| SELECTED PERIODICALS INCLUDING HUEBLER | ||
| Artforum | September | 1969 |
| Art in America, [Article: Impossible Art] | May-June | 1969 |
| Art in America [The Post-Perceptual Portrait] | January-February | 1975 |
| Art in America [The American Artist from Loner to Lobbyist] | March April | 1977 |
| Art International [Letter from Holland (including: discussion of Square Peg in Round Holes and When Attitudes Become Form] | May 20 | 1969 |
| Arts Magazine [De-Objectification of the Object by Ursula Meyer ] | Summer | 1969 |
| Art-Rite # 5 | Art-Rite Publishing | 1974 |
| Studio International [Groups by Lucy Lippard] | March | 1970 |
| TriQuarterly #32 | Charles Newman | 1975 |
| 0 to 9 Number 6 | Acconci and Mayer, reprint 2006, July | 1969 |
| EXHIBITION REVIEWS | ||
| Douglas Huebler at Eugenia Butler, L.A. | Artforum, September | 1969 |