JOAN JONAS
1936, New York
F / S / V / INSTV
| VIDEO WORKS | ||
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| I Want to Live in the Country (And Other Romances) | VHS | 1976 |
| Waltz (Point of View Series) | DVD | 2003 |
| BOOKS BY OR ABOUT JONAS | ||
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| Joan Jonas: I Want to Live in the Country (And Other Romances) | Afterall Books | 2006 |
| EPHEMERA | ||
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| Joan Jonas: Lines in the Sand / The Shape, the Scent, the Feel of Things(poster) | The Renaissance Society, Chicago | 2004 |
| OTHER PUBLICATIONS | ||
| In and Out of Kutztown: a documentation of the Art Series Program 1974-1981 | Kutztown State College, Pennsylvania | 1983 |
| View - interview with Jonas | Crown Point Press, San Francisco | 1979 |
| INDIVIDUAL CATALOGUES | ||
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| Joan Jonas: Fvie Works | Queens Museum of Art, New York | 2003 |
| Joan Jonas: Performance Video Installation 1968-2000 | Galerie der Stadt Stuttgart | 2000 |
| Joan Jonas: Scripts and Descriptions 1968 - 1982 | University Art Museum, Berkeley | 1983 |
| Joan Jonas: The Shape, the Scent, the Feel of Things | Dia Beacon | 2005 |
| Joan Jonas: Works 1968 - 1994 | Stedelijk Museum Amsterdam | 1994 |
| SELECTED CATALOGUES INCLUDING JONAS | ||
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Continental Drift [curator: Mark Rosenthal] | Norton Museum of Art, West Palm Beach, Florida | 2004 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 8 [curator: Manfred Schneckenburger] Video | Kassel | 1987 |
| Documenta 11 | Kassel, Germany | 2002 |
| Double Life: Identity and Transformation in Contemporary Arts | Generali Foundation, Vienna | 2001 |
| Filmdance 1890's - 1983 | The Public Theater, New York | 1983 |
| Films by American Artists: One Medium Among Many | Art Council of Great Britian - a traveling exhibition of films | 1981 |
| Flipside (lost in translation: the flipside of the message) | Artists Space, New York | 2004 |
| Gloria:Another Look at Feminist Art of the 1970s | White Columns, New York | 2002 |
| Into the Light: The Projected Image in American Art 1964-1977 | Whitney Museum | 2001 |
| la Biennale di Venezia 45: Opera Italiana - Transiti - Museo Elettronico | Venice, various locations | 1993 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Out of Actions: Between Performance and The Object 1949-1979 | The Museum of Contemporary Art, Los Angeles | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Pictures [not in exhibition but discussed in Lawson's essay] | Artists Space, New York | 1977 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| The Fairy Tale: Politics, Desire, and Everyday Life | Artists Space, New York | 1986 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| Video Art: Expanded Forms [Curator: John G. Hanhardt] | Whitney Museum of American Art at Equitable Center | 1988 |
| Video: Joan Jonas [a Multi-Disciplinary Program / in "Critical Perspectives" catalogue] | P.S. 1, New York | 1982 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Whitney Biennial 1979 [John G. Hanhardt, Barbara Haskell, Richard Marshall, Mark Segal and Patterson Sims] [included her work: "I Want to Live in the Country (and Other Romances)" ] | Whitney Museum of American Art | 1979 |
| Whitney Biennial 1985 [Richard Armstrong, John G. Hanhardt, Barbara Haskell, Richard Marshall, Lisa Phillips, and Patterson Sims] | Whitney Museum of American Art | 1985 |
| Whitney Biennial 1991 - Film and Video [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| SELECTED BOOKS INCLUDING JONAS | ||
| Creative Time: The Book 33 Years of Public Art in NYC | Princeton Architectural Press | 2007 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Illuminating Video: An Essential Guide to Video Art | Aperture | 1990 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| The Amazing Decade: Women and Performance Art in America 1970-1980 | Astro Artz | 1983 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| Video by Artists 2 | Art Metropole, Toronto | 1986 |
| PERIODICALS INCLUDING JONAS | ||
| Art Journal [Why Don't They Tell Stories Like They Used To?] [and in Video Chronology] | Fall | 1985 |
| Art-Rite # 5 | Art-Rite Publishing | 1974 |
| Art-Rite # 10 | Art-Rite Publishing | 1975 |
| Avalanche # 05 | Avalanche | 1972 |
| Cover #3 | Artcover, New York | 1980 |
| Heresies #5 The Great Goddess | Heresies | 1978 |
| TRANS> 9/10 | Passim, Inc. | 2001 |
| Upfront # 11 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1985/6 |
| Vision Number 4 (Word of Mouth) [audio issue] | Crown Point Press | 1980 |
| Vision #5 - Artists' Photographs | Crown Point Press | 1982 |
| X-Tra Vol. 5 #3 | Project X Foundation for Art and Criticism | 2003 |