


DONALD JUDD
1928, Excelsior Springs, Missouri - 1994
| INDIVIDUAL CATALOGUES/BOOKS | ||
| Donald Judd | Whitney Museum of American Art | 1968 |
| Donald Judd Architecture | MAK, Vienna | 2003 |
| Donald Judd: Complete Writings 1959 - 1975 | The Press of Nova Scotia College of Art and Design | 1975 / 2005 |
| Donald Judd: Early Works 1955-1968 | Kunsthalle Bielefeld / D.A.P. | 2002 |
| BOOKS BY OR ABOUT JUDD | ||
| Donald Judd "Eichholteren" | Kunsthaus Bergenz . archiv kunst architektur Werkdokumente | 1994 |
| ARTICLES AND INTERVIEWS | ||
| An Interview with Don Judd [John Coplans] | Artforum, June | 1971 |
| Questions to Stella and Judd | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Malevich: Independent From, Color, Surface by Donald Judd | Art in America, March-April | 1974 |
| Specific Objects | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| EPHEMERA | ||
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| Donald Judd [poster] | Leo Castelli Gallery, New York | 1976 |
| Donald Judd [poster] | Leo Castelli Gallery, New York | 1981 |
| Next Wave Festival 1983 Program [Trish Brown: collaboration with Robert Rauschenberg and Donald Judd, visuals / Laurie Anderson, music-performance] | Brooklyn Academy of Music | 1983 |
| SELECTED CATALOGUES INCLUDING JUDD | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| As Painting: Division and Displacement | Wexner Center for the Arts, Columbus | 2001 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Blam! The Explosion of Pop, Minimalism and Performance 1958-1964 | Whitney Museum of American Art | 1984 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Cancelled [The Fortuitous Consequences of an Unexpected Act...] | Apex Art, New York | 1998 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Diagrams & Drawings | Rijksmuseum Kroller-Muller, Otterlo | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Endgame: Reference and Simulation in Recent Painting and Sculpture [mentioned in essay by Hal Foster / work not in exhibition] | The Institute of Contemporary Art, Boston | 1987 |
| Focus 2: Minimal Art, Concept Art, Land Art and Arte Povera [brochure] | Museum Moderner Kunst Stiftung Ludwig | 2004 |
| 14 Sculptors: The Industrial Edge | Walker Art Center, Minneapolis, Minnesota | 1969 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Guggenheim International Exhibition 1971 | Guggenheim Museum | 1971 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - The Entropy of Art / also: National Pavilion - USA (with others) | Venice | 1976 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Primary Structures: Younger American and British Sculptors | The Jewish Museum, New York | 1966 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| Sculpture Since the Sixties: from the Permanent Collection of the Whitney Museum of American Art | Whitney Museum of American Art at Equitqble Center | 1989 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| 10 | Dwan Gallery | 1966 |
| The Art of the Real: USA 18948-1968 | The Museum of Modern Art | 1968 |
| The Rebounding Surface: A Study of Reflections in the Work of Nineteen Contemporary Artists [curator: Linda Weintraub] | Edith C. Blum Art Institute Avery Center for the Arts, Bard College | 1982 |
| Urban Encounters: Art Architecture Audience [listed in 100 sites] | ICA, University of Pennsylvania | 1980 |
| Wall Works: Wall Installations in Editions 1992-93 | Edition Schellmann, Koln and New York | 1993 |
| Whitney Biennial 1985 [Richard Armstrong, John G. Hanhardt, Barbara Haskell, Richard Marshall, Lisa Phillips, and Patterson Sims] | Whitney Museum of American Art | 1985 |
| Whitney Museum Sculpture Annual 1970 | Whitney Museum of American Art | 1970 |
| Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art | Walther Konig, Koln | 1966/ 1997 |
| Works for New Spaces | Walker Art Center, Minneapolis | 1971 |
| SELECTED BOOKS INCLUDING JUDD | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING JUDD | ||
| Artforum [Problems of Criticism, V: the Politics of Art Part II by Barbara Rose] | January | 1969 |
| Art in America [The Dimensions of the Miniarts by Douglas Davis] | November-December | 1967 |
| Art in America [Unit, Series, Site: A Judd Lexicon by William C. Agee] | May-June | 1975 |
| Art in America, [A Critic's Diary: The New York Art Year by David Bourdon] | July-August | 1977 |
| Art in America [Multiple Returns by Roberta Smith] | March | 1982 |
| Art in America [Donald Judd's Equivocal Objects] | January | 1984 |
| Art in America [Report from Italy: Count Panza Divests] | December | 1984 |
| Art International [Minimal Art at the Hague] | May 15 | 1968 |
| Arts Magazine [De-Objectification of the Object by Ursula Meyer ] | Summer | 1969 |
| Flash Art [Obituary] | March-April | 1994 |
| New Observations # 35 [Dementia Praecox: A Note on Minimalist Space by Mason Klein (mentiones Donald Judd / with imag)] | New Observations Ltd. | 1985 |
| Parkett # 22 | Parkett | 1989 |
| Parkett # 40/41 [Richard Serra on the death of Judd] | Parkett | 1994 |
| The Fox #2 | art & language | 1975 |
| Third Text # 22 [quoted in review of "Gravity and [Dis] Grace"] | Third Text, Spring | 1993 |
| EXHIBITION REVIEWS AND ANNOUNCEMENTS | ||
| Donnald Judd at Castelli | Artforum, April | 1969 |
| Donald Judd advertisement at Heiner Friedrich at 141 Wooster | Art in America, March-April | 1977 |
| Donald Judd at Castelli | Arts Magazine , May | 1978 |
| Donald Judd at Pace | Flash Art, November-December | 1991 |
| ADVERTISEMENTS | ||
| Donald Judd at Castelli | Artforum, January | 1969 |